Category Archives: Egyptian Gods & Mythology

Stargate (1994)

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FILM SUBLIMINALS:

Originally Posted: Dec 28, 2011

Prometheus (2012)

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FILM SUBLIMINALS:

Originally Posted: Aug 19, 2011

Unbreakable (2000)

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FILM SUBLIMINALS

Originally Posted: May 6, 2012

Solar Barque (Information & Depiction Pages)

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Solar BarqueA Solar Barque (also “solar bark”, “solar barge”, “solar boat” and “sun boat”) is a mythological representation of the sun riding in a boat. The many early Egyptian goddesses who are related as sun deities and the later gods Ra and Horus depicted as riding in a solar barge. In Egyptian myths of the afterlife, Ra rides in an underground channel from west to east every night so that he can rise in the east the next morning…

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The Lord of the Rings: The Return of the King (2003)

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Originally Posted: Jan 7, 2012

Watchmen (2009)

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Originally Posted: Dec 15, 2011

Indiana Jones and the Raiders of the Lost Ark (1981)

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FILM SUBLIMINALS:

Originally Posted: Mar 10, 2012

HORUS: The Gods of Hollywood

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HORUS: The Gods of Hollywood

Horus, Among the most ubiquitous of Egyptian Gods, Horus embodies kingship, victory, righteousness, and civilization. Horus is depicted either as a hawk-headed man or as a hawk, probably a peregrine falcon, except when he is depicted as a child (Harpocrates) in which case he is depicted anthropomorphically. From the earliest period, the king of Egypt was identified to some degree with Horus, and each pharaoh bore a ‘Horus name’ to which was later added a ‘Golden Horus name’. The Eye of Horus, known as the ‘Sound Eye’ or wedjat, from the word w-dj- (cf. Wadjet), meaning healthy, flourishing, or prosperous, or, as a verb, to proceed or attain, ranks as one of the most important and recognizable symbols in Egyptian religion.

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RA: The Gods of Hollywood

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RA: The Gods of Hollywood

Ra, is the God of the sun par excellence in the Egyptian pantheon. To say that Re is God of the sun is not to say that he is identical with the sun as a physical being, a distinction Egyptians registered by their use of the term aten to refer to the sun’s visible disk. Rather, Re is the divine potency in the sun and hence the focal point of the whole cosmos. Re’s nature and functions have more to do with the central position of the symbol of the sun in the totality of Egyptian thought than with the sun in a narrowly physical sense.

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OSIRIS: The Gods of Hollywood

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OSIRISOSIRIS: Gods of Hollywood

Osiris is the God of mortality and of the mortal being as mortal, hence in the ultimate stages of the development of Egyptian theology, any deceased individual is identified with Osiris, as is reflected by the use of ‘Osiris N.’ to refer to the deceased in the collections of afterlife literature known as the Coffin Texts and the Book of the Dead, where the conventional ‘N.’ of the translators represents the insertion of the name of the person on whose behalf the copy of the text was produced.

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SET: The Gods of Hollywood

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SETSET: The Gods of Hollywood

Set, Son of Geb and Nut, Set is a God of physical vigor and voracious sexual appetite in open conflict with social order and emotional bonds. While there are important contexts in which Seth’s activity is positive, most notably in his defense of the boat of Re against the attacks of Apophis, the great symbol of entropy, he is most well known as the murderer of his brother Osiris and for unsuccessfully vying for worldly sovereignty against Horus, the son of Isis and Osiris and the embodiment of legitimacy and civilization.

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APEP: The Gods of Hollywood

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APEPAPEP: The Gods of Hollywood

Apep,  A serpent God embodying the primeval forces of disorder inimical to life. Apophis is the eternal opponent of Re and attacks the solar boat, not only during its nocturnal journey, but even during its journey by day. He is conceived as massive in size (his name is sometimes interpreted as meaning huge or indeterminate in size) and possessing a deafening roar and paralyzing gaze.

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Satanism (Information Page)

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Satanism is a broad term referring to a group of Western religions comprising diverse ideological and philosophical beliefs. Their shared features include symbolic association with, or admiration for the character of, Satan, or similar rebellious, promethean, and, in their view, liberating figures.

Particularly after the European Enlightenment, some works, such as Paradise Lost, were taken up by Romantics and described as presenting the biblical Satan as an allegory representing a crisis of faith, individualism, free will, wisdom and enlightenment…

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Hellboy (2004)

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FILM SUBLIMINALS:

Originally Posted: Mar 4, 2012

Hollywood Apocalypse: ‘The Invisible Symbol’

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The ‘Invisible Symbol’ is an ancient symbol that has been embedded subliminally at a compositional level into every single piece of promotional artwork produced for the film and television industries. In its modern context the symbol has been traced back 110 years, to the very origins of the global film-making industry. Ultimately this symbol represents one thing, dominance.

The findings presented on this site clearly signify that every major filmmaker (director/writer/producer) and studio are controlled by and members of this ubiquitous solar cult; whose ancient mythology is at the very core of each of their works. Ever wondered why every film fundamentally tells the same story? (Light vs Dark/Good vs Evil = Ra vs Apep/Horus vs Set)

It’s time for a new story, a new mythology…

LOST Solved: The Complete Mythological Deconstruction

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>: 4-8-15-16-23-42 [EXECUTE] – LOST Solved

Visit our main parent site to explore and decode LOST with the complete mythological deconstruction to the critically acclaimed occult television series.

Detailed information on The Island, The Others, DHARMA Initiative, and decoded information on over 450 LOST characters.