Global Financial Slavery – Rothschild Central Banking System (The Sinking of the Titanic, 1912)

This information is respectfully dedicated to the victims of the Titanic disaster,
and to all who have become enslaved as a result.

2022

GLOBAL FINANCIAL
SLAVERY


(ROTHSCHILD CENTRAL BANKING SYSTEM)

SLAVERY & ENSLAVEMENT


 

Slavery and enslavement are both the state and the condition of being a slave, who is someone forbidden to quit their service for an enslaver, and who is treated by the enslaver as their property. Slavery typically involves the enslaved person being made to perform some form of work while also having their location or residence dictated by the enslaver. Many historical cases of enslavement occurred when the enslaved broke the law, became indebted, or suffered a military defeat; other forms of slavery were instituted along demographic lines such as race. The duration of a person’s enslavement might be for life, or for a fixed period of time, after which freedom would be granted. Although most forms of slavery are explicitly involuntary and involve the coercion of the enslaved, there also exists voluntary slavery, entered into by the enslaved to pay a debt or obtain money. In the course of human history, slavery was a typical feature of civilization, legal in most societies, but it is now outlawed in most countries of the world, except as a punishment for a crime.

In chattel slavery, the enslaved person is legally rendered the personal property (chattel) of the slave owner. In economics, the term de facto slavery describes the conditions of unfree labour and forced labour that most slaves endure.

In 2019, approximately 40 million people, of whom 26 percent were children, were enslaved throughout the world despite it being illegal. In the modern world, more than 50 percent of enslaved people provide forced labour, usually in the factories and sweatshops of the private sector of a country’s economy. In industrialised countries, human trafficking is a modern variety of slavery; in non-industrialised countries, enslavement by debt bondage is a common form of enslaving a person, such as captive domestic servants, forced marriage, and child soldiers.

 

CENTRAL BANKS


 

A central bank, reserve bank, or monetary authority is an institution that manages the currency and monetary policy of a state or formal monetary union, and oversees their commercial banking system. In contrast to a commercial bank, a central bank possesses a monopoly on increasing the monetary base. Most central banks also have supervisory and regulatory powers to ensure the stability of member institutions, to prevent bank runs, and to discourage reckless or fraudulent behavior by member banks.

Central banks in most developed nations are institutionally independent from political interference. Still, limited control by the executive and legislative bodies exists.

Spread around the world

Central banks were established in many European countries during the 19th century. Napoleon created the Banque de France in 1800, in an attempt to improve the financing of his wars. On the continent of Europe, the Bank of France remained the most important central bank throughout the 19th century. The Bank of Finland was founded in 1812, soon after Finland had been taken over from Sweden by Russia to become its grand duchy. A central banking role was played by a small group of powerful family banking houses, typified by the House of Rothschild, with branches in major cities across Europe, as well as the Hottinguer family in Switzerland and the Oppenheim family in Germany.

Although central banks today are generally associated with fiat money, the 19th and early 20th centuries central banks in most of Europe and Japan developed under the international gold standard. Free banking or currency boards were common at this time. Problems with collapses of banks during downturns, however, led to wider support for central banks in those nations which did not as yet possess them, most notably in Australia.

Australia established its first central bank in 1920, Peru in 1922, Colombia in 1923, Mexico and Chile in 1925 and Canada, India and New Zealand in the aftermath of the Great Depression in 1934. By 1935, the only significant independent nation that did not possess a central bank was Brazil, which subsequently developed a precursor thereto in 1945 and the present Central Bank of Brazil twenty years later. After gaining independence, African and Asian countries also established central banks or monetary unions. The Reserve Bank of India, which had been established during British colonial rule as a private company, was nationalized in 1949 following India’s independence.

The People’s Bank of China evolved its role as a central bank starting in about 1979 with the introduction of market reforms, which accelerated in 1989 when the country adopted a generally capitalist approach to its export economy. Evolving further partly in response to the European Central Bank, the People’s Bank of China had by 2000 become a modern central bank. The most recent bank model was introduced together with the euro, and involves coordination of the European national banks, which continue to manage their respective economies separately in all respects other than currency exchange and base interest rates.

Source: Wikipedia

ROTHSCHILD OWNED & CONTROLLED
CENTRAL BANKS:

NORTH AMERICA

EUROPE

  • Albania: Bank of Albania
  • Austria: Austrian National Bank
  • Belarus: National Bank of the Republic of Belarus
  • Belgium: National Bank of Belgium
  • Bosnia: Central Bank of Bosnia and Herzegovina
  • Bulgaria: Bulgarian National Bank
  • Croatia: Croatian National Bank
  • Cyprus: Central Bank of Cyprus
  • Czech Republic: Czech National Bank
  • Denmark: National Bank of Denmark
  • Estonia: Bank of Estonia
  • European Union: European Central Bank
  • Finland: Bank of Finland
  • France: Bank of France
  • Georgia: National Bank of Georgia
  • Germany: Deutsche Bundesbank
  • Greece: Bank of Greece
  • Hungary: Magyar Nemzeti Bank
  • Iceland: Central Bank of Iceland
  • Ireland: Central Bank and Financial Services Authority of Ireland
  • Italy: Bank of Italy
  • Latvia: Bank of Latvia
  • Lithuania: Bank of Lithuania
  • Luxembourg: Central Bank of Luxembourg
  • Macedonia: National Bank of the Republic of Macedonia
  • Malta: Central Bank of Malta
  • Moldova: National Bank of Moldova
  • Montenegro: Central Bank of Montenegro
  • Netherlands: Netherlands Bank
  • Norway: Central Bank of Norway
  • Poland: National Bank of Poland
  • Portugal: Bank of Portugal
  • Romania: National Bank of Romania
  • Russia: Central Bank of Russia
  • San Marino: Central Bank of the Republic of San Marino
  • Serbia: National Bank of Serbia
  • Slovakia: National Bank of Slovakia
  • Slovenia: Bank of Slovenia
  • Spain: Bank of Spain
  • Sweden: Sveriges Riksbank
  • Switzerland: Swiss National Bank
  • Ukraine: National Bank of Ukraine
  • United Kingdom: Bank of England

ASIA

SOUTH AMERICA

THE MIDDLE EAST

AFRICA

  • Algeria: Bank of Algeria
  • Benin: Central Bank of West African States (BCEAO)
  • Botswana: Bank of Botswana
  • Burkina Faso: Central Bank of West African States (BCEAO)
  • Burundi: Bank of the Republic of Burundi
  • Cameroon: Bank of Central African States
  • Central African Republic: Bank of Central African States
  • Chad: Bank of Central African States
  • Comoros: Central Bank of Comoros
  • Congo: Bank of Central African States
  • Cote d’Ivoire: Central Bank of West African States (BCEAO)
  • Equatorial Guinea: Bank of Central African States
  • Ethiopia: National Bank of Ethiopia
  • Gabon: Bank of Central African States
  • The Gambia: Central Bank of The Gambia
  • Ghana: Bank of Ghana
  • Guinea Bissau: Central Bank of West African States (BCEAO)
  • Kenya: Central Bank of Kenya
  • Lesotho: Central Bank of Lesotho
  • Libya: Central Bank of Libya
  • Madagascar: Central Bank of Madagascar
  • Malawi: Reserve Bank of Malawi
  • Mali: Central Bank of West African States (BCEAO)
  • Mauritius: Bank of Mauritius
  • Morocco: Bank of Morocco
  • Mozambique: Bank of Mozambique
  • Namibia: Bank of Namibia
  • Niger: Central Bank of West African States (BCEAO)
  • Nigeria: Central Bank of Nigeria
  • Rwanda: National Bank of Rwanda
  • Senegal: Central Bank of West African States (BCEAO)
  • Seychelles: Central Bank of Seychelles
  • Sierra Leone: Bank of Sierra Leone
  • South Africa: South African Reserve Bank
  • Sudan: Bank of Sudan
  • Swaziland: The Central Bank of Swaziland
  • Tanzania: Bank of Tanzania
  • Togo: Central Bank of West African States (BCEAO)
  • Tunisia: Central Bank of Tunisia
  • Uganda: Bank of Uganda
  • Zambia: Bank of Zambia
  • Zimbabwe: Reserve Bank of Zimbabwe

OCEANIA

HUMANS DIRECTLY ENSLAVED UNDER THE
ROTHSCHILD CENTRAL BANKING SYSTEM:

REGION:EST. POPULATION (2022)
NORTH / CENTRAL AMERICA591.7 million
EUROPE708.3 million
ASIA4.1 billion
SOUTH AMERICA436.2 million
THE MIDDLE EAST460.1 million
AFRICA1.1 billion
OCEANIA43.5 million
TOTAL POPULATION ENSLAVED:7.4 BILLION

THE TIME HAS COME TO
END HUMANITY’S ENSLAVEMENT

ROTHSCHILD SECTION INDEX


THE SINKING
OF THE TITANIC


(APRIL 14-15, 1912 — NORTH ATLANTIC OCEAN)

THE SINKING OF THE TITANIC
(April 14-15, 1912 — North Atlantic Ocean)


 

RMS Titanic was a British passenger liner operated by the White Star Line that sank in the North Atlantic Ocean on 15 April 1912, after striking an iceberg during her maiden voyage from Southampton to New York City. Of the estimated 2,224 passengers and crew aboard, more than 1,500 died, making the sinking at the time the deadliest of a single ship in the West and the deadliest peacetime sinking of a superliner or cruise ship to date. With much public attention in the aftermath the disaster has since been the material of many artistic works and a founding material of the disaster film genre.

RMS Titanic was the largest ship afloat at the time she entered service and was the second of three Olympic-class ocean liners operated by the White Star Line. She was built by the Harland and Wolff shipyard in Belfast. Thomas Andrews, chief naval architect of the shipyard at the time, died in the disaster.

Titanic was under the command of Captain Edward Smith, who also went down with the ship. The ocean liner carried some of the wealthiest people in the world, as well as hundreds of emigrants from Great Britain and Ireland, Scandinavia and elsewhere throughout Europe, who were seeking a new life in the United States. The first-class accommodation was designed to be the pinnacle of comfort and luxury, with a gymnasium, swimming pool, libraries, high-class restaurants, and opulent cabins. A high-powered radiotelegraph transmitter was available for sending passenger “marconigrams” and for the ship’s operational use. The Titanic had advanced safety features, such as watertight compartments and remotely activated watertight doors. The ship carried 16 lifeboat davits which could lower three lifeboats each, for a total of 48 boats.

However, Titanic carried only a total of 20 lifeboats, four of which were collapsible and proved hard to launch during the sinking. The carried lifeboats were enough for 1,178 people—about half the number on board, and one third of her total capacity—due to the maritime safety regulations of those days. Though at the time of the sinking the lowered lifeboats were only about half-filled.

The iceberg suspected of sinking Titanic

After leaving Southampton on 10 April 1912, Titanic called at Cherbourg in France and Queenstown (now Cobh) in Ireland, before heading west to New York. On 14 April, four days into the crossing and about 375 miles (600 km) south of Newfoundland, she hit an iceberg at 11:40 p.m. ship’s time. The collision caused the hull plates to buckle inwards along her starboard (right) side and opened five of her sixteen watertight compartments to the sea; she could only survive four flooding. Meanwhile, passengers and some crew members were evacuated in lifeboats, many of which were launched only partially loaded. A disproportionate number of men were left aboard because of a “women and children first” protocol for loading lifeboats. At 2:20 am, she broke apart and foundered with well over one thousand people still aboard. Just under two hours after Titanic sank, the Cunard liner RMS Carpathia arrived and brought aboard an estimated 705 survivors.

The disaster was met with worldwide shock and outrage at the huge loss of life, as well as the regulatory and operational failures that led to it. Public inquiries in Britain and the United States led to major improvements in maritime safety. One of their most important legacies was the establishment of the International Convention for the Safety of Life at Sea (SOLAS) in 1914, which still governs maritime safety. Several new wireless regulations were passed around the world in an effort to learn from the many missteps in wireless communications—which could have saved many more passengers.

The wreck of Titanic was discovered in 1985 (73 years after the disaster) during a Franco-American expedition and United States Military mission. The ship was split in two and is gradually disintegrating at a depth of 12,415 feet (2,069.2 fathoms; 3,784 m). Thousands of artefacts have been recovered and displayed at museums around the world. Titanic has become one of the most famous ships in history, depicted in numerous works of popular culture, including books, folk songs, films, exhibits, and memorials. Titanic is the second largest ocean liner wreck in the world, only being surpassed by her sister ship HMHS Britannic, however, she is the largest sunk while in service as a liner, as Britannic was in use as a hospital ship at the time of her sinking. The final survivor of the sinking, Millvina Dean, aged two months at the time, died in 2009 at the age of 97.

Source: Wikipedia

Titanic: The Shocking Truth (2012)
[Full Documentary — Highly Recommended]

TITANIC SECTION INDEX


THE TRUTH

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

TITANIC TRUTH

THE ICEBERG DID NOT SINK THE TITANIC

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

The Sinking of the Titanic (North Atlantic Ocean – April 14-15, 1912)

This information is respectfully dedicated to the victims.

1912

THE SINKING
OF THE TITANIC


(APRIL 14-15, 1912 — NORTH ATLANTIC OCEAN)

THE SINKING OF THE TITANIC
(April 14-15, 1912 — North Atlantic Ocean)


 

RMS Titanic was a British passenger liner operated by the White Star Line that sank in the North Atlantic Ocean on 15 April 1912, after striking an iceberg during her maiden voyage from Southampton to New York City. Of the estimated 2,224 passengers and crew aboard, more than 1,500 died, making the sinking at the time the deadliest of a single ship in the West and the deadliest peacetime sinking of a superliner or cruise ship to date. With much public attention in the aftermath the disaster has since been the material of many artistic works and a founding material of the disaster film genre.

RMS Titanic was the largest ship afloat at the time she entered service and was the second of three Olympic-class ocean liners operated by the White Star Line. She was built by the Harland and Wolff shipyard in Belfast. Thomas Andrews, chief naval architect of the shipyard at the time, died in the disaster.

Titanic was under the command of Captain Edward Smith, who also went down with the ship. The ocean liner carried some of the wealthiest people in the world, as well as hundreds of emigrants from Great Britain and Ireland, Scandinavia and elsewhere throughout Europe, who were seeking a new life in the United States. The first-class accommodation was designed to be the pinnacle of comfort and luxury, with a gymnasium, swimming pool, libraries, high-class restaurants, and opulent cabins. A high-powered radiotelegraph transmitter was available for sending passenger “marconigrams” and for the ship’s operational use. The Titanic had advanced safety features, such as watertight compartments and remotely activated watertight doors. The ship carried 16 lifeboat davits which could lower three lifeboats each, for a total of 48 boats.

However, Titanic carried only a total of 20 lifeboats, four of which were collapsible and proved hard to launch during the sinking. The carried lifeboats were enough for 1,178 people—about half the number on board, and one third of her total capacity—due to the maritime safety regulations of those days. Though at the time of the sinking the lowered lifeboats were only about half-filled.

The iceberg suspected of sinking Titanic

After leaving Southampton on 10 April 1912, Titanic called at Cherbourg in France and Queenstown (now Cobh) in Ireland, before heading west to New York. On 14 April, four days into the crossing and about 375 miles (600 km) south of Newfoundland, she hit an iceberg at 11:40 p.m. ship’s time. The collision caused the hull plates to buckle inwards along her starboard (right) side and opened five of her sixteen watertight compartments to the sea; she could only survive four flooding. Meanwhile, passengers and some crew members were evacuated in lifeboats, many of which were launched only partially loaded. A disproportionate number of men were left aboard because of a “women and children first” protocol for loading lifeboats. At 2:20 am, she broke apart and foundered with well over one thousand people still aboard. Just under two hours after Titanic sank, the Cunard liner RMS Carpathia arrived and brought aboard an estimated 705 survivors.

The disaster was met with worldwide shock and outrage at the huge loss of life, as well as the regulatory and operational failures that led to it. Public inquiries in Britain and the United States led to major improvements in maritime safety. One of their most important legacies was the establishment of the International Convention for the Safety of Life at Sea (SOLAS) in 1914, which still governs maritime safety. Several new wireless regulations were passed around the world in an effort to learn from the many missteps in wireless communications—which could have saved many more passengers.

The wreck of Titanic was discovered in 1985 (73 years after the disaster) during a Franco-American expedition and United States Military mission. The ship was split in two and is gradually disintegrating at a depth of 12,415 feet (2,069.2 fathoms; 3,784 m). Thousands of artefacts have been recovered and displayed at museums around the world. Titanic has become one of the most famous ships in history, depicted in numerous works of popular culture, including books, folk songs, films, exhibits, and memorials. Titanic is the second largest ocean liner wreck in the world, only being surpassed by her sister ship HMHS Britannic, however, she is the largest sunk while in service as a liner, as Britannic was in use as a hospital ship at the time of her sinking. The final survivor of the sinking, Millvina Dean, aged two months at the time, died in 2009 at the age of 97.

Source: Wikipedia

Titanic: The Shocking Truth (2012)
[Full Documentary — Highly Recommended]

SECTION INDEX


THE TRUTH

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

TITANIC TRUTH

THE ICEBERG DID NOT SINK THE TITANIC

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

The Sinking of the Titanic – Section 6: Foreshadowing & Hollywood

SECTION 6

The Official Story

LITERARY FORESHADOWING
OF THE TITANIC DISASTER


 

At the time the Titanic sank, the 1 May 1912 issue of The Popular Magazine, an American pulp magazine, was on the news stands. It contained the short story “The White Ghost of Disaster”, which described the collision of an ocean liner with an iceberg in the Atlantic Ocean, the sinking of the vessel, and the fate of the passengers. The story, by Mayn Clew Garnett (the pseudonym of sea-story author T. Jenkins Hains), created a minor sensation.

In 1898, fourteen years before the Titanic disaster, Morgan Robertson wrote a book called The Wreck of the Titan: Or, Futility. This story features an enormous British passenger liner called the Titan, which, deemed to be unsinkable, carries insufficient lifeboats. On an April voyage, the Titan hits an iceberg and sinks in the North Atlantic with the loss of almost everyone on board.

In 1912, the German Berliner Tageblatt newspaper published a book in serial form that ran from 9 January until 24 April. This work of fiction was written by Gerhard Hauptmann, who would receive the Nobel Prize in Literature later that year. One month before the fateful April maiden voyage of the RMS Titanic, the story was published by S. Fischer Verlag as the novel Atlantis. Atlantis is a romantic tale set aboard the fictitious ocean liner Roland, which is coincidentally doomed to a fate very similar to that of the RMS Titanic. This perceived anticipation of the Titanic disaster received considerable attention at the time. A Danish silent film also titled Atlantis was produced by Nordisk Film based on the novel. The film was released less than a year after the actual tragic event. The association became evident, and it was banned in Norway, perceived as being in “bad taste”.

Source: Wikipedia

Titanic: The Shocking Truth (2012)
[Full Documentary — Highly Recommended]

ARTICLE INDEX

THE TRUTH

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.3 – Titanic (1997) Iceberg

THE SINKING OF THE TITANIC


Titanic (1997)

HOLLYWOOD FALSE HISTORY PROPAGANDA

The Official Story

TITANIC (1997)


 

Titanic is a 1997 American epic romance and disaster film directed, written, produced, and co-edited by James Cameron. Incorporating both historical and fictionalized aspects, it is based on accounts of the sinking of the RMS Titanic, and stars Leonardo DiCaprio and Kate Winslet as members of different social classes who fall in love aboard the ship during its ill-fated maiden voyage. Also starring are Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, and Bill Paxton.

Cameron’s inspiration for the film came from his fascination with shipwrecks; he felt a love story interspersed with the human loss would be essential to convey the emotional impact of the disaster. Production began in 1995, when Cameron shot footage of the actual Titanic wreck. The modern scenes on the research vessel were shot on board the Akademik Mstislav Keldysh, which Cameron had used as a base when filming the wreck. Scale models, computer-generated imagery, and a reconstruction of the Titanic built at Baja Studios were used to re-create the sinking. The film was co-financed by Paramount Pictures and 20th Century Fox; the former handled distribution in North America while the latter released the film internationally. It was the most expensive film ever made at the time, with a production budget of $200 million.

Upon its release on December 19, 1997, Titanic achieved significant critical and commercial success, and then received numerous accolades. Nominated for 14 Academy Awards, it tied All About Eve (1950) for the most Oscar nominations, and won 11, including the awards for Best Picture and Best Director, tying Ben-Hur (1959) for the most Oscars won by a single film. With an initial worldwide gross of over $1.84 billion, Titanic was the first film to reach the billion-dollar mark. It remained the highest-grossing film of all time until another Cameron film, Avatar, surpassed it in 2010. A 3D version of Titanic, released on April 4, 2012, to commemorate the centennial of the sinking, earned it an additional $343.6 million worldwide, pushing the film’s worldwide total to $2.195 billion and making it the second film to gross more than $2 billion worldwide (after Avatar). In 2017, the film was re-released for its 20th anniversary and was selected for preservation in the United States National Film Registry for being “culturally, historically or aesthetically significant”.

Titanic (1997) – Iceberg Collision Scene

Production Details

Directed by:James Cameron
Written by:James Cameron
Produced by:James Cameron
Jon Landau
Production Companies:Paramount Pictures
20th Century Fox
Lightstorm Entertainment
Distributed by:Paramount Pictures
(North America)
20th Century Fox
(International)
Release date:November 1, 1997 (Tokyo)
December 19, 1997 (United States)
December 20, 1997 (South Africa)

PLOT SUMMARY

In 1996, aboard the research vessel Akademik Mstislav Keldysh, Brock Lovett and his team search the wreck of RMS Titanic. They recover a safe they hope contains a necklace with a large diamond known as the Heart of the Ocean. Instead, they only find a drawing of a young nude woman wearing the necklace. The sketch is dated April 14, 1912, the same day the Titanic struck the iceberg that caused it to sink. Rose Dawson Calvert, the woman in the drawing, is brought aboard Keldysh. She recounts her experiences aboard Titanic.

In 1912 Southampton, 17-year-old Rose DeWitt Bukater, her wealthy fiancé Caledon “Cal” Hockley, and Rose’s widowed mother, Ruth, board the Titanic. Ruth emphasizes that Rose’s marriage to Cal will resolve the family’s financial problems and maintain their upper-class status. Meanwhile, Jack Dawson, a poor young artist, wins a third-class Titanic ticket in a poker game. After setting sail, Rose, distraught over her loveless engagement, climbs over the stern railing, intending to jump overboard. Jack appears and coaxes her back onto the deck. The two develop a tentative friendship, but when Cal and Ruth strongly object, Rose acquiesces and discourages Jack’s attention. She soon realizes she has feelings for Jack.

Rose brings Jack to her state room and pays him a coin to sketch her nude, wearing only the Heart of the Ocean necklace. They later evade Cal’s servant, Lovejoy, and have sex in an automobile inside the cargo hold. On the forward deck, they witness the ship’s collision with an iceberg and overhear its officers and builder discussing the serious situation. Cal discovers Jack’s sketch and Rose’s insulting note left inside his safe, along with the necklace. When Jack and Rose return to warn the others about the collision, Cal has Lovejoy slip the necklace into Jack’s pocket to frame him for theft. Jack is then confined in the master-at-arms’ office. Cal then puts the necklace into his own overcoat pocket.

With the ship sinking, Rose flees Cal and her mother, who has boarded a lifeboat. Rose finds and frees Jack, and they barely make it back to the boat deck. Cal and Jack urge Rose to board a lifeboat. Having arranged to save himself, Cal falsely claims he can get Jack safely off the ship. As her lifeboat is lowered, Rose, unable to abandon Jack, jumps back on board. Cal grabs Lovejoy’s pistol and chases Rose and Jack into the flooding first-class dining saloon. They get away, and Cal realizes that he gave his coat, and consequently the necklace, to Rose; he later boards a lifeboat posing as a lost child’s father.

Jack and Rose return to the boat deck. The lifeboats have departed and the ship’s stern is rising as the flooded bow sinks. As passengers fall to their deaths, Jack and Rose desperately cling to the stern rail. The upended ship breaks in half and the bow section dives downward. The remaining stern slams back onto the ocean, then upends again before it, too, sinks. In the freezing water, Jack helps Rose onto a wooden panel buoyant enough for only one person and makes her promise to survive. Rose is saved by a returning lifeboat, keeping her promise, and Jack dies of hypothermia.

The RMS Carpathia rescues the survivors; Rose avoids Cal by hiding among the steerage passengers and gives her name as Rose Dawson. Still wearing Cal’s overcoat, she discovers the necklace tucked inside the pocket. In the present, Rose says she later heard that Cal committed suicide after losing his fortune in the Wall Street Crash of 1929. Lovett abandons his search after hearing Rose’s story. Alone on the stern of Keldysh, Rose takes out the Heart of the Ocean, which has been in her possession all along, and drops it into the sea over the wreck site. While she is seemingly asleep in her bed, her photos on the dresser depict a life of freedom and adventure inspired by her early conversations with Jack. A young Rose reunites with Jack at Titanic‘s Grand Staircase, applauded by those who died on the ship.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.4 – Titanic (1997) Iceberg Impact

THE SINKING OF THE TITANIC


Titanic (1997)

HOLLYWOOD FALSE HISTORY PROPAGANDA

The Official Story

TITANIC (1997)


 

Titanic is a 1997 American epic romance and disaster film directed, written, produced, and co-edited by James Cameron. Incorporating both historical and fictionalized aspects, it is based on accounts of the sinking of the RMS Titanic, and stars Leonardo DiCaprio and Kate Winslet as members of different social classes who fall in love aboard the ship during its ill-fated maiden voyage. Also starring are Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, and Bill Paxton.

Cameron’s inspiration for the film came from his fascination with shipwrecks; he felt a love story interspersed with the human loss would be essential to convey the emotional impact of the disaster. Production began in 1995, when Cameron shot footage of the actual Titanic wreck. The modern scenes on the research vessel were shot on board the Akademik Mstislav Keldysh, which Cameron had used as a base when filming the wreck. Scale models, computer-generated imagery, and a reconstruction of the Titanic built at Baja Studios were used to re-create the sinking. The film was co-financed by Paramount Pictures and 20th Century Fox; the former handled distribution in North America while the latter released the film internationally. It was the most expensive film ever made at the time, with a production budget of $200 million.

Upon its release on December 19, 1997, Titanic achieved significant critical and commercial success, and then received numerous accolades. Nominated for 14 Academy Awards, it tied All About Eve (1950) for the most Oscar nominations, and won 11, including the awards for Best Picture and Best Director, tying Ben-Hur (1959) for the most Oscars won by a single film. With an initial worldwide gross of over $1.84 billion, Titanic was the first film to reach the billion-dollar mark. It remained the highest-grossing film of all time until another Cameron film, Avatar, surpassed it in 2010. A 3D version of Titanic, released on April 4, 2012, to commemorate the centennial of the sinking, earned it an additional $343.6 million worldwide, pushing the film’s worldwide total to $2.195 billion and making it the second film to gross more than $2 billion worldwide (after Avatar). In 2017, the film was re-released for its 20th anniversary and was selected for preservation in the United States National Film Registry for being “culturally, historically or aesthetically significant”.

Titanic (1997) – Iceberg Collision Scene

Production Details

Directed by:James Cameron
Written by:James Cameron
Produced by:James Cameron
Jon Landau
Production Companies:Paramount Pictures
20th Century Fox
Lightstorm Entertainment
Distributed by:Paramount Pictures
(North America)
20th Century Fox
(International)
Release date:November 1, 1997 (Tokyo)
December 19, 1997 (United States)
December 20, 1997 (South Africa)

PLOT SUMMARY

In 1996, aboard the research vessel Akademik Mstislav Keldysh, Brock Lovett and his team search the wreck of RMS Titanic. They recover a safe they hope contains a necklace with a large diamond known as the Heart of the Ocean. Instead, they only find a drawing of a young nude woman wearing the necklace. The sketch is dated April 14, 1912, the same day the Titanic struck the iceberg that caused it to sink. Rose Dawson Calvert, the woman in the drawing, is brought aboard Keldysh. She recounts her experiences aboard Titanic.

In 1912 Southampton, 17-year-old Rose DeWitt Bukater, her wealthy fiancé Caledon “Cal” Hockley, and Rose’s widowed mother, Ruth, board the Titanic. Ruth emphasizes that Rose’s marriage to Cal will resolve the family’s financial problems and maintain their upper-class status. Meanwhile, Jack Dawson, a poor young artist, wins a third-class Titanic ticket in a poker game. After setting sail, Rose, distraught over her loveless engagement, climbs over the stern railing, intending to jump overboard. Jack appears and coaxes her back onto the deck. The two develop a tentative friendship, but when Cal and Ruth strongly object, Rose acquiesces and discourages Jack’s attention. She soon realizes she has feelings for Jack.

Rose brings Jack to her state room and pays him a coin to sketch her nude, wearing only the Heart of the Ocean necklace. They later evade Cal’s servant, Lovejoy, and have sex in an automobile inside the cargo hold. On the forward deck, they witness the ship’s collision with an iceberg and overhear its officers and builder discussing the serious situation. Cal discovers Jack’s sketch and Rose’s insulting note left inside his safe, along with the necklace. When Jack and Rose return to warn the others about the collision, Cal has Lovejoy slip the necklace into Jack’s pocket to frame him for theft. Jack is then confined in the master-at-arms’ office. Cal then puts the necklace into his own overcoat pocket.

With the ship sinking, Rose flees Cal and her mother, who has boarded a lifeboat. Rose finds and frees Jack, and they barely make it back to the boat deck. Cal and Jack urge Rose to board a lifeboat. Having arranged to save himself, Cal falsely claims he can get Jack safely off the ship. As her lifeboat is lowered, Rose, unable to abandon Jack, jumps back on board. Cal grabs Lovejoy’s pistol and chases Rose and Jack into the flooding first-class dining saloon. They get away, and Cal realizes that he gave his coat, and consequently the necklace, to Rose; he later boards a lifeboat posing as a lost child’s father.

Jack and Rose return to the boat deck. The lifeboats have departed and the ship’s stern is rising as the flooded bow sinks. As passengers fall to their deaths, Jack and Rose desperately cling to the stern rail. The upended ship breaks in half and the bow section dives downward. The remaining stern slams back onto the ocean, then upends again before it, too, sinks. In the freezing water, Jack helps Rose onto a wooden panel buoyant enough for only one person and makes her promise to survive. Rose is saved by a returning lifeboat, keeping her promise, and Jack dies of hypothermia.

The RMS Carpathia rescues the survivors; Rose avoids Cal by hiding among the steerage passengers and gives her name as Rose Dawson. Still wearing Cal’s overcoat, she discovers the necklace tucked inside the pocket. In the present, Rose says she later heard that Cal committed suicide after losing his fortune in the Wall Street Crash of 1929. Lovett abandons his search after hearing Rose’s story. Alone on the stern of Keldysh, Rose takes out the Heart of the Ocean, which has been in her possession all along, and drops it into the sea over the wreck site. While she is seemingly asleep in her bed, her photos on the dresser depict a life of freedom and adventure inspired by her early conversations with Jack. A young Rose reunites with Jack at Titanic‘s Grand Staircase, applauded by those who died on the ship.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.5 – Titanic (1997) Titanic Wreck

THE SINKING OF THE TITANIC


Titanic (1997)

HOLLYWOOD FALSE HISTORY PROPAGANDA

The Official Story

TITANIC (1997)


 

Titanic is a 1997 American epic romance and disaster film directed, written, produced, and co-edited by James Cameron. Incorporating both historical and fictionalized aspects, it is based on accounts of the sinking of the RMS Titanic, and stars Leonardo DiCaprio and Kate Winslet as members of different social classes who fall in love aboard the ship during its ill-fated maiden voyage. Also starring are Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, and Bill Paxton.

Cameron’s inspiration for the film came from his fascination with shipwrecks; he felt a love story interspersed with the human loss would be essential to convey the emotional impact of the disaster. Production began in 1995, when Cameron shot footage of the actual Titanic wreck. The modern scenes on the research vessel were shot on board the Akademik Mstislav Keldysh, which Cameron had used as a base when filming the wreck. Scale models, computer-generated imagery, and a reconstruction of the Titanic built at Baja Studios were used to re-create the sinking. The film was co-financed by Paramount Pictures and 20th Century Fox; the former handled distribution in North America while the latter released the film internationally. It was the most expensive film ever made at the time, with a production budget of $200 million.

Upon its release on December 19, 1997, Titanic achieved significant critical and commercial success, and then received numerous accolades. Nominated for 14 Academy Awards, it tied All About Eve (1950) for the most Oscar nominations, and won 11, including the awards for Best Picture and Best Director, tying Ben-Hur (1959) for the most Oscars won by a single film. With an initial worldwide gross of over $1.84 billion, Titanic was the first film to reach the billion-dollar mark. It remained the highest-grossing film of all time until another Cameron film, Avatar, surpassed it in 2010. A 3D version of Titanic, released on April 4, 2012, to commemorate the centennial of the sinking, earned it an additional $343.6 million worldwide, pushing the film’s worldwide total to $2.195 billion and making it the second film to gross more than $2 billion worldwide (after Avatar). In 2017, the film was re-released for its 20th anniversary and was selected for preservation in the United States National Film Registry for being “culturally, historically or aesthetically significant”.

Titanic (1997) – Ending Scene

Production Details

Directed by:James Cameron
Written by:James Cameron
Produced by:James Cameron
Jon Landau
Production Companies:Paramount Pictures
20th Century Fox
Lightstorm Entertainment
Distributed by:Paramount Pictures
(North America)
20th Century Fox
(International)
Release date:November 1, 1997 (Tokyo)
December 19, 1997 (United States)
December 20, 1997 (South Africa)

PLOT SUMMARY

In 1996, aboard the research vessel Akademik Mstislav Keldysh, Brock Lovett and his team search the wreck of RMS Titanic. They recover a safe they hope contains a necklace with a large diamond known as the Heart of the Ocean. Instead, they only find a drawing of a young nude woman wearing the necklace. The sketch is dated April 14, 1912, the same day the Titanic struck the iceberg that caused it to sink. Rose Dawson Calvert, the woman in the drawing, is brought aboard Keldysh. She recounts her experiences aboard Titanic.

In 1912 Southampton, 17-year-old Rose DeWitt Bukater, her wealthy fiancé Caledon “Cal” Hockley, and Rose’s widowed mother, Ruth, board the Titanic. Ruth emphasizes that Rose’s marriage to Cal will resolve the family’s financial problems and maintain their upper-class status. Meanwhile, Jack Dawson, a poor young artist, wins a third-class Titanic ticket in a poker game. After setting sail, Rose, distraught over her loveless engagement, climbs over the stern railing, intending to jump overboard. Jack appears and coaxes her back onto the deck. The two develop a tentative friendship, but when Cal and Ruth strongly object, Rose acquiesces and discourages Jack’s attention. She soon realizes she has feelings for Jack.

Rose brings Jack to her state room and pays him a coin to sketch her nude, wearing only the Heart of the Ocean necklace. They later evade Cal’s servant, Lovejoy, and have sex in an automobile inside the cargo hold. On the forward deck, they witness the ship’s collision with an iceberg and overhear its officers and builder discussing the serious situation. Cal discovers Jack’s sketch and Rose’s insulting note left inside his safe, along with the necklace. When Jack and Rose return to warn the others about the collision, Cal has Lovejoy slip the necklace into Jack’s pocket to frame him for theft. Jack is then confined in the master-at-arms’ office. Cal then puts the necklace into his own overcoat pocket.

With the ship sinking, Rose flees Cal and her mother, who has boarded a lifeboat. Rose finds and frees Jack, and they barely make it back to the boat deck. Cal and Jack urge Rose to board a lifeboat. Having arranged to save himself, Cal falsely claims he can get Jack safely off the ship. As her lifeboat is lowered, Rose, unable to abandon Jack, jumps back on board. Cal grabs Lovejoy’s pistol and chases Rose and Jack into the flooding first-class dining saloon. They get away, and Cal realizes that he gave his coat, and consequently the necklace, to Rose; he later boards a lifeboat posing as a lost child’s father.

Jack and Rose return to the boat deck. The lifeboats have departed and the ship’s stern is rising as the flooded bow sinks. As passengers fall to their deaths, Jack and Rose desperately cling to the stern rail. The upended ship breaks in half and the bow section dives downward. The remaining stern slams back onto the ocean, then upends again before it, too, sinks. In the freezing water, Jack helps Rose onto a wooden panel buoyant enough for only one person and makes her promise to survive. Rose is saved by a returning lifeboat, keeping her promise, and Jack dies of hypothermia.

The RMS Carpathia rescues the survivors; Rose avoids Cal by hiding among the steerage passengers and gives her name as Rose Dawson. Still wearing Cal’s overcoat, she discovers the necklace tucked inside the pocket. In the present, Rose says she later heard that Cal committed suicide after losing his fortune in the Wall Street Crash of 1929. Lovett abandons his search after hearing Rose’s story. Alone on the stern of Keldysh, Rose takes out the Heart of the Ocean, which has been in her possession all along, and drops it into the sea over the wreck site. While she is seemingly asleep in her bed, her photos on the dresser depict a life of freedom and adventure inspired by her early conversations with Jack. A young Rose reunites with Jack at Titanic‘s Grand Staircase, applauded by those who died on the ship.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.6 – Titanic (1997) Titlecard

THE SINKING OF THE TITANIC


Titanic (1997)

HOLLYWOOD FALSE HISTORY PROPAGANDA

The Official Story

TITANIC (1997)


 

Titanic is a 1997 American epic romance and disaster film directed, written, produced, and co-edited by James Cameron. Incorporating both historical and fictionalized aspects, it is based on accounts of the sinking of the RMS Titanic, and stars Leonardo DiCaprio and Kate Winslet as members of different social classes who fall in love aboard the ship during its ill-fated maiden voyage. Also starring are Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, and Bill Paxton.

Cameron’s inspiration for the film came from his fascination with shipwrecks; he felt a love story interspersed with the human loss would be essential to convey the emotional impact of the disaster. Production began in 1995, when Cameron shot footage of the actual Titanic wreck. The modern scenes on the research vessel were shot on board the Akademik Mstislav Keldysh, which Cameron had used as a base when filming the wreck. Scale models, computer-generated imagery, and a reconstruction of the Titanic built at Baja Studios were used to re-create the sinking. The film was co-financed by Paramount Pictures and 20th Century Fox; the former handled distribution in North America while the latter released the film internationally. It was the most expensive film ever made at the time, with a production budget of $200 million.

Upon its release on December 19, 1997, Titanic achieved significant critical and commercial success, and then received numerous accolades. Nominated for 14 Academy Awards, it tied All About Eve (1950) for the most Oscar nominations, and won 11, including the awards for Best Picture and Best Director, tying Ben-Hur (1959) for the most Oscars won by a single film. With an initial worldwide gross of over $1.84 billion, Titanic was the first film to reach the billion-dollar mark. It remained the highest-grossing film of all time until another Cameron film, Avatar, surpassed it in 2010. A 3D version of Titanic, released on April 4, 2012, to commemorate the centennial of the sinking, earned it an additional $343.6 million worldwide, pushing the film’s worldwide total to $2.195 billion and making it the second film to gross more than $2 billion worldwide (after Avatar). In 2017, the film was re-released for its 20th anniversary and was selected for preservation in the United States National Film Registry for being “culturally, historically or aesthetically significant”.

Titanic (1997) Trailer

Production Details

Directed by:James Cameron
Written by:James Cameron
Produced by:James Cameron
Jon Landau
Production Companies:Paramount Pictures
20th Century Fox
Lightstorm Entertainment
Distributed by:Paramount Pictures
(North America)
20th Century Fox
(International)
Release date:November 1, 1997 (Tokyo)
December 19, 1997 (United States)
December 20, 1997 (South Africa)

PLOT SUMMARY

In 1996, aboard the research vessel Akademik Mstislav Keldysh, Brock Lovett and his team search the wreck of RMS Titanic. They recover a safe they hope contains a necklace with a large diamond known as the Heart of the Ocean. Instead, they only find a drawing of a young nude woman wearing the necklace. The sketch is dated April 14, 1912, the same day the Titanic struck the iceberg that caused it to sink. Rose Dawson Calvert, the woman in the drawing, is brought aboard Keldysh. She recounts her experiences aboard Titanic.

In 1912 Southampton, 17-year-old Rose DeWitt Bukater, her wealthy fiancé Caledon “Cal” Hockley, and Rose’s widowed mother, Ruth, board the Titanic. Ruth emphasizes that Rose’s marriage to Cal will resolve the family’s financial problems and maintain their upper-class status. Meanwhile, Jack Dawson, a poor young artist, wins a third-class Titanic ticket in a poker game. After setting sail, Rose, distraught over her loveless engagement, climbs over the stern railing, intending to jump overboard. Jack appears and coaxes her back onto the deck. The two develop a tentative friendship, but when Cal and Ruth strongly object, Rose acquiesces and discourages Jack’s attention. She soon realizes she has feelings for Jack.

Rose brings Jack to her state room and pays him a coin to sketch her nude, wearing only the Heart of the Ocean necklace. They later evade Cal’s servant, Lovejoy, and have sex in an automobile inside the cargo hold. On the forward deck, they witness the ship’s collision with an iceberg and overhear its officers and builder discussing the serious situation. Cal discovers Jack’s sketch and Rose’s insulting note left inside his safe, along with the necklace. When Jack and Rose return to warn the others about the collision, Cal has Lovejoy slip the necklace into Jack’s pocket to frame him for theft. Jack is then confined in the master-at-arms’ office. Cal then puts the necklace into his own overcoat pocket.

With the ship sinking, Rose flees Cal and her mother, who has boarded a lifeboat. Rose finds and frees Jack, and they barely make it back to the boat deck. Cal and Jack urge Rose to board a lifeboat. Having arranged to save himself, Cal falsely claims he can get Jack safely off the ship. As her lifeboat is lowered, Rose, unable to abandon Jack, jumps back on board. Cal grabs Lovejoy’s pistol and chases Rose and Jack into the flooding first-class dining saloon. They get away, and Cal realizes that he gave his coat, and consequently the necklace, to Rose; he later boards a lifeboat posing as a lost child’s father.

Jack and Rose return to the boat deck. The lifeboats have departed and the ship’s stern is rising as the flooded bow sinks. As passengers fall to their deaths, Jack and Rose desperately cling to the stern rail. The upended ship breaks in half and the bow section dives downward. The remaining stern slams back onto the ocean, then upends again before it, too, sinks. In the freezing water, Jack helps Rose onto a wooden panel buoyant enough for only one person and makes her promise to survive. Rose is saved by a returning lifeboat, keeping her promise, and Jack dies of hypothermia.

The RMS Carpathia rescues the survivors; Rose avoids Cal by hiding among the steerage passengers and gives her name as Rose Dawson. Still wearing Cal’s overcoat, she discovers the necklace tucked inside the pocket. In the present, Rose says she later heard that Cal committed suicide after losing his fortune in the Wall Street Crash of 1929. Lovett abandons his search after hearing Rose’s story. Alone on the stern of Keldysh, Rose takes out the Heart of the Ocean, which has been in her possession all along, and drops it into the sea over the wreck site. While she is seemingly asleep in her bed, her photos on the dresser depict a life of freedom and adventure inspired by her early conversations with Jack. A young Rose reunites with Jack at Titanic‘s Grand Staircase, applauded by those who died on the ship.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.7 – James Cameron (Writer-Director, Titanic)

THE SINKING OF THE TITANIC


James Cameron

HOLLYWOOD FALSE HISTORY PROPAGANDA

The Official Story

JAMES CAMERON
(Writer/Director, Titanic)


 

James Francis Cameron CC (born August 16, 1954) is a Canadian filmmaker. Best known for making science fiction and epic films, he first gained recognition for directing The Terminator (1984). He found further success with Aliens (1986), The Abyss (1989), Terminator 2: Judgment Day (1991), and the action comedy True Lies (1994). He also directed Titanic (1997) and Avatar (2009), with Titanic earning him Academy Awards in Best Picture, Best Director and Best Film Editing. Avatar, filmed in 3D technology, earned him nominations in the same categories.

Cameron co-founded the production companies Lightstorm Entertainment, Digital Domain, and Earthship Productions. In addition to filmmaking, he is a National Geographic sea explorer and has produced many documentaries on the subject, including Ghosts of the Abyss (2003) and Aliens of the Deep (2005). Cameron has also contributed to underwater filming and remote vehicle technologies and helped create the digital 3D Fusion Camera System. In 2012, Cameron became the first person to do a solo descent to the bottom of the Mariana Trench, the deepest part of the Earth’s ocean, in the Deepsea Challenger submersible.

Cameron’s films have grossed approximately US$2 billion in North America and US$6 billion worldwide. Avatar and Titanic are the highest and third highest-grossing films of all time, earning $2.85 billion and $2.19 billion, respectively. Cameron holds the achievement of having directed the first two of the five films in history to gross over $2 billion worldwide. In 2010, Time magazine named Cameron as one of the 100 most influential people in the world. Cameron is also an environmentalist and runs several sustainability businesses.

Titanic (1997) Trailer

Titanic

His next major project was Titanic (1997), an epic film about RMS Titanic, which sank in 1912 after striking an iceberg. With a production budget of $200 million, Titanic is one of the most expensive films ever made. The production was troubled for being over-budget and exceeding its schedule, which made headlines before the film’s release. Starting in 1995, Cameron took several dives to the bottom of the Atlantic Ocean to capture footage of the wreck, which would later be used in the film. A replica of the ship was built in Rosarito Beach and principal photography began in September 1996. His completed screenplay depicts two star-crossed lovers, portrayed by Leonardo DiCaprio and Kate Winslet, from different social classes who fall in love amid the backdrop of the tragedy—a radical departure from his work. The supporting cast includes Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, Danny Nucci, David Warner and Bill Paxton.

After months of delay, Titanic premiered on December 19, 1997. The film received strong critical acclaim and became the highest-grossing film of all time, and held this position for 12 years until Cameron’s Avatar beat the record in 2010. The costumes and sets were praised, and The Washington Post considered the CGI graphics to be spectacular. Titanic received a record-tie of fourteen nominations (tied with All About Eve (1950)) at the 1998 Academy Awards. It won 11 of the awards (tying the record for most wins with Ben-Hur (1959) and later, The Lord of the Rings: The Return of the King (2003)), including: Best Picture, Best Director, Best Art Direction, Best Cinematography, Best Visual Effects, Best Film Editing, Best Costume Design, Best Sound Mixing, Best Sound Editing, Best Original Score, and Best Original Song. Upon receiving Best Picture, Cameron and producer Jon Landau, asked for a moment of silence to remember the 1,500 people who died when the ship sank. Film critic Roger Ebert praised Cameron’s storytelling, writing “It is flawlessly crafted, intelligently constructed, strongly acted, and spellbinding”. Authors Kevin Sandler and Gaylyn Studlar wrote in 1999 that the mix of romance, historical nostalgia and James Horner’s music, contributed to the film’s cultural phenomenon. In 2017, Titanic became Cameron’s second film to be selected for preservation in the United States National Film Registry.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.8 – Titanic (1997) Theatrical Poster

THE SINKING OF THE TITANIC


Titanic (1997)

HOLLYWOOD FALSE HISTORY PROPAGANDA

The Official Story

TITANIC (1997)


 

Titanic is a 1997 American epic romance and disaster film directed, written, produced, and co-edited by James Cameron. Incorporating both historical and fictionalized aspects, it is based on accounts of the sinking of the RMS Titanic, and stars Leonardo DiCaprio and Kate Winslet as members of different social classes who fall in love aboard the ship during its ill-fated maiden voyage. Also starring are Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, and Bill Paxton.

Cameron’s inspiration for the film came from his fascination with shipwrecks; he felt a love story interspersed with the human loss would be essential to convey the emotional impact of the disaster. Production began in 1995, when Cameron shot footage of the actual Titanic wreck. The modern scenes on the research vessel were shot on board the Akademik Mstislav Keldysh, which Cameron had used as a base when filming the wreck. Scale models, computer-generated imagery, and a reconstruction of the Titanic built at Baja Studios were used to re-create the sinking. The film was co-financed by Paramount Pictures and 20th Century Fox; the former handled distribution in North America while the latter released the film internationally. It was the most expensive film ever made at the time, with a production budget of $200 million.

Upon its release on December 19, 1997, Titanic achieved significant critical and commercial success, and then received numerous accolades. Nominated for 14 Academy Awards, it tied All About Eve (1950) for the most Oscar nominations, and won 11, including the awards for Best Picture and Best Director, tying Ben-Hur (1959) for the most Oscars won by a single film. With an initial worldwide gross of over $1.84 billion, Titanic was the first film to reach the billion-dollar mark. It remained the highest-grossing film of all time until another Cameron film, Avatar, surpassed it in 2010. A 3D version of Titanic, released on April 4, 2012, to commemorate the centennial of the sinking, earned it an additional $343.6 million worldwide, pushing the film’s worldwide total to $2.195 billion and making it the second film to gross more than $2 billion worldwide (after Avatar). In 2017, the film was re-released for its 20th anniversary and was selected for preservation in the United States National Film Registry for being “culturally, historically or aesthetically significant”.

Titanic (1997) Trailer

Production Details

Directed by:James Cameron
Written by:James Cameron
Produced by:James Cameron
Jon Landau
Production Companies:Paramount Pictures
20th Century Fox
Lightstorm Entertainment
Distributed by:Paramount Pictures
(North America)
20th Century Fox
(International)
Release date:November 1, 1997 (Tokyo)
December 19, 1997 (United States)
December 20, 1997 (South Africa)

PLOT SUMMARY

In 1996, aboard the research vessel Akademik Mstislav Keldysh, Brock Lovett and his team search the wreck of RMS Titanic. They recover a safe they hope contains a necklace with a large diamond known as the Heart of the Ocean. Instead, they only find a drawing of a young nude woman wearing the necklace. The sketch is dated April 14, 1912, the same day the Titanic struck the iceberg that caused it to sink. Rose Dawson Calvert, the woman in the drawing, is brought aboard Keldysh. She recounts her experiences aboard Titanic.

In 1912 Southampton, 17-year-old Rose DeWitt Bukater, her wealthy fiancé Caledon “Cal” Hockley, and Rose’s widowed mother, Ruth, board the Titanic. Ruth emphasizes that Rose’s marriage to Cal will resolve the family’s financial problems and maintain their upper-class status. Meanwhile, Jack Dawson, a poor young artist, wins a third-class Titanic ticket in a poker game. After setting sail, Rose, distraught over her loveless engagement, climbs over the stern railing, intending to jump overboard. Jack appears and coaxes her back onto the deck. The two develop a tentative friendship, but when Cal and Ruth strongly object, Rose acquiesces and discourages Jack’s attention. She soon realizes she has feelings for Jack.

Rose brings Jack to her state room and pays him a coin to sketch her nude, wearing only the Heart of the Ocean necklace. They later evade Cal’s servant, Lovejoy, and have sex in an automobile inside the cargo hold. On the forward deck, they witness the ship’s collision with an iceberg and overhear its officers and builder discussing the serious situation. Cal discovers Jack’s sketch and Rose’s insulting note left inside his safe, along with the necklace. When Jack and Rose return to warn the others about the collision, Cal has Lovejoy slip the necklace into Jack’s pocket to frame him for theft. Jack is then confined in the master-at-arms’ office. Cal then puts the necklace into his own overcoat pocket.

With the ship sinking, Rose flees Cal and her mother, who has boarded a lifeboat. Rose finds and frees Jack, and they barely make it back to the boat deck. Cal and Jack urge Rose to board a lifeboat. Having arranged to save himself, Cal falsely claims he can get Jack safely off the ship. As her lifeboat is lowered, Rose, unable to abandon Jack, jumps back on board. Cal grabs Lovejoy’s pistol and chases Rose and Jack into the flooding first-class dining saloon. They get away, and Cal realizes that he gave his coat, and consequently the necklace, to Rose; he later boards a lifeboat posing as a lost child’s father.

Jack and Rose return to the boat deck. The lifeboats have departed and the ship’s stern is rising as the flooded bow sinks. As passengers fall to their deaths, Jack and Rose desperately cling to the stern rail. The upended ship breaks in half and the bow section dives downward. The remaining stern slams back onto the ocean, then upends again before it, too, sinks. In the freezing water, Jack helps Rose onto a wooden panel buoyant enough for only one person and makes her promise to survive. Rose is saved by a returning lifeboat, keeping her promise, and Jack dies of hypothermia.

The RMS Carpathia rescues the survivors; Rose avoids Cal by hiding among the steerage passengers and gives her name as Rose Dawson. Still wearing Cal’s overcoat, she discovers the necklace tucked inside the pocket. In the present, Rose says she later heard that Cal committed suicide after losing his fortune in the Wall Street Crash of 1929. Lovett abandons his search after hearing Rose’s story. Alone on the stern of Keldysh, Rose takes out the Heart of the Ocean, which has been in her possession all along, and drops it into the sea over the wreck site. While she is seemingly asleep in her bed, her photos on the dresser depict a life of freedom and adventure inspired by her early conversations with Jack. A young Rose reunites with Jack at Titanic‘s Grand Staircase, applauded by those who died on the ship.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.9 – Ghosts of the Abyss (2003) Theatrical Poster

THE SINKING OF THE TITANIC


Ghosts of the Abyss
(2003)

The Official Story

GHOSTS OF THE ABYSS (2003)


 

Ghosts of the Abyss is a 2003 American documentary film produced by Walden Media and released in most countries by Walt Disney Pictures. It was directed by James Cameron after his 1997 film Titanic. During August and September 2001, Cameron and a group of scientists staged an expedition to the wreck of the RMS Titanic and dived in Russian deep-submersibles to obtain more detailed images than anyone had before. With the help of two small, purpose-built remotely operated vehicles, nicknamed “Jake” and “Elwood”, the audience too can see inside the Titanic, and with the help of CGI, audiences can view the ship’s original appearance superimposed on the deep-dive images.

Also along for the ride Cameron invited his friend, actor Bill Paxton, who played Brock Lovett in the 1997 film. Paxton narrates the event through his eyes. The film premiered for IMAX 3D and was nominated for a BFCA award for Best Documentary. The submersibles Mir 1 and Mir 2 carried the filming team on 12 dives.

The film is also known as Titanic 3D: Ghosts of the Abyss.

Ghosts of the Abyss (2003) Trailer

[ View full documentary here ]

Production Details

Directed by:James Cameron
Produced by:John Bruno
James Cameron
Chuck Comisky
Janace Tashjian
Andrew Wight
Production Companies:Walden Media
Earthship Productions
Ascot Elite Entertainment Group
Golden Village
Telepool
UGC PH
Distributed by:Buena Vista Pictures Distribution (Selected territories)
Summit Entertainment (International)
Release date:March 31, 2003 (premiere)
April 11, 2003 (limited)

OUTLINE

Director James Cameron returns to the site of the 1912 wreck of the RMS Titanic, aboard the Russian research vessel Akademik Mstislav Keldysh with a team of history and marine experts, and his friend Bill Paxton. Cameron and the crew document the interiors and exteriors of the wreckage using 3D technology designed for the documentary. While diving on September 11, 2001, the filming crew hears about the 9/11 attacks on the World Trade Center and the Pentagon. Afterward, they all compare and reflect on the tragedy of 9/11 with the tragedy of the Titanic.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.10 – A Night to Remember (1958) Iceberg

THE SINKING OF THE TITANIC


A Night to Remember
(1958)

The Official Story

NIGHT TO REMEMBER (1958)


 

A Night to Remember is a 1958 British docudrama film based on the eponymous 1955 book by Walter Lord. The film and book recount the final night of RMS Titanic, which on her maiden voyage from Southampton to New York City struck an iceberg in the North Atlantic and then sank in the early morning hours of Monday, 15 April 1912. Adapted by Eric Ambler and directed by Roy Ward Baker, the film stars Kenneth More as the ship’s Second Officer Charles Lightoller and features Michael Goodliffe, Laurence Naismith, Kenneth Griffith, David McCallum and Tucker McGuire. It was filmed in the United Kingdom and tells the story of the sinking, portraying the main incidents and players in a documentary-style fashion with considerable attention to detail. The production team, supervised by producer William MacQuitty (who saw the original ship launched) used blueprints of the ship to create authentic sets, while Fourth Officer Joseph Boxhall and ex-Cunard Commodore Harry Grattidge worked as technical advisors on the film. Its estimated budget of up to £600,000 (£13.1 million adjusted for inflation [2019]) was exceptional and made it the most expensive film ever made in Britain up to that time.

The World Premiere was on Thursday, 3 July 1958, at the Odeon Leicester Square. Titanic survivor Elizabeth Dowdell attended the American premiere in New York on Tuesday 16 December 1958. The film disappointed at the box office. However, it received critical acclaim and won the 1959 “Samuel Goldwyn International Award” for the UK at the Golden Globe Awards. The film has been described as “the definitive cinematic telling of the story.” Among the many films about the Titanic, A Night to Remember is regarded highly by Titanic historians and survivors for its accuracy, despite its modest production values, compared with the Oscar-winning film Titanic (1997).

A Night to Remember (1958) The Titanic strikes an Iceberg

Production Details

Directed by:Roy Ward Baker
Screenplay by:Eric Ambler
Story by:Walter Lord
Based on:A Night to Remember by Walter Lord
Produced by:William MacQuitty
Distributed by:The Rank Organisation
Release date:3 July 1958

PLOT SUMMARY

In 1912, the luxurious Titanic is the largest vessel afloat and is widely believed to be unsinkable. Among the passengers boarding for her maiden voyage to New York are first class passengers Sir Richard and Lady Richard, second class passengers Mr. Clarke and Mrs. Clarke, a young newlywed couple, and steerage passengers Pat Murphy, Martin Gallagher and James Farrel. On 10 April, Titanic sails from Southampton. On 14 April, in the Atlantic, the ship receives a number of ice warnings from other steamers. Only a few of the messages are relayed to Captain Edward J. Smith, who orders a lookout.

Later that night, the SS Californian spots float ice in the distance, and tries to send a message to Titanic. Meanwhile, steerage passengers on Titanic enjoy a party in Third Class where Murphy becomes attracted to a young Polish girl and dances with her. In the wireless room, operators Jack Phillips and Harold Sydney Bride are changing shifts. Phillips receives an ice warning, but when more messages arrive for him to send out, the warning is lost under them. On the Californian, field ice is spotted. The ship stops due to the danger, and a message is sent to Titanic. Because the Californian is so close, the message is very loud, and Phillips cuts it off abruptly. Titanic‘s passengers begin to settle in for the night.

Suddenly, the vessel collides with an iceberg. Captain Smith sends for Thomas Andrews, the ship’s builder, to inspect the damage. Andrews determines that Titanic will sink within two hours, and quickly realizes it lacks sufficient lifeboat capacity. Distress signals are sent out, but the Californian‘s radio operator is off duty. 58 miles away, the RMS Carpathia radio operator receives the distress call and alerts Captain Arthur Rostron, who orders the ship to turn around. Unfortunately, it will take around four hours to reach Titanic. Seeing the Californian on the horizon 10 miles away, Titanic begins to signal the ship, but the Californian‘s crew fails to comprehend why a ship they are in sight of is firing rockets.

Captain Smith orders Second Officer Charles Lightoller to start lowering the lifeboats. In the Grand Staircase, passenger Robbie Lucas is told the truth by Andrews. Lucas gets his wife and children safely in a boat. Murphy, Gallagher and Farrel help the Polish girl and her mother through the ship and get them to a boat. The Richards and Hoyle are admitted to a boat by Murdoch. Yates gives a female passenger a note to send to his sister. Ida Straus and Isidor Straus refuse to be separated, inadvertently setting an example for Mrs. Clarke, who decides to stay with her husband until Andrews advises them on how to survive.

As the crew struggles to hold back the third-class passengers, most first- and second-class passengers board lifeboats and row away. As Titanic lists, passengers begin to realize the danger; when the third-class passengers are finally allowed up, chaos ensues. White Star Line Chairman J. Bruce Ismay steps into one of the last lifeboats. The Titanic‘s bow submerges, and only two collapsible lifeboats are left. Lightoller and other able seamen struggle to free them, as Captain Smith gives the order to abandon ship.

The Clarkes use a rope to get down the ship’s side as the orchestra performs “Nearer, My God, to Thee”. Smith returns to the bridge to go down with his ship. Titanic begins its final plunge; Lightoller and many others are swept off. Andrews awaits his fate in the first-class smoking room, while passengers, among them Murphy, Gallagher and Farrel, retreat towards the stern as it rises into the air. A kindly steward comforts a lost boy separated from his mother. Lucas looks out towards the lifeboats, realizing he will never see his family again, while the Clarkes, struggling in the water, are killed by a falling funnel. The passengers pray as the stricken liner rapidly sinks into the icy sea.

Many people, including Lucas and Farrel, die of hypothermia. One of the collapsibles is floating overturned. Yates, unwilling to overcrowd the boat, swims away to his death. Lightoller takes charge on the boat as Murphy and Gallagher make it aboard, Murphy swimming about with a dead child in his arms – possibly the lost boy who was comforted by the ship’s steward. Chief Baker Charles Joughin, after having given up his lifeboat seat and turning to the bottle to ease his ailments, also climbs aboard. The men are eventually saved by another boat. In the boat, a female passenger mentions her baby in a cracking voice, implying she was the lost boy’s mother.

The Carpathia arrives and rescues the survivors. On the ship, Murphy and Gallagher are reunited with the Polish girl and her mother, while Mrs. Farrel and Mrs. Lucas mourn the loss of their husbands. After a group prayer, Rostron informs Lightoller how many were saved (705) and lost (1,500). The Carpathia receives a message from the Californian, which heard of the disaster, but informs them that anything humanly possible has been done. A shaken Lightoller tells Col. Gracie, “It’s still unbelievable. I don’t think I’ll ever feel sure again about anything.”

The film’s closing message states: “But this is not the end of the story – for their sacrifice was not in vain. Today there are lifeboats for all. Unceasing radio vigil and, in the North Atlantic, the International Ice Patrol guards the sea lanes making them safe for the peoples of the world.”

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.11 – A Night to Remember (1958) Iceberg Impact

THE SINKING OF THE TITANIC


A Night to Remember
(1958)

The Official Story

NIGHT TO REMEMBER (1958)


 

A Night to Remember is a 1958 British docudrama film based on the eponymous 1955 book by Walter Lord. The film and book recount the final night of RMS Titanic, which on her maiden voyage from Southampton to New York City struck an iceberg in the North Atlantic and then sank in the early morning hours of Monday, 15 April 1912. Adapted by Eric Ambler and directed by Roy Ward Baker, the film stars Kenneth More as the ship’s Second Officer Charles Lightoller and features Michael Goodliffe, Laurence Naismith, Kenneth Griffith, David McCallum and Tucker McGuire. It was filmed in the United Kingdom and tells the story of the sinking, portraying the main incidents and players in a documentary-style fashion with considerable attention to detail. The production team, supervised by producer William MacQuitty (who saw the original ship launched) used blueprints of the ship to create authentic sets, while Fourth Officer Joseph Boxhall and ex-Cunard Commodore Harry Grattidge worked as technical advisors on the film. Its estimated budget of up to £600,000 (£13.1 million adjusted for inflation [2019]) was exceptional and made it the most expensive film ever made in Britain up to that time.

The World Premiere was on Thursday, 3 July 1958, at the Odeon Leicester Square. Titanic survivor Elizabeth Dowdell attended the American premiere in New York on Tuesday 16 December 1958. The film disappointed at the box office. However, it received critical acclaim and won the 1959 “Samuel Goldwyn International Award” for the UK at the Golden Globe Awards. The film has been described as “the definitive cinematic telling of the story.” Among the many films about the Titanic, A Night to Remember is regarded highly by Titanic historians and survivors for its accuracy, despite its modest production values, compared with the Oscar-winning film Titanic (1997).

A Night to Remember (1958) The Titanic strikes an Iceberg

Production Details

Directed by:Roy Ward Baker
Screenplay by:Eric Ambler
Story by:Walter Lord
Based on:A Night to Remember by Walter Lord
Produced by:William MacQuitty
Distributed by:The Rank Organisation
Release date:3 July 1958

PLOT SUMMARY

In 1912, the luxurious Titanic is the largest vessel afloat and is widely believed to be unsinkable. Among the passengers boarding for her maiden voyage to New York are first class passengers Sir Richard and Lady Richard, second class passengers Mr. Clarke and Mrs. Clarke, a young newlywed couple, and steerage passengers Pat Murphy, Martin Gallagher and James Farrel. On 10 April, Titanic sails from Southampton. On 14 April, in the Atlantic, the ship receives a number of ice warnings from other steamers. Only a few of the messages are relayed to Captain Edward J. Smith, who orders a lookout.

Later that night, the SS Californian spots float ice in the distance, and tries to send a message to Titanic. Meanwhile, steerage passengers on Titanic enjoy a party in Third Class where Murphy becomes attracted to a young Polish girl and dances with her. In the wireless room, operators Jack Phillips and Harold Sydney Bride are changing shifts. Phillips receives an ice warning, but when more messages arrive for him to send out, the warning is lost under them. On the Californian, field ice is spotted. The ship stops due to the danger, and a message is sent to Titanic. Because the Californian is so close, the message is very loud, and Phillips cuts it off abruptly. Titanic‘s passengers begin to settle in for the night.

Suddenly, the vessel collides with an iceberg. Captain Smith sends for Thomas Andrews, the ship’s builder, to inspect the damage. Andrews determines that Titanic will sink within two hours, and quickly realizes it lacks sufficient lifeboat capacity. Distress signals are sent out, but the Californian‘s radio operator is off duty. 58 miles away, the RMS Carpathia radio operator receives the distress call and alerts Captain Arthur Rostron, who orders the ship to turn around. Unfortunately, it will take around four hours to reach Titanic. Seeing the Californian on the horizon 10 miles away, Titanic begins to signal the ship, but the Californian‘s crew fails to comprehend why a ship they are in sight of is firing rockets.

Captain Smith orders Second Officer Charles Lightoller to start lowering the lifeboats. In the Grand Staircase, passenger Robbie Lucas is told the truth by Andrews. Lucas gets his wife and children safely in a boat. Murphy, Gallagher and Farrel help the Polish girl and her mother through the ship and get them to a boat. The Richards and Hoyle are admitted to a boat by Murdoch. Yates gives a female passenger a note to send to his sister. Ida Straus and Isidor Straus refuse to be separated, inadvertently setting an example for Mrs. Clarke, who decides to stay with her husband until Andrews advises them on how to survive.

As the crew struggles to hold back the third-class passengers, most first- and second-class passengers board lifeboats and row away. As Titanic lists, passengers begin to realize the danger; when the third-class passengers are finally allowed up, chaos ensues. White Star Line Chairman J. Bruce Ismay steps into one of the last lifeboats. The Titanic‘s bow submerges, and only two collapsible lifeboats are left. Lightoller and other able seamen struggle to free them, as Captain Smith gives the order to abandon ship.

The Clarkes use a rope to get down the ship’s side as the orchestra performs “Nearer, My God, to Thee”. Smith returns to the bridge to go down with his ship. Titanic begins its final plunge; Lightoller and many others are swept off. Andrews awaits his fate in the first-class smoking room, while passengers, among them Murphy, Gallagher and Farrel, retreat towards the stern as it rises into the air. A kindly steward comforts a lost boy separated from his mother. Lucas looks out towards the lifeboats, realizing he will never see his family again, while the Clarkes, struggling in the water, are killed by a falling funnel. The passengers pray as the stricken liner rapidly sinks into the icy sea.

Many people, including Lucas and Farrel, die of hypothermia. One of the collapsibles is floating overturned. Yates, unwilling to overcrowd the boat, swims away to his death. Lightoller takes charge on the boat as Murphy and Gallagher make it aboard, Murphy swimming about with a dead child in his arms – possibly the lost boy who was comforted by the ship’s steward. Chief Baker Charles Joughin, after having given up his lifeboat seat and turning to the bottle to ease his ailments, also climbs aboard. The men are eventually saved by another boat. In the boat, a female passenger mentions her baby in a cracking voice, implying she was the lost boy’s mother.

The Carpathia arrives and rescues the survivors. On the ship, Murphy and Gallagher are reunited with the Polish girl and her mother, while Mrs. Farrel and Mrs. Lucas mourn the loss of their husbands. After a group prayer, Rostron informs Lightoller how many were saved (705) and lost (1,500). The Carpathia receives a message from the Californian, which heard of the disaster, but informs them that anything humanly possible has been done. A shaken Lightoller tells Col. Gracie, “It’s still unbelievable. I don’t think I’ll ever feel sure again about anything.”

The film’s closing message states: “But this is not the end of the story – for their sacrifice was not in vain. Today there are lifeboats for all. Unceasing radio vigil and, in the North Atlantic, the International Ice Patrol guards the sea lanes making them safe for the peoples of the world.”

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Titanic – 6.12 – A Night to Remember (1958) DVD Cover

THE SINKING OF THE TITANIC


A Night to Remember
(1958)

The Official Story

NIGHT TO REMEMBER (1958)


 

A Night to Remember is a 1958 British docudrama film based on the eponymous 1955 book by Walter Lord. The film and book recount the final night of RMS Titanic, which on her maiden voyage from Southampton to New York City struck an iceberg in the North Atlantic and then sank in the early morning hours of Monday, 15 April 1912. Adapted by Eric Ambler and directed by Roy Ward Baker, the film stars Kenneth More as the ship’s Second Officer Charles Lightoller and features Michael Goodliffe, Laurence Naismith, Kenneth Griffith, David McCallum and Tucker McGuire. It was filmed in the United Kingdom and tells the story of the sinking, portraying the main incidents and players in a documentary-style fashion with considerable attention to detail. The production team, supervised by producer William MacQuitty (who saw the original ship launched) used blueprints of the ship to create authentic sets, while Fourth Officer Joseph Boxhall and ex-Cunard Commodore Harry Grattidge worked as technical advisors on the film. Its estimated budget of up to £600,000 (£13.1 million adjusted for inflation [2019]) was exceptional and made it the most expensive film ever made in Britain up to that time.

The World Premiere was on Thursday, 3 July 1958, at the Odeon Leicester Square. Titanic survivor Elizabeth Dowdell attended the American premiere in New York on Tuesday 16 December 1958. The film disappointed at the box office. However, it received critical acclaim and won the 1959 “Samuel Goldwyn International Award” for the UK at the Golden Globe Awards. The film has been described as “the definitive cinematic telling of the story.” Among the many films about the Titanic, A Night to Remember is regarded highly by Titanic historians and survivors for its accuracy, despite its modest production values, compared with the Oscar-winning film Titanic (1997).

A Night to Remember (1958) Full Movie

Production Details

Directed by:Roy Ward Baker
Screenplay by:Eric Ambler
Story by:Walter Lord
Based on:A Night to Remember by Walter Lord
Produced by:William MacQuitty
Distributed by:The Rank Organisation
Release date:3 July 1958

PLOT SUMMARY

In 1912, the luxurious Titanic is the largest vessel afloat and is widely believed to be unsinkable. Among the passengers boarding for her maiden voyage to New York are first class passengers Sir Richard and Lady Richard, second class passengers Mr. Clarke and Mrs. Clarke, a young newlywed couple, and steerage passengers Pat Murphy, Martin Gallagher and James Farrel. On 10 April, Titanic sails from Southampton. On 14 April, in the Atlantic, the ship receives a number of ice warnings from other steamers. Only a few of the messages are relayed to Captain Edward J. Smith, who orders a lookout.

Later that night, the SS Californian spots float ice in the distance, and tries to send a message to Titanic. Meanwhile, steerage passengers on Titanic enjoy a party in Third Class where Murphy becomes attracted to a young Polish girl and dances with her. In the wireless room, operators Jack Phillips and Harold Sydney Bride are changing shifts. Phillips receives an ice warning, but when more messages arrive for him to send out, the warning is lost under them. On the Californian, field ice is spotted. The ship stops due to the danger, and a message is sent to Titanic. Because the Californian is so close, the message is very loud, and Phillips cuts it off abruptly. Titanic‘s passengers begin to settle in for the night.

Suddenly, the vessel collides with an iceberg. Captain Smith sends for Thomas Andrews, the ship’s builder, to inspect the damage. Andrews determines that Titanic will sink within two hours, and quickly realizes it lacks sufficient lifeboat capacity. Distress signals are sent out, but the Californian‘s radio operator is off duty. 58 miles away, the RMS Carpathia radio operator receives the distress call and alerts Captain Arthur Rostron, who orders the ship to turn around. Unfortunately, it will take around four hours to reach Titanic. Seeing the Californian on the horizon 10 miles away, Titanic begins to signal the ship, but the Californian‘s crew fails to comprehend why a ship they are in sight of is firing rockets.

Captain Smith orders Second Officer Charles Lightoller to start lowering the lifeboats. In the Grand Staircase, passenger Robbie Lucas is told the truth by Andrews. Lucas gets his wife and children safely in a boat. Murphy, Gallagher and Farrel help the Polish girl and her mother through the ship and get them to a boat. The Richards and Hoyle are admitted to a boat by Murdoch. Yates gives a female passenger a note to send to his sister. Ida Straus and Isidor Straus refuse to be separated, inadvertently setting an example for Mrs. Clarke, who decides to stay with her husband until Andrews advises them on how to survive.

As the crew struggles to hold back the third-class passengers, most first- and second-class passengers board lifeboats and row away. As Titanic lists, passengers begin to realize the danger; when the third-class passengers are finally allowed up, chaos ensues. White Star Line Chairman J. Bruce Ismay steps into one of the last lifeboats. The Titanic‘s bow submerges, and only two collapsible lifeboats are left. Lightoller and other able seamen struggle to free them, as Captain Smith gives the order to abandon ship.

The Clarkes use a rope to get down the ship’s side as the orchestra performs “Nearer, My God, to Thee”. Smith returns to the bridge to go down with his ship. Titanic begins its final plunge; Lightoller and many others are swept off. Andrews awaits his fate in the first-class smoking room, while passengers, among them Murphy, Gallagher and Farrel, retreat towards the stern as it rises into the air. A kindly steward comforts a lost boy separated from his mother. Lucas looks out towards the lifeboats, realizing he will never see his family again, while the Clarkes, struggling in the water, are killed by a falling funnel. The passengers pray as the stricken liner rapidly sinks into the icy sea.

Many people, including Lucas and Farrel, die of hypothermia. One of the collapsibles is floating overturned. Yates, unwilling to overcrowd the boat, swims away to his death. Lightoller takes charge on the boat as Murphy and Gallagher make it aboard, Murphy swimming about with a dead child in his arms – possibly the lost boy who was comforted by the ship’s steward. Chief Baker Charles Joughin, after having given up his lifeboat seat and turning to the bottle to ease his ailments, also climbs aboard. The men are eventually saved by another boat. In the boat, a female passenger mentions her baby in a cracking voice, implying she was the lost boy’s mother.

The Carpathia arrives and rescues the survivors. On the ship, Murphy and Gallagher are reunited with the Polish girl and her mother, while Mrs. Farrel and Mrs. Lucas mourn the loss of their husbands. After a group prayer, Rostron informs Lightoller how many were saved (705) and lost (1,500). The Carpathia receives a message from the Californian, which heard of the disaster, but informs them that anything humanly possible has been done. A shaken Lightoller tells Col. Gracie, “It’s still unbelievable. I don’t think I’ll ever feel sure again about anything.”

The film’s closing message states: “But this is not the end of the story – for their sacrifice was not in vain. Today there are lifeboats for all. Unceasing radio vigil and, in the North Atlantic, the International Ice Patrol guards the sea lanes making them safe for the peoples of the world.”

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

TITANIC TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

The Hindenburg Disaster (Lakehurst Naval Air Station – May 6, 1937)

This information is respectfully dedicated to the victims.

1937

THE HINDENBURG
DISASTER


(MAY 6, 1937 — LAKEHURST NAVAL AIR STATION)

THE HINDENBURG DISASTER
(May 6, 1937 – Lakehurst Naval Air Station,
New Jersey)


 

The Hindenburg disaster occurred on May 6, 1937, in Manchester Township, New Jersey, United States. The German passenger airship LZ 129 Hindenburg caught fire and was destroyed during its attempt to dock with its mooring mast at Naval Air Station Lakehurst. There were 35 fatalities (13 passengers and 22 crewmen) from the 97 people on board (36 passengers and 61 crewmen), and an additional fatality on the ground.

The disaster was the subject of newsreel coverage, photographs, and Herbert Morrison’s recorded radio eyewitness reports from the landing field, which were broadcast the next day. A variety of hypotheses have been put forward for both the cause of ignition and the initial fuel for the ensuing fire. The event shattered public confidence in the giant, passenger-carrying rigid airship and marked the abrupt end of the airship era.

Source: Wikipedia

Hindenburg Disaster – British Pathé Newsreel Footage (1937)

SECTION INDEX


THE TRUTH

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

HOLLYWOOD TRUTH

> READ THE TAGLINE <

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Hindenburg Disaster – Section 7: Memorials & Related Material

SECTION 7

The Official Story

THE HINDENBURG DISASTER
(
May 6, 1937 — Lakehurst Naval Air Station)


 

The Hindenburg disaster occurred on May 6, 1937, in Manchester Township, New Jersey, United States. The German passenger airship LZ 129 Hindenburg caught fire and was destroyed during its attempt to dock with its mooring mast at Naval Air Station Lakehurst. There were 35 fatalities (13 passengers and 22 crewmen) from the 97 people on board (36 passengers and 61 crewmen), and an additional fatality on the ground.

The disaster was the subject of newsreel coverage, photographs, and Herbert Morrison’s recorded radio eyewitness reports from the landing field, which were broadcast the next day. A variety of hypotheses have been put forward for both the cause of ignition and the initial fuel for the ensuing fire. The event shattered public confidence in the giant, passenger-carrying rigid airship and marked the abrupt end of the airship era.

Source: Wikipedia

Hindenburg Disaster – British Pathé Newsreel Footage (1937)

ARTICLE INDEX

THE TRUTH

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

THE TIME IS NOW:

AWAKEN HUMANITY

Hindenburg Disaster – 7.5 – The Hindenburg (1975) Theatrical Poster

THE HINDENBURG DISASTER


The Hindenburg (1975)

The Official Story

THE HINDENBURG (1975)


 

The Hindenburg is a 1975 American Technicolor disaster film based on the disaster. The film stars George C. Scott. It was produced and directed by Robert Wise, and was written by Nelson Gidding, Richard Levinson and William Link, based on the 1972 book of the same title by Michael M. Mooney.

A highly speculative thriller, the film and the book it is based on depict a conspiracy of sabotage leading to the destruction of the German airship Hindenburg. In reality, while the Zeppelins were certainly used as a propaganda symbol by the Third Reich, and anti-Nazi forces might have had the motivation for sabotage, the theory of sabotage was investigated at the time, and no firm evidence for such sabotage was ever put forward. A. A. Hoehling, author of the 1962 book Who Destroyed the Hindenburg?, also about the sabotage theory, sued Mooney along with the film developers for copyright infringement as well as unfair competition. However, Judge Charles M. Metzner dismissed his allegations.

Filmed largely in color (with a mock newsreel presented in black-and-white at the beginning of the film), a portion of the film is presented in monochrome, edited between portions of the historical Hindenburg newsreel footage shot on May 6, 1937.

Characters

Karl Boerth — A rigger, and the saboteur of the airship. Boerth was a former Hitler Youth leader, but claims he became inactive because he helped build the Hindenburg. His girlfriend, Freda Halle, worked with foreigners in a French bank in Frankfurt, and her ex-lover was killed fighting for the Republicans in the Spanish Civil War, leading the Gestapo to investigate.

Karl Boerth is based on Erich Spehl.

Source: Wikipedia

The Hindenburg (1975) Trailer

Production Details

Directed by:Robert Wise
Written by:Nelson Gidding
Richard Levinson
William Link
Based on:The Hindenburg by Michael M. Mooney
Produced by:Robert Wise
Distributed by:Universal Studios
Release date:December 25, 1975

PLOT SUMMARY

Kathie Rauch from Milwaukee, Wisconsin sends a letter to the German Embassy in Washington, D.C., claiming the Hindenburg zeppelin will explode after flying over New York City. In the meantime, Luftwaffe Colonel Franz Ritter boards with the intention of protecting the Hindenburg as various threats have been made to down the airship, which some see as a symbol of Nazi Germany.

Ritter is assisted by a Nazi government official, SS/Gestapo Hauptsturmführer Martin Vogel, who poses as an “official photographer” of the Hindenburg. However, both operate independently in investigating the background of all passengers and crew on the voyage. Ritter has reason to suspect everyone, even his old friend, Countess Ursula von Reugen, whose Baltic estate in Peenemünde had been taken over by the Nazis and appears to be escaping Germany to visit her daughter in Boston.

Other prime suspects include card sharps Emilio Pajetta and Major Napier, Edward Douglas, a suspicious German-American ad executive, as well as several crew members and even the Hindenburg captains Pruss and Lehmann. Many possible clues turn out to be red herrings, such as Joe Spah sketching the ship’s interior as an idea for a Vaudeville show and mysterious names which later turned out to be the name of race horses two of the passengers are making bets on. Two other code names, for carnivorous air and sea animals, turn out to refer to the Hindenburg itself and the Queen Mary, where Douglas’s competitor is in a race to beat him to port to secure a business deal in New York.

As the Hindenburg makes its way to Lakehurst Naval Air Station, events conspire against Ritter and Vogel. They soon suspect the rigger Karl Boerth, a former Hitler Youth leader who has become disillusioned with the Nazis. Ritter attempts to arrest him but he resists and requests help from Ritter, who sympathizes with him because Ritter’s son was killed in an accident the previous year while in the Hitler Youth. Ritter later receives news that Boerth’s girlfriend, Freda Halle, was killed while trying to escape the Gestapo, who had arrested her for questioning after she was seen asking too many pointed questions about the ship’s exact position and arrival time at Lakehurst. Boerth, upon hearing the news of Halle’s death, plans to commit suicide by staying aboard the airship as the bomb goes off, to show that there is a resistance against the Nazi regime. Ritter reluctantly agrees with Boerth to set the bomb to 7:30, when the airship should have landed and passengers disembarked, saying an explosion in flight is the “last thing he wants”.

While setting up the bomb, Boerth drops the knife part which is recovered by a crew member. To cover up the loss of his knife, Boerth steals a knife from fellow rigger Ludwig Knorr. Vogel starts to work behind Ritter’s back, arresting Boerth and confiscating the Countess’s passport.

As the airship approaches Lakehurst Naval Air Station, Ritter now realizes the landing will be delayed and searches for Boerth to ask where the bomb is. Vogel is caught by Ritter in the cargo bay torturing Boerth and gets into a fight with Ritter and is knocked unconscious. An injured Boerth tells Ritter the bomb is in the repair patch of gas cell 4. Ritter attempts to defuse the bomb, but is distracted by a now-awakened Vogel and is unable to do so in time. The bomb explodes, killing Ritter instantly and sending Vogel flying down the walkway. Vogel survives, being carried by ground crewmen. Boerth was injured from being tortured by Vogel and dies of his burns, but manages to set the Channings’ dog free before the ship crashes to the ground. Other passengers and crew are seen struggling to survive the fire. The Countess survives and is reunited with her daughter.

The following day, while we see newsreel footage of the wreckage, a narrator lists some of the survivors and casualties of the disaster, as well as some of the possible theories. The wreckage is examined for the inquiry before being cleaned up. As Herbert Morrison’s memorable radio commentary is played, the Hindenburg is seen flying once again, only to disappear again in the clouds as the credits roll.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Hindenburg Disaster – 7.6 – The Hindenburg (1975) Titlecard

THE HINDENBURG DISASTER


The Hindenburg (1975)

The Official Story

THE HINDENBURG (1975)


 

The Hindenburg is a 1975 American Technicolor disaster film based on the disaster. The film stars George C. Scott. It was produced and directed by Robert Wise, and was written by Nelson Gidding, Richard Levinson and William Link, based on the 1972 book of the same title by Michael M. Mooney.

A highly speculative thriller, the film and the book it is based on depict a conspiracy of sabotage leading to the destruction of the German airship Hindenburg. In reality, while the Zeppelins were certainly used as a propaganda symbol by the Third Reich, and anti-Nazi forces might have had the motivation for sabotage, the theory of sabotage was investigated at the time, and no firm evidence for such sabotage was ever put forward. A. A. Hoehling, author of the 1962 book Who Destroyed the Hindenburg?, also about the sabotage theory, sued Mooney along with the film developers for copyright infringement as well as unfair competition. However, Judge Charles M. Metzner dismissed his allegations.

Filmed largely in color (with a mock newsreel presented in black-and-white at the beginning of the film), a portion of the film is presented in monochrome, edited between portions of the historical Hindenburg newsreel footage shot on May 6, 1937.

Characters

Karl Boerth — A rigger, and the saboteur of the airship. Boerth was a former Hitler Youth leader, but claims he became inactive because he helped build the Hindenburg. His girlfriend, Freda Halle, worked with foreigners in a French bank in Frankfurt, and her ex-lover was killed fighting for the Republicans in the Spanish Civil War, leading the Gestapo to investigate.

Karl Boerth is based on Erich Spehl.

Source: Wikipedia

The Hindenburg (1975) Trailer

Production Details

Directed by:Robert Wise
Written by:Nelson Gidding
Richard Levinson
William Link
Based on:The Hindenburg by Michael M. Mooney
Produced by:Robert Wise
Distributed by:Universal Studios
Release date:December 25, 1975

PLOT SUMMARY

Kathie Rauch from Milwaukee, Wisconsin sends a letter to the German Embassy in Washington, D.C., claiming the Hindenburg zeppelin will explode after flying over New York City. In the meantime, Luftwaffe Colonel Franz Ritter boards with the intention of protecting the Hindenburg as various threats have been made to down the airship, which some see as a symbol of Nazi Germany.

Ritter is assisted by a Nazi government official, SS/Gestapo Hauptsturmführer Martin Vogel, who poses as an “official photographer” of the Hindenburg. However, both operate independently in investigating the background of all passengers and crew on the voyage. Ritter has reason to suspect everyone, even his old friend, Countess Ursula von Reugen, whose Baltic estate in Peenemünde had been taken over by the Nazis and appears to be escaping Germany to visit her daughter in Boston.

Other prime suspects include card sharps Emilio Pajetta and Major Napier, Edward Douglas, a suspicious German-American ad executive, as well as several crew members and even the Hindenburg captains Pruss and Lehmann. Many possible clues turn out to be red herrings, such as Joe Spah sketching the ship’s interior as an idea for a Vaudeville show and mysterious names which later turned out to be the name of race horses two of the passengers are making bets on. Two other code names, for carnivorous air and sea animals, turn out to refer to the Hindenburg itself and the Queen Mary, where Douglas’s competitor is in a race to beat him to port to secure a business deal in New York.

As the Hindenburg makes its way to Lakehurst Naval Air Station, events conspire against Ritter and Vogel. They soon suspect the rigger Karl Boerth, a former Hitler Youth leader who has become disillusioned with the Nazis. Ritter attempts to arrest him but he resists and requests help from Ritter, who sympathizes with him because Ritter’s son was killed in an accident the previous year while in the Hitler Youth. Ritter later receives news that Boerth’s girlfriend, Freda Halle, was killed while trying to escape the Gestapo, who had arrested her for questioning after she was seen asking too many pointed questions about the ship’s exact position and arrival time at Lakehurst. Boerth, upon hearing the news of Halle’s death, plans to commit suicide by staying aboard the airship as the bomb goes off, to show that there is a resistance against the Nazi regime. Ritter reluctantly agrees with Boerth to set the bomb to 7:30, when the airship should have landed and passengers disembarked, saying an explosion in flight is the “last thing he wants”.

While setting up the bomb, Boerth drops the knife part which is recovered by a crew member. To cover up the loss of his knife, Boerth steals a knife from fellow rigger Ludwig Knorr. Vogel starts to work behind Ritter’s back, arresting Boerth and confiscating the Countess’s passport.

As the airship approaches Lakehurst Naval Air Station, Ritter now realizes the landing will be delayed and searches for Boerth to ask where the bomb is. Vogel is caught by Ritter in the cargo bay torturing Boerth and gets into a fight with Ritter and is knocked unconscious. An injured Boerth tells Ritter the bomb is in the repair patch of gas cell 4. Ritter attempts to defuse the bomb, but is distracted by a now-awakened Vogel and is unable to do so in time. The bomb explodes, killing Ritter instantly and sending Vogel flying down the walkway. Vogel survives, being carried by ground crewmen. Boerth was injured from being tortured by Vogel and dies of his burns, but manages to set the Channings’ dog free before the ship crashes to the ground. Other passengers and crew are seen struggling to survive the fire. The Countess survives and is reunited with her daughter.

The following day, while we see newsreel footage of the wreckage, a narrator lists some of the survivors and casualties of the disaster, as well as some of the possible theories. The wreckage is examined for the inquiry before being cleaned up. As Herbert Morrison’s memorable radio commentary is played, the Hindenburg is seen flying once again, only to disappear again in the clouds as the credits roll.

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Hindenburg Disaster – 7.7 – Robert Wise (Director, The Hindenburg, 1975)

THE HINDENBURG DISASTER


Robert Wise

The Official Story

ROBERT WISE
(Director, The Hindenburg, 1975)


 

Robert Earl Wise (September 10, 1914 – September 14, 2005) was an American film director, producer, and editor. He won the Academy Awards for Best Director and Best Picture for his musical films West Side Story (1961) and The Sound of Music (1965). He was also nominated for Best Film Editing for Citizen Kane (1941) and directed and produced The Sand Pebbles (1966), which was nominated for Best Picture.

Among his other films are The Body Snatcher (1945), Born to Kill (1947), The Set-Up (1949), The Day the Earth Stood Still (1951), Destination Gobi (1953), This Could Be The Night (1957), Run Silent, Run Deep (1958), I Want to Live! (1958), The Haunting (1963), The Andromeda Strain (1971), The Hindenburg (1975) and Star Trek: The Motion Picture (1979).

He was the president of the Directors Guild of America from 1971 to 1975 and the president of the Academy of Motion Picture Arts and Sciences from 1985 through 1988.

Wise achieved critical success as a director in a striking variety of film genres: horror, noir, western, war, science fiction, musical and drama, with many repeat successes within each genre. Wise’s meticulous preparation may have been largely motivated by studio budget constraints, but advanced the moviemaking art. Robert Wise received the AFI Life Achievement Award in 1998.

Director and producer

In the 1970s, Wise directed such films as The Andromeda Strain (1971), The Hindenburg (1975), the horror film Audrey Rose (1977) and Star Trek: The Motion Picture (1979), the first Star Trek feature film.

Wise’s adaptation of Michael Crichton’s science-fiction thriller, The Andromeda Strain (1971), an anti-biological warfare film, was a “modest critical hit.” His next film, Two People (1973), starring Peter Fonda and Lindsay Wagner, got “poor reviews” and is “one of Wise’s least-seen movies.” The Hindenburg (1975), which profiles the 1937 crash of the eponymous airship, was panned by critics, although it won Academy Awards for Best Visual Effects and Best Sound Effects. Wise’s Audrey Rose (1977), a reincarnation thriller, received mixed reviews and was “sometimes criticized for being an Exorcist (1973) knockoff.”

Source: Wikipedia

The Truth

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Space Shuttle Challenger Disaster – January 28, 1986

This information is respectfully dedicated to the victims.

1986

SPACE SHUTTLE
CHALLENGER DISASTER


(JANUARY 28, 1986 — CAPE CANAVERAL)

SPACE SHUTTLE CHALLENGER DISASTER
(January 28, 1986 — Cape Canaveral)


 

The Space Shuttle Challenger disaster was a fatal accident in the United States space program that occurred on January 28, 1986, when the Space Shuttle Challenger (OV-099) broke apart 73 seconds into its flight, leading to the death of all seven crew members aboard; it was the first fatal accident involving an American spacecraft in flight. The mission, designated STS-51-L, was the tenth flight for the Challenger orbiter and twenty-fifth flight of the Space Shuttle fleet. The crew was scheduled to deploy a communications satellite and study Halley’s Comet while they were in orbit. The spacecraft disintegrated over the Atlantic Ocean, off the coast of Cape Canaveral, Florida, at 11:39 a.m. EST (16:39 UTC).

The disaster was caused by the failure of the two redundant O-ring seals in a joint in the Space Shuttle’s right solid rocket booster (SRB). The record-low temperatures of the launch reduced the elasticity of the rubber O-rings, reducing their ability to seal the joints. The broken seals caused a breach into the joint shortly after liftoff, which allowed pressurized gas from within the SRB to leak and burn through the wall to the adjacent external fuel tank. This led to the separation of the right-hand SRB’s aft attachment, which caused it to crash into the external tank, which caused a structural failure of the external tank and an explosion. Following the explosion, the orbiter, which included the crew compartment, was broken up by aerodynamic forces.

The crew compartment and many other fragments from the Space Shuttle were recovered from the ocean floor after a three-month search-and-recovery operation. The exact timing of the deaths of the crew is unknown; several crew members are thought to have survived the initial breakup of the spacecraft. By design, the orbiter had no escape system, and the impact of the crew compartment at terminal velocity with the ocean surface was too violent to be survivable.

The disaster resulted in a 32-month hiatus in the Space Shuttle program. President Ronald Reagan created the Rogers Commission to investigate the accident. The commission criticized NASA’s organizational culture and decision-making processes that had contributed to the accident. Test data from as early as 1977 had revealed a potentially catastrophic flaw in the SRBs’ O-rings. Neither NASA, nor Morton Thiokol (the SRB manufacturer), addressed or corrected the issue. NASA managers also disregarded warnings from engineers about the dangers of launching in cold temperatures and did not report these technical concerns to their superiors. As a result of the disaster, NASA established the Office of Safety, Reliability and Quality Assurance to address safety concerns better, and commercial satellites would be launched on expendable launch vehicles rather than deployed from the crewed orbiter. To replace Challenger, construction of Endeavour was approved in 1987, and the new orbiter first flew in 1992. Later Space Shuttle missions launched with redesigned SRBs, and crews wore pressure suits during ascent and reentry.

Source: Wikipedia

Space Shuttle Challenger Explosion

SECTION INDEX


THE TRUTH

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

NASA TRUTH

> IT’S TIME TO DEFUND NASA <

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 Moon Landing – July 20, 1969

1969

APOLLO 11
MOON LANDING


(JULY 20, 1969 — USA / THE MOON)

APOLLO 11 MOON LANDING
(July 20, 1969)


 

Apollo 11 was the spaceflight that first landed humans on the Moon. Commander Neil Armstrong and lunar module pilot Buzz Aldrin formed the American crew that landed the Apollo Lunar Module Eagle on July 20, 1969, at 20:17 UTC (14:17 CST). Armstrong became the first person to step onto the lunar surface six hours and 39 minutes later on July 21 at 02:56 UTC; Aldrin joined him 19 minutes later. They spent about two and a quarter hours together outside the spacecraft, and they collected 47.5 pounds (21.5 kg) of lunar material to bring back to Earth. Command module pilot Michael Collins flew the Command Module Columbia alone in lunar orbit while they were on the Moon’s surface. Armstrong and Aldrin spent 21 hours, 36 minutes on the lunar surface at a site they named Tranquility Base before lifting off to rejoin Columbia in lunar orbit.

Apollo 11 was launched by a Saturn V rocket from Kennedy Space Center on Merritt Island, Florida, on July 16 at 13:32 UTC, and it was the fifth crewed mission of NASA’s Apollo program. The Apollo spacecraft had three parts: a command module (CM) with a cabin for the three astronauts, the only part that returned to Earth; a service module (SM), which supported the command module with propulsion, electrical power, oxygen, and water; and a lunar module (LM) that had two stages—a descent stage for landing on the Moon and an ascent stage to place the astronauts back into lunar orbit.

After being sent to the Moon by the Saturn V’s third stage, the astronauts separated the spacecraft from it and traveled for three days until they entered lunar orbit. Armstrong and Aldrin then moved into Eagle and landed in the Sea of Tranquility on July 20. The astronauts used Eagle‘s ascent stage to lift off from the lunar surface and rejoin Collins in the command module. They jettisoned Eagle before they performed the maneuvers that propelled Columbia out of the last of its 30 lunar orbits onto a trajectory back to Earth. They returned to Earth and splashed down in the Pacific Ocean on July 24 after more than eight days in space.

Armstrong’s first step onto the lunar surface was broadcast on live TV to a worldwide audience. He described the event as “one small step for [a] man, one giant leap for mankind”. Apollo 11 effectively ended the Space Race and fulfilled a national goal proposed in 1961 by President John F. Kennedy: “before this decade is out, of landing a man on the Moon and returning him safely to the Earth.”

Apollo 11 – Post Flight Press Conference (1969)

MOON LANDING CONSPIRACY THEORIES


 

Moon landing conspiracy theories claim that some or all elements of the Apollo program and the associated Moon landings were hoaxes staged by NASA, possibly with the aid of other organizations. The most notable claim is that the six crewed landings (1969–1972) were faked and that twelve Apollo astronauts did not actually walk on the Moon. Various groups and individuals have made claims since the mid-1970s that NASA and others knowingly misled the public into believing the landings happened, by manufacturing, tampering with, or destroying evidence including photos, telemetry tapes, radio and TV transmissions, and Moon rock samples.

Much third-party evidence for the landings exists, and detailed rebuttals to the hoax claims have been made. Since the late 2000s, high-definition photos taken by the Lunar Reconnaissance Orbiter (LRO) of the Apollo landing sites have captured the lander modules and the tracks left by the astronauts. In 2012, images were released showing five of the six Apollo missions’ American flags erected on the Moon still standing; the exception is that of Apollo 11, which has lain on the lunar surface since being accidentally blown over by the takeoff rocket’s exhaust.

Conspiracists have managed to sustain public interest in their theories for more than 40 years, despite the rebuttals and third-party evidence. Opinion polls taken in various locations have shown that between 6% and 20% of Americans, 25% of Britons, and 28% of Russians surveyed believe that the crewed landings were faked. Even as late as 2001, the Fox television network documentary Conspiracy Theory: Did We Land on the Moon? claimed NASA faked the first landing in 1969 to win the Space Race.

Alleged Stanley Kubrick Moon landing
conspiracy theory involvement

Filmmaker Stanley Kubrick is accused of having produced much of the footage for Apollos 11 and 12, presumably because he had just directed 2001: A Space Odyssey, which is partly set on the Moon and featured advanced special effects. It has been claimed that when 2001 was in post-production in early 1968, NASA secretly approached Kubrick to direct the first three Moon landings. The launch and splashdown would be real but the spacecraft would stay in Earth orbit and fake footage broadcast as “live from the Moon.” No evidence was offered for this theory, which overlooks many facts. For example, 2001 was released before the first Apollo landing and Kubrick’s depiction of the Moon’s surface differs greatly from its appearance in the Apollo footage. The movement of characters on the Moon in 2001 differs from that of the filmed movement of Apollo astronauts, and does not resemble an environment with 1/6 the gravity of Earth. Several scenes in 2001 show dust billowing as spacecraft landed, something that would not happen in the vacuum environment of the Moon. Kubrick did hire Frederick Ordway and Harry Lange, both of whom had worked for NASA and major aerospace contractors, to work with him on 2001. Kubrick also used some 50 mm f/0.7 lenses that were left over from a batch made by Zeiss for NASA. However, Kubrick only got this lens for Barry Lyndon (1975). The lens was originally a still photo lens and needed changes to be used for motion filming.

Source: Wikipedia

> READ THE TAGLINE <

Capricorn One (1978) – Trailer

SECTION INDEX


THE TRUTH

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

HOLLYWOOD TRUTH

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 Moon Landing – Section 1: Crew & Launch

SECTION 1

The Official Story

APOLLO 11 MOON LANDING
(July 20, 1969)


 

Apollo 11 was the spaceflight that first landed humans on the Moon. Commander Neil Armstrong and lunar module pilot Buzz Aldrin formed the American crew that landed the Apollo Lunar Module Eagle on July 20, 1969, at 20:17 UTC (14:17 CST). Armstrong became the first person to step onto the lunar surface six hours and 39 minutes later on July 21 at 02:56 UTC; Aldrin joined him 19 minutes later. They spent about two and a quarter hours together outside the spacecraft, and they collected 47.5 pounds (21.5 kg) of lunar material to bring back to Earth. Command module pilot Michael Collins flew the Command Module Columbia alone in lunar orbit while they were on the Moon’s surface. Armstrong and Aldrin spent 21 hours, 36 minutes on the lunar surface at a site they named Tranquility Base before lifting off to rejoin Columbia in lunar orbit.

Apollo 11 was launched by a Saturn V rocket from Kennedy Space Center on Merritt Island, Florida, on July 16 at 13:32 UTC, and it was the fifth crewed mission of NASA’s Apollo program. The Apollo spacecraft had three parts: a command module (CM) with a cabin for the three astronauts, the only part that returned to Earth; a service module (SM), which supported the command module with propulsion, electrical power, oxygen, and water; and a lunar module (LM) that had two stages—a descent stage for landing on the Moon and an ascent stage to place the astronauts back into lunar orbit.

After being sent to the Moon by the Saturn V’s third stage, the astronauts separated the spacecraft from it and traveled for three days until they entered lunar orbit. Armstrong and Aldrin then moved into Eagle and landed in the Sea of Tranquility on July 20. The astronauts used Eagle‘s ascent stage to lift off from the lunar surface and rejoin Collins in the command module. They jettisoned Eagle before they performed the maneuvers that propelled Columbia out of the last of its 30 lunar orbits onto a trajectory back to Earth. They returned to Earth and splashed down in the Pacific Ocean on July 24 after more than eight days in space.

Armstrong’s first step onto the lunar surface was broadcast on live TV to a worldwide audience. He described the event as “one small step for [a] man, one giant leap for mankind”. Apollo 11 effectively ended the Space Race and fulfilled a national goal proposed in 1961 by President John F. Kennedy: “before this decade is out, of landing a man on the Moon and returning him safely to the Earth.”

Source: Wikipedia

Capricorn One (1978) – Trailer

ARTICLE INDEX

THE TRUTH

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

HOLLYWOOD TRUTH

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 Moon Landing – Section 2: Moon Landing

SECTION 2

The Official Story

APOLLO 11 MOON LANDING
(July 20, 1969)


 

Apollo 11 was the spaceflight that first landed humans on the Moon. Commander Neil Armstrong and lunar module pilot Buzz Aldrin formed the American crew that landed the Apollo Lunar Module Eagle on July 20, 1969, at 20:17 UTC (14:17 CST). Armstrong became the first person to step onto the lunar surface six hours and 39 minutes later on July 21 at 02:56 UTC; Aldrin joined him 19 minutes later. They spent about two and a quarter hours together outside the spacecraft, and they collected 47.5 pounds (21.5 kg) of lunar material to bring back to Earth. Command module pilot Michael Collins flew the Command Module Columbia alone in lunar orbit while they were on the Moon’s surface. Armstrong and Aldrin spent 21 hours, 36 minutes on the lunar surface at a site they named Tranquility Base before lifting off to rejoin Columbia in lunar orbit.

Apollo 11 was launched by a Saturn V rocket from Kennedy Space Center on Merritt Island, Florida, on July 16 at 13:32 UTC, and it was the fifth crewed mission of NASA’s Apollo program. The Apollo spacecraft had three parts: a command module (CM) with a cabin for the three astronauts, the only part that returned to Earth; a service module (SM), which supported the command module with propulsion, electrical power, oxygen, and water; and a lunar module (LM) that had two stages—a descent stage for landing on the Moon and an ascent stage to place the astronauts back into lunar orbit.

After being sent to the Moon by the Saturn V’s third stage, the astronauts separated the spacecraft from it and traveled for three days until they entered lunar orbit. Armstrong and Aldrin then moved into Eagle and landed in the Sea of Tranquility on July 20. The astronauts used Eagle‘s ascent stage to lift off from the lunar surface and rejoin Collins in the command module. They jettisoned Eagle before they performed the maneuvers that propelled Columbia out of the last of its 30 lunar orbits onto a trajectory back to Earth. They returned to Earth and splashed down in the Pacific Ocean on July 24 after more than eight days in space.

Armstrong’s first step onto the lunar surface was broadcast on live TV to a worldwide audience. He described the event as “one small step for [a] man, one giant leap for mankind”. Apollo 11 effectively ended the Space Race and fulfilled a national goal proposed in 1961 by President John F. Kennedy: “before this decade is out, of landing a man on the Moon and returning him safely to the Earth.”

Source: Wikipedia

Capricorn One (1978) – Trailer

ARTICLE INDEX

THE TRUTH

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

HOLLYWOOD TRUTH

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 Moon Landing – Section 3: Return to Earth

SECTION 3

The Official Story

APOLLO 11 MOON LANDING
(July 20, 1969)


 

Apollo 11 was the spaceflight that first landed humans on the Moon. Commander Neil Armstrong and lunar module pilot Buzz Aldrin formed the American crew that landed the Apollo Lunar Module Eagle on July 20, 1969, at 20:17 UTC (14:17 CST). Armstrong became the first person to step onto the lunar surface six hours and 39 minutes later on July 21 at 02:56 UTC; Aldrin joined him 19 minutes later. They spent about two and a quarter hours together outside the spacecraft, and they collected 47.5 pounds (21.5 kg) of lunar material to bring back to Earth. Command module pilot Michael Collins flew the Command Module Columbia alone in lunar orbit while they were on the Moon’s surface. Armstrong and Aldrin spent 21 hours, 36 minutes on the lunar surface at a site they named Tranquility Base before lifting off to rejoin Columbia in lunar orbit.

Apollo 11 was launched by a Saturn V rocket from Kennedy Space Center on Merritt Island, Florida, on July 16 at 13:32 UTC, and it was the fifth crewed mission of NASA’s Apollo program. The Apollo spacecraft had three parts: a command module (CM) with a cabin for the three astronauts, the only part that returned to Earth; a service module (SM), which supported the command module with propulsion, electrical power, oxygen, and water; and a lunar module (LM) that had two stages—a descent stage for landing on the Moon and an ascent stage to place the astronauts back into lunar orbit.

After being sent to the Moon by the Saturn V’s third stage, the astronauts separated the spacecraft from it and traveled for three days until they entered lunar orbit. Armstrong and Aldrin then moved into Eagle and landed in the Sea of Tranquility on July 20. The astronauts used Eagle‘s ascent stage to lift off from the lunar surface and rejoin Collins in the command module. They jettisoned Eagle before they performed the maneuvers that propelled Columbia out of the last of its 30 lunar orbits onto a trajectory back to Earth. They returned to Earth and splashed down in the Pacific Ocean on July 24 after more than eight days in space.

Armstrong’s first step onto the lunar surface was broadcast on live TV to a worldwide audience. He described the event as “one small step for [a] man, one giant leap for mankind”. Apollo 11 effectively ended the Space Race and fulfilled a national goal proposed in 1961 by President John F. Kennedy: “before this decade is out, of landing a man on the Moon and returning him safely to the Earth.”

Source: Wikipedia

Capricorn One (1978) – Trailer

ARTICLE INDEX

THE TRUTH

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

HOLLYWOOD TRUTH

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 Moon Landing – Section 4: NASA

SECTION 4

The Official Story

APOLLO 11 MOON LANDING
(July 20, 1969)


 

Apollo 11 was the spaceflight that first landed humans on the Moon. Commander Neil Armstrong and lunar module pilot Buzz Aldrin formed the American crew that landed the Apollo Lunar Module Eagle on July 20, 1969, at 20:17 UTC (14:17 CST). Armstrong became the first person to step onto the lunar surface six hours and 39 minutes later on July 21 at 02:56 UTC; Aldrin joined him 19 minutes later. They spent about two and a quarter hours together outside the spacecraft, and they collected 47.5 pounds (21.5 kg) of lunar material to bring back to Earth. Command module pilot Michael Collins flew the Command Module Columbia alone in lunar orbit while they were on the Moon’s surface. Armstrong and Aldrin spent 21 hours, 36 minutes on the lunar surface at a site they named Tranquility Base before lifting off to rejoin Columbia in lunar orbit.

Apollo 11 was launched by a Saturn V rocket from Kennedy Space Center on Merritt Island, Florida, on July 16 at 13:32 UTC, and it was the fifth crewed mission of NASA’s Apollo program. The Apollo spacecraft had three parts: a command module (CM) with a cabin for the three astronauts, the only part that returned to Earth; a service module (SM), which supported the command module with propulsion, electrical power, oxygen, and water; and a lunar module (LM) that had two stages—a descent stage for landing on the Moon and an ascent stage to place the astronauts back into lunar orbit.

After being sent to the Moon by the Saturn V’s third stage, the astronauts separated the spacecraft from it and traveled for three days until they entered lunar orbit. Armstrong and Aldrin then moved into Eagle and landed in the Sea of Tranquility on July 20. The astronauts used Eagle‘s ascent stage to lift off from the lunar surface and rejoin Collins in the command module. They jettisoned Eagle before they performed the maneuvers that propelled Columbia out of the last of its 30 lunar orbits onto a trajectory back to Earth. They returned to Earth and splashed down in the Pacific Ocean on July 24 after more than eight days in space.

Armstrong’s first step onto the lunar surface was broadcast on live TV to a worldwide audience. He described the event as “one small step for [a] man, one giant leap for mankind”. Apollo 11 effectively ended the Space Race and fulfilled a national goal proposed in 1961 by President John F. Kennedy: “before this decade is out, of landing a man on the Moon and returning him safely to the Earth.”

NASA

The National Aeronautics and Space Administration (NASA) is an independent agency of the U.S. federal government responsible for the civilian space program, as well as aeronautics and space research.

NASA was established in 1958, succeeding the National Advisory Committee for Aeronautics (NACA). The new agency was to have a distinctly civilian orientation, encouraging peaceful applications in space science. Since its establishment, most US space exploration efforts have been led by NASA, including the Apollo Moon landing missions, the Skylab space station, and later the Space Shuttle. NASA is supporting the International Space Station and is overseeing the development of the Orion spacecraft, the Space Launch System, and Commercial Crew vehicles. The agency is also responsible for the Launch Services Program, which provides oversight of launch operations and countdown management for uncrewed NASA launches.

NASA science is focused on better understanding Earth through the Earth Observing System; advancing heliophysics through the efforts of the Science Mission Directorate’s Heliophysics Research Program; exploring bodies throughout the Solar System with advanced robotic spacecraft such as New Horizons; and researching astrophysics topics, such as the Big Bang, through the Great Observatories and associated programs.

Source: Wikipedia

Capricorn One (1978) – Trailer

ARTICLE INDEX

THE TRUTH

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

HOLLYWOOD TRUTH

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 Moon Landing – Section 5: Stanley Kubrick & Hollywood

SECTION 5

The Official Story

APOLLO 11 MOON LANDING
(July 20, 1969)


 

Apollo 11 was the spaceflight that first landed humans on the Moon. Commander Neil Armstrong and lunar module pilot Buzz Aldrin formed the American crew that landed the Apollo Lunar Module Eagle on July 20, 1969, at 20:17 UTC (14:17 CST). Armstrong became the first person to step onto the lunar surface six hours and 39 minutes later on July 21 at 02:56 UTC; Aldrin joined him 19 minutes later. They spent about two and a quarter hours together outside the spacecraft, and they collected 47.5 pounds (21.5 kg) of lunar material to bring back to Earth. Command module pilot Michael Collins flew the Command Module Columbia alone in lunar orbit while they were on the Moon’s surface. Armstrong and Aldrin spent 21 hours, 36 minutes on the lunar surface at a site they named Tranquility Base before lifting off to rejoin Columbia in lunar orbit.

Apollo 11 was launched by a Saturn V rocket from Kennedy Space Center on Merritt Island, Florida, on July 16 at 13:32 UTC, and it was the fifth crewed mission of NASA’s Apollo program. The Apollo spacecraft had three parts: a command module (CM) with a cabin for the three astronauts, the only part that returned to Earth; a service module (SM), which supported the command module with propulsion, electrical power, oxygen, and water; and a lunar module (LM) that had two stages—a descent stage for landing on the Moon and an ascent stage to place the astronauts back into lunar orbit.

After being sent to the Moon by the Saturn V’s third stage, the astronauts separated the spacecraft from it and traveled for three days until they entered lunar orbit. Armstrong and Aldrin then moved into Eagle and landed in the Sea of Tranquility on July 20. The astronauts used Eagle‘s ascent stage to lift off from the lunar surface and rejoin Collins in the command module. They jettisoned Eagle before they performed the maneuvers that propelled Columbia out of the last of its 30 lunar orbits onto a trajectory back to Earth. They returned to Earth and splashed down in the Pacific Ocean on July 24 after more than eight days in space.

Armstrong’s first step onto the lunar surface was broadcast on live TV to a worldwide audience. He described the event as “one small step for [a] man, one giant leap for mankind”. Apollo 11 effectively ended the Space Race and fulfilled a national goal proposed in 1961 by President John F. Kennedy: “before this decade is out, of landing a man on the Moon and returning him safely to the Earth.”

Alleged Stanley Kubrick Moon landing
conspiracy theory involvement

Filmmaker Stanley Kubrick is accused of having produced much of the footage for Apollos 11 and 12, presumably because he had just directed 2001: A Space Odyssey, which is partly set on the Moon and featured advanced special effects. It has been claimed that when 2001 was in post-production in early 1968, NASA secretly approached Kubrick to direct the first three Moon landings. The launch and splashdown would be real but the spacecraft would stay in Earth orbit and fake footage broadcast as “live from the Moon.” No evidence was offered for this theory, which overlooks many facts. For example, 2001 was released before the first Apollo landing and Kubrick’s depiction of the Moon’s surface differs greatly from its appearance in the Apollo footage. The movement of characters on the Moon in 2001 differs from that of the filmed movement of Apollo astronauts, and does not resemble an environment with 1/6 the gravity of Earth. Several scenes in 2001 show dust billowing as spacecraft landed, something that would not happen in the vacuum environment of the Moon. Kubrick did hire Frederick Ordway and Harry Lange, both of whom had worked for NASA and major aerospace contractors, to work with him on 2001. Kubrick also used some 50 mm f/0.7 lenses that were left over from a batch made by Zeiss for NASA. However, Kubrick only got this lens for Barry Lyndon (1975). The lens was originally a still photo lens and needed changes to be used for motion filming.

The mockumentary based on this idea, Dark Side of the Moon, could have fueled the conspiracy theory. This French mockumentary, directed by William Karel, was originally aired on Arte channel in 2002 with the title Opération Lune. It parodies conspiracy theories with faked interviews, stories of assassinations of Stanley Kubrick’s assistants by the CIA, and a variety of conspicuous mistakes, puns, and references to old movie characters, inserted through the film as clues for the viewer. Nevertheless, Opération Lune is still taken at face value by some conspiracy believers.

An article titled “Stanley Kubrick and the Moon Hoax” appeared on Usenet in 1995, in the newsgroup “alt.humor.best-of-usenet”. One passage – on how Kubrick was supposedly coerced into the conspiracy – reads:

NASA further leveraged their position by threatening to publicly reveal the heavy involvement of Mr. Kubrick’s younger brother, Raul, with the American Communist Party. This would have been an intolerable embarrassment to Mr. Kubrick, especially since the release of Dr. Strangelove.

Kubrick had no such brother – the article was a spoof, complete with a giveaway sentence describing Kubrick shooting the moonwalk “on location” on the Moon. Nevertheless, the claim was taken up in earnest; Clyde Lewis used it almost word-for-word, whereas Jay Weidner gave the brother a more senior status within the party:

No one knows how the powers-that-be convinced Kubrick to direct the Apollo landings. Maybe they had compromised Kubrick in some way. The fact that his brother, Raul Kubrick, was the head of the American Communist Party may have been one of the avenues pursued by the government to get Stanley to cooperate.

In July 2009, Weidner posted on his webpage “Secrets of the Shining”, where he states that Kubrick’s The Shining (1980) is a veiled confession of his role in the scam project. This thesis was the subject of refutation in an article published on Seeker nearly half a year later.

The 2015 movie Moonwalkers is a fictional account of a CIA agent’s claim of Kubrick’s involvement.

In December 2015, a video surfaced which allegedly shows Kubrick being interviewed shortly before his 1999 death; the video purportedly shows the director confessing to T. Patrick Murray that the Apollo Moon landings had been faked. Research quickly found, however, that the video was a hoax.

Source: Wikipedia

Capricorn One (1978) – Trailer

ARTICLE INDEX

THE TRUTH

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

HOLLYWOOD TRUTH

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.2 – Capricorn One (1978) Mars TV Studio Set

APOLLO 11 MOON LANDING


Capricorn One (1978)

Original Image

The Official Story

CAPRICORN ONE (1978)
(Peter Hyams, Writer/Director)


 

Capricorn One is a 1978 thriller film in which a reporter discovers that a supposed Mars landing by a crewed mission to the planet has been faked via a conspiracy involving the government and – under duress – the crew themselves. It was written and directed by Peter Hyams and produced by Lew Grade’s ITC Entertainment. It stars Elliott Gould with James Brolin, Sam Waterston, and O.J. Simpson as the astronauts. The music score was created by Jerry Goldsmith.

Production (Development)

Peter Hyams began thinking about a film of a space hoax while working on broadcasts of the Apollo missions for CBS. He later reflected regarding the Apollo 11 Moon landing, “There was one event of really enormous importance that had almost no witnesses. And the only verification we have … came from a TV camera.”

He later elaborated:

Whenever there was something on the news about a [space flight], they would cut to a studio in St. Louis where there was a simulation of what was going on. I grew up in the generation where my parents basically believed if it was in the newspaper it was true. That turned out to be bullshit. My generation was brought up to believe television was true, and that was bullshit too. So I was watching these simulations and I wondered what would happen if someone faked a whole story.

Hyams wrote the script in 1972 but no one wanted to make it. He says interest in the script was re-activated by the Watergate Scandal. He approached producer Paul Lazarus. Hyams and Lazarus had a meeting with Lew Grade, head of production company ITC Entertainment who had recently moved into film production with The Return of the Pink Panther. Grade agreed to make the film after only five minutes. The budget was $4.8 million.

Capricorn One (1978) – Trailer

Production Details

Directed by:Peter Hyams
Written by:Peter Hyams
Produced by:Paul N. Lazarus III
Production Company:ITC Entertainment
Distributed by:Warner Bros.
Release dates:June 2, 1978

MOON LANDING CONSPIRACY THEORIES
(Capricorn One, 1978)


 

Moon landing conspiracy theories claim that some or all elements of the Apollo program and the associated Moon landings were hoaxes staged by NASA, possibly with the aid of other organizations. The most notable claim is that the six crewed landings (1969–1972) were faked and that twelve Apollo astronauts did not actually walk on the Moon. Various groups and individuals have made claims since the mid-1970s that NASA and others knowingly misled the public into believing the landings happened, by manufacturing, tampering with, or destroying evidence including photos, telemetry tapes, radio and TV transmissions, and Moon rock samples.

Much third-party evidence for the landings exists, and detailed rebuttals to the hoax claims have been made. Since the late 2000s, high-definition photos taken by the Lunar Reconnaissance Orbiter (LRO) of the Apollo landing sites have captured the lander modules and the tracks left by the astronauts. In 2012, images were released showing five of the six Apollo missions’ American flags erected on the Moon still standing; the exception is that of Apollo 11, which has lain on the lunar surface since being accidentally blown over by the takeoff rocket’s exhaust.

Conspiracists have managed to sustain public interest in their theories for more than 40 years, despite the rebuttals and third-party evidence. Opinion polls taken in various locations have shown that between 6% and 20% of Americans, 25% of Britons, and 28% of Russians surveyed believe that the crewed landings were faked. Even as late as 2001, the Fox television network documentary Conspiracy Theory: Did We Land on the Moon? claimed NASA faked the first landing in 1969 to win the Space Race.

Origins

An early and influential book about the subject of a Moon-landing conspiracy, We Never Went to the Moon: America’s Thirty Billion Dollar Swindle, was self-published in 1976 by Bill Kaysing, a former US Navy officer with a Bachelor of Arts in English. Despite having no knowledge of rockets or technical writing, Kaysing was hired as a senior technical writer in 1956 by Rocketdyne, the company that built the F-1 engines used on the Saturn V rocket. He served as head of the technical publications unit at the company’s Propulsion Field Laboratory until 1963. The many allegations in Kaysing’s book effectively began discussion of the Moon landings being faked. The book claims that the chance of a successful crewed landing on the Moon was calculated to be 0.0017%, and that despite close monitoring by the USSR, it would have been easier for NASA to fake the Moon landings than to really go there.

In 1980, the Flat Earth Society accused NASA of faking the landings, arguing that they were staged by Hollywood with Walt Disney sponsorship, based on a script by Arthur C. Clarke and directed by Stanley Kubrick. Folklorist Linda Dégh suggests that writer-director Peter Hyams’ film Capricorn One (1978), which shows a hoaxed journey to Mars in a spacecraft that looks identical to the Apollo craft, might have given a boost to the hoax theory’s popularity in the post-Vietnam War era. Dégh sees a parallel with other attitudes during the post-Watergate era, when the American public were inclined to distrust official accounts. Dégh writes: “The mass media catapult these half-truths into a kind of twilight zone where people can make their guesses sound as truths. Mass media have a terrible impact on people who lack guidance.” In A Man on the Moon, first published in 1994, Andrew Chaikin mentions that at the time of Apollo 8’s lunar-orbit mission in December 1968, similar conspiracy ideas were already in circulation.

Source: Wikipedia

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.3 – Capricorn One (1978) Titlecard

APOLLO 11 MOON LANDING


Capricorn One (1978)

The Official Story

CAPRICORN ONE (1978)
(Peter Hyams, Writer/Director)


 

Capricorn One is a 1978 thriller film in which a reporter discovers that a supposed Mars landing by a crewed mission to the planet has been faked via a conspiracy involving the government and – under duress – the crew themselves. It was written and directed by Peter Hyams and produced by Lew Grade’s ITC Entertainment. It stars Elliott Gould with James Brolin, Sam Waterston, and O.J. Simpson as the astronauts. The music score was created by Jerry Goldsmith.

Production (Development)

Peter Hyams began thinking about a film of a space hoax while working on broadcasts of the Apollo missions for CBS. He later reflected regarding the Apollo 11 Moon landing, “There was one event of really enormous importance that had almost no witnesses. And the only verification we have … came from a TV camera.”

He later elaborated:

Whenever there was something on the news about a [space flight], they would cut to a studio in St. Louis where there was a simulation of what was going on. I grew up in the generation where my parents basically believed if it was in the newspaper it was true. That turned out to be bullshit. My generation was brought up to believe television was true, and that was bullshit too. So I was watching these simulations and I wondered what would happen if someone faked a whole story.

Hyams wrote the script in 1972 but no one wanted to make it. He says interest in the script was re-activated by the Watergate Scandal. He approached producer Paul Lazarus. Hyams and Lazarus had a meeting with Lew Grade, head of production company ITC Entertainment who had recently moved into film production with The Return of the Pink Panther. Grade agreed to make the film after only five minutes. The budget was $4.8 million.

Capricorn One (1978) – Trailer

Production Details

Directed by:Peter Hyams
Written by:Peter Hyams
Produced by:Paul N. Lazarus III
Production Company:ITC Entertainment
Distributed by:Warner Bros.
Release dates:June 2, 1978

PLOT SUMMARY

Capricorn One—the first crewed mission to Mars—is on the launch pad. Just before liftoff, the crew of Brubaker, Willis, and Walker are suddenly removed from the spacecraft. Bewildered, they are flown to an abandoned military base in the desert. The launch proceeds on schedule, with the public unaware the spacecraft is empty. At the base, NASA official Kelloway, informs the astronauts that a faulty life-support system would have killed them in-flight. He says they must help counterfeit the televised footage during the flight to and from Mars. Another failed space mission would result in NASA’s funding being cut and private contractors losing millions in profits. Kelloway threatens their families to force their cooperation.

The astronauts remain captive during the flight and appear to be filmed after landing on Mars, though they are inside a makeshift TV studio at the base. At the command center, only a few officials know about the conspiracy until an alert technician, Elliot Whitter, notices that ground control receives the crew’s televised transmissions before the spacecraft telemetry arrives. Whitter reports this to his supervisors, including Kelloway, but is told it is due to a faulty workstation. Whitter partially shares his concerns with a TV journalist friend, Robert Caulfield. Whitter suddenly vanishes, and when Caulfield goes to his apartment the next day, he discovers someone else living there and that all evidence of Whitter’s recent life has been erased. As Caulfield investigates, several attempts are made on his life.

Upon returning to Earth, the empty spacecraft burns up during atmospheric reentry due to a faulty heat shield. The captive astronauts were supposed to be placed in the returned capsule before being recovered by the Navy. After it is destroyed, they realize officials will never release them. They escape in a small jet which quickly runs out of fuel, forcing a crash-landing in the desert. They split up on foot to increase their chances of finding help and exposing the plot. Kelloway sends helicopters after them; Willis and Walker are found, while Brubaker evades capture.

Caulfield interviews Brubaker’s “widow” after reviewing a televised conversation between the astronauts and their wives. Mrs. Brubaker had seemed confused when her husband mentioned their last family vacation. She explains that the family had actually gone to a different location where a western movie was being filmed. Brubaker was intrigued by how special effects and technology made it seem real. Caulfield believes Brubaker would never make such a mistake and may have been sending his wife a message. Caulfield goes to the deserted movie set and is shot at. As he investigates further, federal agents break into his home, arresting him for possessing cocaine that they planted there. His exasperated boss bails Caulfield out, then fires him.

A reporter friend tells Caulfield about an abandoned military base located 300 miles from Houston. The base is deserted, but Caulfield finds Brubaker’s necklace and medallion and concludes the astronauts were there. Caulfield hires a crop-dusting pilot named Albain to search the desert. They spot and follow two helicopters to a closed isolated gas station where Brubaker is hiding. They rescue him as he attempts to escape his pursuers. The helicopters chase their plane through a canyon but crash when Albain blinds them with crop spray.

Ultimately, Caulfield and Brubaker arrive at the astronauts’ memorial service, where the live network TV coverage exposes the truth.

Source: Wikipedia

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.4 – Peter Hyams (Writer/Director, Capricorn One)

APOLLO 11 MOON LANDING


Peter Hyams

The Official Story

PETER HYAMS
(Writer/Director, Capricorn One)


 

Peter Hyams (born July 26, 1943) is an American film director, screenwriter and cinematographer known for directing Capricorn One (which he also wrote), the 1981 science fiction-thriller Outland, the 1984 science fiction film 2010: The Year We Make Contact (a sequel to Stanley Kubrick’s 2001: A Space Odyssey), the 1986 action/comedy Running Scared, the comic book adaptation Timecop, the action film Sudden Death (both starring Jean-Claude Van Damme), and the horror films The Relic and End of Days.

Hyams would later joke, “O.J. Simpson was in [Capricorn One], and Robert Blake was in Busting (Hyams’ first feature). I’ve said many times: Some people have AFI Lifetime Achievement awards, some people have multiple Oscars, my bit of trivia is that I’ve made films with two leading men who were subsequently tried for the first-degree murder of their wives.”

Capricorn One

Hyams had written the script for Capricorn One (1977), a number of years earlier. It was a conspiracy thriller about a faked mission to Mars. Paul Lazarus managed to raise finance with Hyams as director and the film was his first hit.

Production (Development)

Peter Hyams began thinking about a film of a space hoax while working on broadcasts of the Apollo missions for CBS. He later reflected regarding the Apollo 11 Moon landing, “There was one event of really enormous importance that had almost no witnesses. And the only verification we have … came from a TV camera.”

He later elaborated:

Whenever there was something on the news about a [space flight], they would cut to a studio in St. Louis where there was a simulation of what was going on. I grew up in the generation where my parents basically believed if it was in the newspaper it was true. That turned out to be bullshit. My generation was brought up to believe television was true, and that was bullshit too. So I was watching these simulations and I wondered what would happen if someone faked a whole story.

Hyams wrote the script in 1972 but no one wanted to make it. He says interest in the script was re-activated by the Watergate Scandal. He approached producer Paul Lazarus. Hyams and Lazarus had a meeting with Lew Grade, head of production company ITC Entertainment who had recently moved into film production with The Return of the Pink Panther. Grade agreed to make the film after only five minutes. The budget was $4.8 million.

Source: Wikipedia

Capricorn One (1978) – Trailer

Production Details

Directed by:Peter Hyams
Written by:Peter Hyams
Produced by:Paul N. Lazarus III
Production Company:ITC Entertainment
Distributed by:Warner Bros.
Release dates:June 2, 1978

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

MIND CONTROL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.5 – Capricorn One (1978) Theatrical Poster

APOLLO 11 MOON LANDING


Capricorn One (1978)

> Read the tagline <

The Official Story

CAPRICORN ONE (1978)
(Peter Hyams, Writer/Director)


 

Capricorn One is a 1978 thriller film in which a reporter discovers that a supposed Mars landing by a crewed mission to the planet has been faked via a conspiracy involving the government and – under duress – the crew themselves. It was written and directed by Peter Hyams and produced by Lew Grade’s ITC Entertainment. It stars Elliott Gould with James Brolin, Sam Waterston, and O.J. Simpson as the astronauts. The music score was created by Jerry Goldsmith.

Production (Development)

Peter Hyams began thinking about a film of a space hoax while working on broadcasts of the Apollo missions for CBS. He later reflected regarding the Apollo 11 Moon landing, “There was one event of really enormous importance that had almost no witnesses. And the only verification we have … came from a TV camera.”

He later elaborated:

Whenever there was something on the news about a [space flight], they would cut to a studio in St. Louis where there was a simulation of what was going on. I grew up in the generation where my parents basically believed if it was in the newspaper it was true. That turned out to be bullshit. My generation was brought up to believe television was true, and that was bullshit too. So I was watching these simulations and I wondered what would happen if someone faked a whole story.

Hyams wrote the script in 1972 but no one wanted to make it. He says interest in the script was re-activated by the Watergate Scandal. He approached producer Paul Lazarus. Hyams and Lazarus had a meeting with Lew Grade, head of production company ITC Entertainment who had recently moved into film production with The Return of the Pink Panther. Grade agreed to make the film after only five minutes. The budget was $4.8 million.

Capricorn One (1978) – Trailer

Production Details

Directed by:Peter Hyams
Written by:Peter Hyams
Produced by:Paul N. Lazarus III
Production Company:ITC Entertainment
Distributed by:Warner Bros.
Release dates:June 2, 1978

PLOT SUMMARY

Capricorn One—the first crewed mission to Mars—is on the launch pad. Just before liftoff, the crew of Brubaker, Willis, and Walker are suddenly removed from the spacecraft. Bewildered, they are flown to an abandoned military base in the desert. The launch proceeds on schedule, with the public unaware the spacecraft is empty. At the base, NASA official Kelloway, informs the astronauts that a faulty life-support system would have killed them in-flight. He says they must help counterfeit the televised footage during the flight to and from Mars. Another failed space mission would result in NASA’s funding being cut and private contractors losing millions in profits. Kelloway threatens their families to force their cooperation.

The astronauts remain captive during the flight and appear to be filmed after landing on Mars, though they are inside a makeshift TV studio at the base. At the command center, only a few officials know about the conspiracy until an alert technician, Elliot Whitter, notices that ground control receives the crew’s televised transmissions before the spacecraft telemetry arrives. Whitter reports this to his supervisors, including Kelloway, but is told it is due to a faulty workstation. Whitter partially shares his concerns with a TV journalist friend, Robert Caulfield. Whitter suddenly vanishes, and when Caulfield goes to his apartment the next day, he discovers someone else living there and that all evidence of Whitter’s recent life has been erased. As Caulfield investigates, several attempts are made on his life.

Upon returning to Earth, the empty spacecraft burns up during atmospheric reentry due to a faulty heat shield. The captive astronauts were supposed to be placed in the returned capsule before being recovered by the Navy. After it is destroyed, they realize officials will never release them. They escape in a small jet which quickly runs out of fuel, forcing a crash-landing in the desert. They split up on foot to increase their chances of finding help and exposing the plot. Kelloway sends helicopters after them; Willis and Walker are found, while Brubaker evades capture.

Caulfield interviews Brubaker’s “widow” after reviewing a televised conversation between the astronauts and their wives. Mrs. Brubaker had seemed confused when her husband mentioned their last family vacation. She explains that the family had actually gone to a different location where a western movie was being filmed. Brubaker was intrigued by how special effects and technology made it seem real. Caulfield believes Brubaker would never make such a mistake and may have been sending his wife a message. Caulfield goes to the deserted movie set and is shot at. As he investigates further, federal agents break into his home, arresting him for possessing cocaine that they planted there. His exasperated boss bails Caulfield out, then fires him.

A reporter friend tells Caulfield about an abandoned military base located 300 miles from Houston. The base is deserted, but Caulfield finds Brubaker’s necklace and medallion and concludes the astronauts were there. Caulfield hires a crop-dusting pilot named Albain to search the desert. They spot and follow two helicopters to a closed isolated gas station where Brubaker is hiding. They rescue him as he attempts to escape his pursuers. The helicopters chase their plane through a canyon but crash when Albain blinds them with crop spray.

Ultimately, Caulfield and Brubaker arrive at the astronauts’ memorial service, where the live network TV coverage exposes the truth.

Source: Wikipedia

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.6 – 2001: A Space Odyssey (1968) Lunar Monolith Excavation Site

APOLLO 11 MOON LANDING


2001: A Space Odyssey
(1968)

Original Image

The Official Story

2001: A SPACE ODYSSEY (1968)
(Stanley Kubrick, Writer/Director)


 

2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and Arthur C. Clarke, and was inspired by Clarke’s 1951 short story “The Sentinel” and other short stories by Clarke. A novel released after the film’s premiere was in part written concurrently with the screenplay. The film, which follows a voyage to Jupiter with the sentient computer HAL after the discovery of an alien monolith affecting human evolution, deals with themes of existentialism, human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life.

The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and there are long sequences accompanied only by music. The soundtrack incorporates numerous works of classical music, among them Also sprach Zarathustra by Richard Strauss, “The Blue Danube” by Johann Strauss II, and works by Aram Khachaturian and György Ligeti.

The film received diverse critical responses, ranging from those who saw it as darkly apocalyptic to those who saw it as an optimistic reappraisal of the hopes of humanity. It was nominated for four Academy Awards, with Kubrick winning for his direction of the visual effects. The film is widely regarded as one of the greatest and most influential films ever made. In 1991, it was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

2001: A Space Odyssey (1968) – Trailer

Production Details

Directed by:Stanley Kubrick
Screenplay by:Stanley Kubrick
Arthur C. Clarke
Produced by:Stanley Kubrick
Production Company:Stanley Kubrick Productions
Distributed by:Metro-Goldwyn-Mayer
Release dates:2 April 1968 (Uptown Theater)
3 April 1968 (United States)
15 May 1968 (United Kingdom)

TYCHO MONOLITH
(2001: A Space Odyssey, 1968)


 

Tycho Monolith, designated TMA-1 (Tycho Magnetic Anomaly One), is a large black crystalline monolith found on Earth’s moon in Arthur C. Clarke’s 2001: A Space Odyssey and its film adaption.

The Sentinel

TMA-1 is fashioned to the exact proportions of 1:4:9, and is dated to about four million years old. Its artificial construction suggests that it was left behind by “monolith aliens”. The concept was inspired by Arthur C. Clarke’s 1951 short story, The Sentinel.

2001: A Space Odyssey

The Tycho Monolith was first discovered in 1999. American survey satellites discovered a strong magnetic field near the crater Tycho. It was first assumed to be a giant nickel-iron meteorite, but not even that could produce such an intense field. Excavation at the site unveiled the three million year old black monolith which was buried 20 feet below the lunar surface. This Monolith was officially dubbed Tycho Magnetic Anomaly One, or TMA-1.

A cover story was produced by the National Committee for Astronautics, as the knowledge of TMA-1 would most certainly cause some cultural shock. The cover story was that an epidemic of unknown origin had broken out at Clavius Base, though most members of the NCA found this cover story to be rather embarrassing. All communication with Clavius had been cut for several days, and a Soviet shuttle had been denied an emergency landing at Clavius. Dr. Heywood Floyd, chairman of the NCA, was taken to Clavius Base to investigate the monolith. Soon after arrival, he was shuttled to the TMA-1 excavation site. When he arrived, he approached the black enigma and reached out to touch it. The crew then gathered together for a photograph to be taken of them in front of the monolith. Soon after the picture was taken, the sun rose up from behind the lunar horizon. The Tycho Monolith gave off a single, very powerful, radio emission, aimed directly at Saturn (Jupiter in the film).

“After three million years of darkness, TMA-1 greeted the lunar dawn.”

Scientists hypothesized about what the purpose of the monolith might be. Several theories were put out, such as the monolith might be a storage unit, or perhaps some solar-powered energy generator. However, the most plausible theory, and perhaps the most frightening, is that the monolith is some sort of alarm, and it has been triggered, sending a message to the alien intelligence that created the Tycho Monolith, and alerting it to our presence.

Source

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.7 – 2001: A Space Odyssey (1968) Titlecard

APOLLO 11 MOON LANDING


2001: A Space Odyssey
(1968)

The Official Story

2001: A SPACE ODYSSEY (1968)
(Stanley Kubrick, Writer/Director)


 

2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and Arthur C. Clarke, and was inspired by Clarke’s 1951 short story “The Sentinel” and other short stories by Clarke. A novel released after the film’s premiere was in part written concurrently with the screenplay. The film, which follows a voyage to Jupiter with the sentient computer HAL after the discovery of an alien monolith affecting human evolution, deals with themes of existentialism, human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life.

The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and there are long sequences accompanied only by music. The soundtrack incorporates numerous works of classical music, among them Also sprach Zarathustra by Richard Strauss, “The Blue Danube” by Johann Strauss II, and works by Aram Khachaturian and György Ligeti.

The film received diverse critical responses, ranging from those who saw it as darkly apocalyptic to those who saw it as an optimistic reappraisal of the hopes of humanity. It was nominated for four Academy Awards, with Kubrick winning for his direction of the visual effects. The film is widely regarded as one of the greatest and most influential films ever made. In 1991, it was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

2001: A Space Odyssey (1968) – Trailer

Production Details

Directed by:Stanley Kubrick
Screenplay by:Stanley Kubrick
Arthur C. Clarke
Produced by:Stanley Kubrick
Production Company:Stanley Kubrick Productions
Distributed by:Metro-Goldwyn-Mayer
Release dates:2 April 1968 (Uptown Theater)
3 April 1968 (United States)
15 May 1968 (United Kingdom)

PLOT SUMMARY

In the prehistoric African veldt, a tribe of hominids is driven away from its water hole by a rival tribe. Later, they awaken to find an alien monolith has appeared in their midst. Influenced by the monolith, they discover how to use a bone as a weapon and, after their first hunt, return to drive their rivals away with the newly discovered tool.

Millions of years later, Dr. Heywood Floyd, Chairman of the United States National Council of Astronautics, travels to Clavius Base, a US lunar outpost. During a stopover at Space Station 5, he meets Russian scientists who are concerned that Clavius seems to be unresponsive. Floyd refuses to discuss rumours of an epidemic at the base. Continuing his journey to Clavius, Floyd addresses a meeting of personnel to whom he stresses the need for secrecy with respect to their newest discovery. Floyd’s mission is to investigate a recently found artefact buried four million years ago near the lunar crater Tycho. Floyd and others ride in a Moonbus to the artefact, a monolith identical to the one encountered by the ape-men. As they examine the monolith, it is struck by sunlight, upon which it emits a high-powered radio signal.

Eighteen months later, the United States spacecraft Discovery One is bound for Jupiter. On board are mission pilots and scientists Dr. David Bowman and Dr. Frank Poole, along with three other scientists in suspended animation. Most of Discovery’s operations are controlled by “HAL”, a HAL 9000 computer with a human personality. A conversation between HAL and Bowman is interrupted when HAL reports the imminent failure of an antenna control device. Bowman retrieves it in an extravehicular activity (EVA) pod but finds nothing wrong. HAL suggests reinstalling the device and letting it fail so the problem can be verified. Mission Control advises the astronauts that results from their twin HAL 9000 computer indicate that HAL is in error about the device’s imminent failure. HAL attributes the discrepancy to human error. Concerned about HAL’s behaviour, Bowman and Poole enter an EVA pod so they can talk without HAL overhearing, and agree to disconnect HAL if he is proven wrong. HAL follows their conversation by lip reading.

While Poole is on a space walk attempting to replace the antenna unit, HAL takes control of his pod, severs Poole’s oxygen hose, and sets him adrift. Bowman takes another pod to rescue Poole; while he is outside, HAL turns off the life support functions of the three other crewmen in suspended animation, killing them. When Bowman returns to the ship with Poole’s body, HAL refuses to let him in, saying “I’m sorry Dave, I’m afraid I can’t do that”. HAL states that the astronauts’ plan to deactivate him jeopardises the mission. Bowman opens the ship’s emergency airlock manually, enters the ship, and proceeds to HAL’s processor core, where he begins disconnecting HAL’s circuits. HAL tries to reassure and assuage Bowman, then pleads with him to stop, and then expresses fear for himself. When the disconnection is complete, a prerecorded video message plays, revealing that the mission’s objective is to investigate the radio signal sent from the monolith to Jupiter.

At Jupiter, Bowman finds a third, much larger, monolith orbiting the planet. He leaves Discovery in an EVA pod to investigate, but is pulled into a vortex of coloured light. Bowman is carried across vast distances of space, while viewing bizarre cosmological phenomena and strange landscapes of unusual colours. Eventually he finds himself in a large neoclassical bedroom where he sees, and then becomes, older versions of himself: first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying on a bed. A monolith appears at the foot of the bed, and as Bowman reaches for it, he is transformed into a foetus enclosed in a transparent orb of light, which floats in space beside the Earth.

Source: Wikipedia

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.8 – Stanley Kubrick (Writer/Director, 2001: A Space Odyssey)

APOLLO 11 MOON LANDING


Stanley Kubrick

The Official Story

STANLEY KUBRICK
(Writer/Director, 2001: A Space Odyssey)


 

Stanley Kubrick (July 26, 1928 – March 7, 1999) was an American film director, producer, screenwriter, and photographer. He is frequently cited as one of the greatest filmmakers in cinematic history. His films, which are mostly adaptations of novels or short stories, cover a wide range of genres, and are noted for their realism, dark humor, unique cinematography, extensive set designs, and evocative use of music.

Kubrick was raised in the Bronx, New York City, and attended William Howard Taft High School from 1941 to 1945. He received average grades, but displayed a keen interest in literature, photography, and film from a young age, and taught himself all aspects of film production and directing after graduating from high school. After working as a photographer for Look magazine in the late 1940s and early 1950s, he began making short films on a shoestring budget, and made his first major Hollywood film, The Killing, for United Artists in 1956. This was followed by two collaborations with Kirk Douglas—the war picture Paths of Glory (1957) and the historical epic Spartacus (1960).

Creative differences arising from his work with Douglas and the film studios, a dislike of the Hollywood industry, and a growing concern about crime in America prompted Kubrick to move to the United Kingdom in 1961, where he spent most of the remainder of his life and career. His home at Childwickbury Manor in Hertfordshire, which he shared with his wife Christiane, became his workplace, where he did his writing, research, editing, and management of production details. This allowed him to have almost complete artistic control over his films, but with the rare advantage of having financial support from major Hollywood studios. His first productions in Britain were two films with Peter Sellers, Lolita (1962) and Dr. Strangelove (1964).

A demanding perfectionist, Kubrick assumed control over most aspects of the filmmaking process, from direction and writing to editing, and took painstaking care with researching his films and staging scenes, working in close coordination with his actors and other collaborators. He often asked for several dozen retakes of the same shot in a movie, which resulted in many conflicts with his casts. Despite the resulting notoriety among actors, many of Kubrick’s films broke new ground in cinematography. The scientific realism and innovative special effects of 2001: A Space Odyssey (1968) were without precedent in the history of cinema, and the film earned him his only personal Oscar, for Best Visual Effects. Steven Spielberg has referred to the film as his generation’s “big bang”; it is regarded as one of the greatest films ever made. For the 18th-century period film Barry Lyndon (1975), Kubrick obtained lenses developed by Zeiss for NASA, to film scenes under natural candlelight. With The Shining (1980), he became one of the first directors to make use of a Steadicam for stabilized and fluid tracking shots. While many of Kubrick’s films were controversial and initially received mixed reviews upon release—particularly A Clockwork Orange (1971), which Kubrick pulled from circulation in the UK following a mass media frenzy—most were nominated for Oscars, Golden Globes, or BAFTA Awards, and underwent critical reevaluations. His last film, Eyes Wide Shut, was completed shortly before his death in 1999 at the age of 70.

Alleged Stanley Kubrick Moon landing
conspiracy theory involvement

Filmmaker Stanley Kubrick is accused of having produced much of the footage for Apollos 11 and 12, presumably because he had just directed 2001: A Space Odyssey, which is partly set on the Moon and featured advanced special effects. It has been claimed that when 2001 was in post-production in early 1968, NASA secretly approached Kubrick to direct the first three Moon landings. The launch and splashdown would be real but the spacecraft would stay in Earth orbit and fake footage broadcast as “live from the Moon.” No evidence was offered for this theory, which overlooks many facts. For example, 2001 was released before the first Apollo landing and Kubrick’s depiction of the Moon’s surface differs greatly from its appearance in the Apollo footage. The movement of characters on the Moon in 2001 differs from that of the filmed movement of Apollo astronauts, and does not resemble an environment with 1/6 the gravity of Earth. Several scenes in 2001 show dust billowing as spacecraft landed, something that would not happen in the vacuum environment of the Moon. Kubrick did hire Frederick Ordway and Harry Lange, both of whom had worked for NASA and major aerospace contractors, to work with him on 2001. Kubrick also used some 50 mm f/0.7 lenses that were left over from a batch made by Zeiss for NASA. However, Kubrick only got this lens for Barry Lyndon (1975). The lens was originally a still photo lens and needed changes to be used for motion filming.

The mockumentary based on this idea, Dark Side of the Moon, could have fueled the conspiracy theory. This French mockumentary, directed by William Karel, was originally aired on Arte channel in 2002 with the title Opération Lune. It parodies conspiracy theories with faked interviews, stories of assassinations of Stanley Kubrick’s assistants by the CIA, and a variety of conspicuous mistakes, puns, and references to old movie characters, inserted through the film as clues for the viewer. Nevertheless, Opération Lune is still taken at face value by some conspiracy believers.

An article titled “Stanley Kubrick and the Moon Hoax” appeared on Usenet in 1995, in the newsgroup “alt.humor.best-of-usenet”. One passage – on how Kubrick was supposedly coerced into the conspiracy – reads:

NASA further leveraged their position by threatening to publicly reveal the heavy involvement of Mr. Kubrick’s younger brother, Raul, with the American Communist Party. This would have been an intolerable embarrassment to Mr. Kubrick, especially since the release of Dr. Strangelove.

Kubrick had no such brother – the article was a spoof, complete with a giveaway sentence describing Kubrick shooting the moonwalk “on location” on the Moon. Nevertheless, the claim was taken up in earnest; Clyde Lewis used it almost word-for-word, whereas Jay Weidner gave the brother a more senior status within the party:

No one knows how the powers-that-be convinced Kubrick to direct the Apollo landings. Maybe they had compromised Kubrick in some way. The fact that his brother, Raul Kubrick, was the head of the American Communist Party may have been one of the avenues pursued by the government to get Stanley to cooperate.

In July 2009, Weidner posted on his webpage “Secrets of the Shining”, where he states that Kubrick’s The Shining (1980) is a veiled confession of his role in the scam project. This thesis was the subject of refutation in an article published on Seeker nearly half a year later.

The 2015 movie Moonwalkers is a fictional account of a CIA agent’s claim of Kubrick’s involvement.

In December 2015, a video surfaced which allegedly shows Kubrick being interviewed shortly before his 1999 death; the video purportedly shows the director confessing to T. Patrick Murray that the Apollo Moon landings had been faked. Research quickly found, however, that the video was a hoax.

Source: Wikipedia

2001: A Space Odyssey (1968) – Trailer

Production Details

Directed by:Stanley Kubrick
Screenplay by:Stanley Kubrick
Arthur C. Clarke
Produced by:Stanley Kubrick
Production Company:Stanley Kubrick Productions
Distributed by:Metro-Goldwyn-Mayer
Release dates:2 April 1968 (Uptown Theater)
3 April 1968 (United States)
15 May 1968 (United Kingdom)

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

MIND CONTROL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.9 – 2001: A Space Odyssey (1968) HAL 9000

APOLLO 11 MOON LANDING


2001: A Space Odyssey
(1968)

PREDATORY A.I.

The Official Story

HAL 9000
(2001: A Space Odyssey, 1968)


 

HAL 9000 is a fictional (predatory) artificial intelligence character and the main antagonist in Arthur C. Clarke’s Space Odyssey series. First appearing in the 1968 film 2001: A Space Odyssey, HAL (Heuristically Programmed ALgorithmic Computer) is a sentient HAL/AL 9000-series computer (or artificial general intelligence) that controls the systems of the Discovery One spacecraft and interacts with the ship’s astronaut crew. While part of HAL’s hardware is shown toward the end of the film, he is mostly depicted as a camera lens containing a red or yellow dot, instances of which are located throughout the ship. HAL 9000 is voiced by Douglas Rain in the two feature film adaptations of the Space Odyssey series. HAL speaks in a soft, calm voice and a conversational manner, in contrast to the crewmen, David Bowman and Frank Poole.

In the film, HAL became operational on 12 January 1992 at the HAL Laboratories in Urbana, Illinois as production number 3. The activation year was 1991 in earlier screenplays and changed to 1997 in Clarke’s novel written and released in conjunction with the movie. In addition to maintaining the Discovery One spacecraft systems during the interplanetary mission to Jupiter (or Saturn in the novel), HAL is capable of speech, speech recognition, facial recognition, natural language processing, lip reading, art appreciation, interpreting emotional behaviours, automated reasoning, spacecraft piloting and playing chess.

2001: A Space Odyssey (1968) – Trailer

Character Profile

Full NameHeuristically Programmed Algorithimic Computer 9000
AliasHAL
Hal 9000
Origin2001: A Space Odyssey
Arthur C. Clarke’s Space Odyssey saga
OccupationDiscovery One spacecraft’s computer
Powers / SkillsEmotional capabilities
Art appreciation
Lip reading, speech and face recognition
Control over the Discovery One ship’s technology
Manipulation
Extensive knowledge
HobbyControlling and overlooking the Discovery One ship.
GoalsKill the crew of the ship to prevent them from ruining the mission or shutting him down (succeeded).
Prevent David from doing the same (failed).
CrimesMass murder
Treason
Type of Villain
Source
Manipulative Artificial Intelligence

2001: A Space Odyssey (film/novel)

HAL became operational in Urbana, Illinois, at the HAL Plant (the University of Illinois’s Coordinated Science Laboratory, where the ILLIAC computers were built). The film says this occurred in 1992, while the book gives 1997 as HAL’s birth year.

In 2001: A Space Odyssey (1968), HAL is initially considered a dependable member of the crew, maintaining ship functions and engaging genially with his human crew-mates on an equal footing. As a recreational activity, Frank Poole plays chess against HAL. In the film, the artificial intelligence is shown to triumph easily. However, as time progresses, HAL begins to malfunction in subtle ways and, as a result, the decision is made to shut down HAL in order to prevent more serious malfunctions. The sequence of events and manner in which HAL is shut down differs between the novel and film versions of the story. In the aforementioned game of chess HAL makes minor and undetected mistakes in his analysis, a possible foreshadowing to HAL’s malfunctioning.

In the film, astronauts David Bowman and Frank Poole consider disconnecting HAL’s cognitive circuits when he appears to be mistaken in reporting the presence of a fault in the spacecraft’s communications antenna. They attempt to conceal what they are saying, but are unaware that HAL can read their lips. Faced with the prospect of disconnection, HAL decides to kill the astronauts in order to protect and continue his programmed directives. HAL uses one of the Discovery‘s EVA pods to kill Poole while he is repairing the ship. When Bowman, without a space helmet, uses another pod to attempt to rescue Poole, HAL locks him out of the ship, then disconnects the life support systems of the other hibernating crew members. After HAL tells him “This mission is too important for me to allow you to jeopardize it”, Bowman circumvents HAL’s control, entering the ship by manually opening an emergency airlock with his service pod’s clamps, detaching the pod door via its explosive bolts. Bowman jumps across empty space, reenters Discovery, and quickly re-pressurizes the airlock.

While HAL’s motivations are ambiguous in the film, the novel explains that the computer is unable to resolve a conflict between his general mission to relay information accurately, and orders specific to the mission requiring that he withhold from Bowman and Poole the true purpose of the mission. (This withholding is considered essential after the findings of a fictional 1989 psychological experiment, Project BARSOOM, where humans were made to believe that there had been alien contact. In every person tested, a deep-seated xenophobia was revealed, which was unknowingly replicated in HAL’s constructed personality. Mission Control did not want the crew of Discovery to have their thinking compromised by the knowledge that alien contact was already real.) With the crew dead, HAL reasons, he would not need to lie to them.

In the novel, the orders to disconnect HAL come from Dave and Frank’s superiors on Earth. After Frank is killed while attempting to repair the communications antenna he is pulled away into deep space using the safety tether which is still attached to both the pod and Frank Poole’s spacesuit. Dave begins to revive his hibernating crew mates, but is foiled when HAL vents the ship’s atmosphere into the vacuum of space, killing the awakening crew members and almost killing Bowman, who is only narrowly saved when he finds his way to an emergency chamber which has its own oxygen supply and a spare space suit inside.

In both versions, Bowman then proceeds to shut down the machine. In the film, HAL’s central core is depicted as a crawlspace full of brightly lit computer modules mounted in arrays from which they can be inserted or removed. Bowman shuts down HAL by removing modules from service one by one; as he does so, HAL’s consciousness degrades. HAL finally reverts to material that was programmed into him early in his memory, including announcing the date he became operational as 12 January 1992 (in the novel, 1997). When HAL’s logic is completely gone, he begins singing the song “Daisy Bell” as he gradually deactivates (in actuality, the first song sung by a computer, which Clarke had earlier observed at a text-to-speech demonstration). HAL’s final act of any significance is to prematurely play a prerecorded message from Mission Control which reveals the true reasons for the mission to Jupiter.

HAL’s breakdown

The reasons for HAL’s malfunction and subsequent malignant behaviour have elicited much discussion. He has been compared to Frankenstein’s monster. In Clarke’s novel, HAL malfunctions because of being ordered to lie to the crew of Discovery and withhold confidential information from them, namely the confidentially programmed mission priority over expendable human life, despite being constructed for “the accurate processing of information without distortion or concealment”. This would not be addressed on film until the 1984 follow-up 2010: The Year We Make Contact. Film critic Roger Ebert wrote that HAL, as the supposedly perfect computer, is actually the most human of the characters. In an interview with Joseph Gelmis in 1969, Kubrick said that HAL “had an acute emotional crisis because he could not accept evidence of his own fallibility”.

Source: Wikipedia

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

BLACK SUN

THE TIME IS NOW:

AWAKEN HUMANITY

Apollo 11 – 5.10 – 2001: A Space Odyssey (1968) Theatrical Poster

APOLLO 11 MOON LANDING


2001: A Space Odyssey
(1968)

The Official Story

2001: A SPACE ODYSSEY (1968)
(Stanley Kubrick, Writer/Director)


 

2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and Arthur C. Clarke, and was inspired by Clarke’s 1951 short story “The Sentinel” and other short stories by Clarke. A novel released after the film’s premiere was in part written concurrently with the screenplay. The film, which follows a voyage to Jupiter with the sentient computer HAL after the discovery of an alien monolith affecting human evolution, deals with themes of existentialism, human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life.

The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and there are long sequences accompanied only by music. The soundtrack incorporates numerous works of classical music, among them Also sprach Zarathustra by Richard Strauss, “The Blue Danube” by Johann Strauss II, and works by Aram Khachaturian and György Ligeti.

The film received diverse critical responses, ranging from those who saw it as darkly apocalyptic to those who saw it as an optimistic reappraisal of the hopes of humanity. It was nominated for four Academy Awards, with Kubrick winning for his direction of the visual effects. The film is widely regarded as one of the greatest and most influential films ever made. In 1991, it was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

2001: A Space Odyssey (1968) – Trailer

Production Details

Directed by:Stanley Kubrick
Screenplay by:Stanley Kubrick
Arthur C. Clarke
Produced by:Stanley Kubrick
Production Company:Stanley Kubrick Productions
Distributed by:Metro-Goldwyn-Mayer
Release dates:2 April 1968 (Uptown Theater)
3 April 1968 (United States)
15 May 1968 (United Kingdom)

PLOT SUMMARY

In the prehistoric African veldt, a tribe of hominids is driven away from its water hole by a rival tribe. Later, they awaken to find an alien monolith has appeared in their midst. Influenced by the monolith, they discover how to use a bone as a weapon and, after their first hunt, return to drive their rivals away with the newly discovered tool.

Millions of years later, Dr. Heywood Floyd, Chairman of the United States National Council of Astronautics, travels to Clavius Base, a US lunar outpost. During a stopover at Space Station 5, he meets Russian scientists who are concerned that Clavius seems to be unresponsive. Floyd refuses to discuss rumours of an epidemic at the base. Continuing his journey to Clavius, Floyd addresses a meeting of personnel to whom he stresses the need for secrecy with respect to their newest discovery. Floyd’s mission is to investigate a recently found artefact buried four million years ago near the lunar crater Tycho. Floyd and others ride in a Moonbus to the artefact, a monolith identical to the one encountered by the ape-men. As they examine the monolith, it is struck by sunlight, upon which it emits a high-powered radio signal.

Eighteen months later, the United States spacecraft Discovery One is bound for Jupiter. On board are mission pilots and scientists Dr. David Bowman and Dr. Frank Poole, along with three other scientists in suspended animation. Most of Discovery’s operations are controlled by “HAL”, a HAL 9000 computer with a human personality. A conversation between HAL and Bowman is interrupted when HAL reports the imminent failure of an antenna control device. Bowman retrieves it in an extravehicular activity (EVA) pod but finds nothing wrong. HAL suggests reinstalling the device and letting it fail so the problem can be verified. Mission Control advises the astronauts that results from their twin HAL 9000 computer indicate that HAL is in error about the device’s imminent failure. HAL attributes the discrepancy to human error. Concerned about HAL’s behaviour, Bowman and Poole enter an EVA pod so they can talk without HAL overhearing, and agree to disconnect HAL if he is proven wrong. HAL follows their conversation by lip reading.

While Poole is on a space walk attempting to replace the antenna unit, HAL takes control of his pod, severs Poole’s oxygen hose, and sets him adrift. Bowman takes another pod to rescue Poole; while he is outside, HAL turns off the life support functions of the three other crewmen in suspended animation, killing them. When Bowman returns to the ship with Poole’s body, HAL refuses to let him in, saying “I’m sorry Dave, I’m afraid I can’t do that”. HAL states that the astronauts’ plan to deactivate him jeopardises the mission. Bowman opens the ship’s emergency airlock manually, enters the ship, and proceeds to HAL’s processor core, where he begins disconnecting HAL’s circuits. HAL tries to reassure and assuage Bowman, then pleads with him to stop, and then expresses fear for himself. When the disconnection is complete, a prerecorded video message plays, revealing that the mission’s objective is to investigate the radio signal sent from the monolith to Jupiter.

At Jupiter, Bowman finds a third, much larger, monolith orbiting the planet. He leaves Discovery in an EVA pod to investigate, but is pulled into a vortex of coloured light. Bowman is carried across vast distances of space, while viewing bizarre cosmological phenomena and strange landscapes of unusual colours. Eventually he finds himself in a large neoclassical bedroom where he sees, and then becomes, older versions of himself: first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying on a bed. A monolith appears at the foot of the bed, and as Bowman reaches for it, he is transformed into a foetus enclosed in a transparent orb of light, which floats in space beside the Earth.

Source: Wikipedia

The Truth

WHETHER REAL OR FAKE, THIS HISTORICAL EVENT WAS A:

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

THE TIME IS NOW:

AWAKEN HUMANITY

Earth Assimilation (COVID-19 Vaccination)

PLANETARY INTERVENTION IS REQUIRED

EARTH ASSIMILATION


(COVID-19 VACCINATION & CHEMTRAILS)

THE BORG (STAR TREK)


 

The Borg are an alien group that appear as recurring antagonists in the Star Trek fictional universe. The Borg are cybernetic organisms (cyborgs) linked in a hive mind called “the Collective”. The Borg co-opt the technology and knowledge of other alien species to the Collective through the process of “assimilation”: forcibly transforming individual beings into “drones” by injecting nanoprobes into their bodies and surgically augmenting them with cybernetic components. The Borg’s ultimate goal is “achieving perfection”.

Aside from being recurring antagonists in the Next Generation television series, they are depicted as the main threat in the film Star Trek: First Contact. In addition, they played major roles in the Voyager series.

The Borg have become a symbol in popular culture for any juggernaut against which “resistance is futile”, a common phrase uttered by the Borg.

Origin

The origin of the Borg is never made clear, though they are portrayed as having existed for hundreds of thousands of years (as attested by Guinan and the Borg Queen). In Star Trek: First Contact, the Borg Queen merely states that the Borg were once much like humanity, “flawed and weak”, but gradually developed into a partially synthetic species in an ongoing attempt to evolve and perfect themselves.

In TNG‘s “Q Who”, Guinan mentions that the Borg are “made up of organic and artificial life […] which has been developing for […] thousands of centuries.” In the later episode of Star Trek: Voyager, “Dragon’s Teeth”, Gedrin, of the race the Vaadwaur, says that before he and his people were put into suspended animation 892 years earlier (1482 A.D.), the Borg had assimilated only a few colonies in the Delta Quadrant and were considered essentially a minor nuisance. Now awake in the 24th century, he is amazed to see that the Borg control a vast area of the Delta Quadrant. Seven of Nine comments that the Borg’s collective memories of that time period are fragmentary, though it is never established why that is.

Depiction

The Borg are cyborgs, having outward appearances showing both mechanical and biological body parts. Individual Borg are referred to as drones and move in a robotic, purposeful style ignoring most of their environment, including beings they do not consider an immediate threat. Borg commonly have one eye replaced with a sophisticated ocular implant. Borg usually have one arm replaced with a prosthesis, bearing one of a variety of multipurpose tools in place of a humanoid hand. Since different drones have different roles, the arm may be specialized for myriad purposes such as medical devices, scanners, and weapons. Borg have flat, grayish skin, giving them an almost zombie-like appearance.

Borg Collective

Borg civilization is based on a hive or group mind known as the Collective. Each Borg drone is linked to the collective by a sophisticated subspace network that ensures each member is given constant supervision and guidance. The mental energy of the group consciousness can help an injured or damaged drone heal or regenerate damaged body parts or technology. The collective consciousness gives them the ability not only to “share the same thoughts”, but also to adapt quickly to new tactics. Drones in the Collective are never seen speaking, but a collective “voice” is sometimes transmitted to ships.

Source: Wikipedia

 

BORG ASSIMILATION


 

Assimilation was the process by which the Borg added new members and new technology to the Collective.

Borg assimilation was predatory; every species the Borg encountered was assessed to determine whether its biological and/or technological distinctiveness was considered “worthy of being added to the Collective’s perfection”. If found to be so, the species was set upon and forcibly assimilated; the Collective considered the species’ will in the matter “irrelevant”. (TNG: “Q Who”, “The Best of Both Worlds”; VOY: “Mortal Coil”, et al.) When a species was assimilated, their neural pathways were restructured to link them to a single collective mind, the hive, and to augment their bodies with cybernetic technology. The end result was them becoming drones. (VOY: “Drone”)

Technique


Assimilation Tubule

Assimilation tubules, also known as injection tubules, were a pair of flexible needle-like devices that extended from the wrists (female drones and the Borg Queen) or fingers (male drones) of Borg drones. They were the first step in the assimilation process.

Once they penetrated the skin, they released a series of Borg nanoprobes, the bloodstream being the initial target. They took over the blood cell functions in a manner similar to a virus. Assimilation was almost instantaneous. (VOY: “Scorpion”) Source


During initial stages of assimilation, Borg nanoprobes began attaching themselves to the victim’s red blood cells, allowing them to circulate throughout the body. (VOY: “Scorpion”) Within minutes, the nanoprobes spread visibly through the capillaries of the victim’s skin. The victim, at this point, still retained his or her individuality and had virtually none of the Borg’s standard array of defenses. Left unchecked, the nanoprobes soon begin self-replicating and producing larger constructs that form the necessary Borg implants. The body was also injected with stabilizing metals such as lithium so the body can handle nanoprobes. Seven of Nine could remember the smell and taste of the metals. (PIC: “Mercy”) Among the first major structures assembled was the neural transceiver, allowing the Collective to tap into the victim’s mind and usurp control of his or her body. A vocal subprocessor was also installed. By this time, the new drone’s skin coloration had changed to a pale gray and mottled as some small implants began to emerge inside and outside the body. In some cases, the skin and face became at least slightly deformed due to the implants growing in and on the body. (Star Trek: First Contact; ENT: “Regeneration”; VOY: “Unimatrix Zero, Part II”) The drone was then taken to a Borg facility to have larger implants surgically installed, including tools, weapons and exoplating. (VOY: “Unimatrix Zero”)

Source

Borg Assimilation

COVID-19 VACCINATION IMPLANTATION


 

A COVID-19 vaccine is a vaccine intended to provide acquired immunity against severe acute respiratory syndrome coronavirus 2 (SARS CoV 2), the virus that causes coronavirus disease 2019 (COVID-19).

Prior to the COVID-19 pandemic, an established body of knowledge existed about the structure and function of coronaviruses causing diseases like severe acute respiratory syndrome (SARS) and Middle East respiratory syndrome (MERS). This knowledge accelerated the development of various vaccine platforms during early 2020. The initial focus of SARS-CoV-2 vaccines was on preventing symptomatic, often severe illness. On 10 January 2020, the SARS-CoV-2 genetic sequence data was shared through GISAID, and by 19 March, the global pharmaceutical industry announced a major commitment to address COVID-19. In 2020, the first COVID-19 vaccines were developed and made available to the public through emergency use authorization. Initially, most COVID-19 vaccines were two dose vaccines, with the sole exception being the single-dose Janssen COVID-19 vaccine. However, immunity from the vaccines has been found to wane over time, requiring people to get booster doses of the vaccine to maintain immunity against COVID-19.

The COVID-19 vaccines are widely credited for their role in reducing the spread of COVID-19 and reducing the severity and death caused by COVID-19. According to a June 2022 study published in The Lancet, COVID-19 vaccines prevented an additional 14.4 to 19.8 million deaths in 185 countries and territories from December 8, 2020, to December 8, 2021. Many countries implemented phased distribution plans that prioritized those at highest risk of complications, such as the elderly, and those at high risk of exposure and transmission, such as healthcare workers.

Common side effects of COVID-19 vaccines include soreness, redness, rash, inflammation at the injection site, fatigue, headache, myalgia (muscle pain), and arthralgia (joint pain), which resolve without medical treatment within a few days. COVID-19 vaccines are not associated with a higher risk of adverse effects during pregnancy or while breastfeeding. Temporary changes to the menstrual cycle in young women have been reported, although these changes are “small compared with natural variation and quickly reverse”. Serious adverse events associated COVID-19 vaccines, such as allergic reactions, are generally rare but of high interest to the public. Because COVID-19 vaccines are relatively new, new claims about possible side effects are still being made, and sometimes reports conflict.

[DUBIOUS VACCINATION STATISTICS]

As of 26 May 2022, 11.81 billion doses of COVID-19 vaccines have been administered worldwide based on official reports from national public health agencies. By December 2020, more than 10 billion vaccine doses had been preordered by countries, with about half of the doses purchased by high-income countries comprising 14% of the world’s population. Despite the extremely rapid development of effective mRNA and viral vector vaccines, worldwide vaccine equity has not been achieved. The development and use of whole inactivated virus (WIV) and protein-based vaccines have also been recommended, especially for use in developing countries.

Source: Wikipedia

SECTION INDEX


THE TRUTH

FALSE FLAGS

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

TREASON

“Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason.”
(Official US definition)

Any US official has sworn to uphold and defend, never to subvert, the Constitution of the United States, and this is defining the US, itself, as being the continued functioning of the US Constitution. Treason is thus the supremely illegal act under US law, the act that violates any US official’s oath of office. (When treason is perpetrated by someone who is not a US official, it is still a severe crime, but less severe than it is for any US official.) The phrase “levies war against them” means war against the functioning of the Constitution that is their supreme law. “Or” means alternatively, and “adheres to their enemies” means is a follower of any person or other entity that seeks to impose a different constitution. “Enemies” is not defined — it need not be a foreign opponent; it may be a domestic opponent of the US Constitution. Thus, an American can be an enemy of the United States of America. In fact, the official definition explicitly refers ONLY to an entity “owing allegiance to the United States.” (Obviously, that especially refers to any US official.) This is how a “traitor” is understood, in US law. Obviously, the worst traitor would be one who committed the treasonous act(s) while a US official.

COVID-19 TRUTH

COVID VACCINE TRUTH

WAKE UP

HUMANITY

IT WAS NEVER A VACCINE

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

Borg Assimilation – Borg Drones (COVID-19 Vaccine Implantation)

WAKE UP

AMERICA

IT WAS NEVER A VACCINE

BORG ASSIMILATION


Borg Drones

The Official Story

BORG DRONE


 

Borg drones made up the population of the Borg Collective.

A drone was an assimilated individual augmented with Borg technology and capable of assimilating other lifeforms and technology into the Collective. After assimilation a drone was integrated into the collective and its consciousness and that of the collective became one. A drone possessed no sense of individuality and existed only to perform its designated function within the Collective.

Physiology

Although both male and females of any susceptible species could be assimilated, Borg drones themselves were neither male nor female in a reproductive sense. (TNG: “Q Who”)

The physiology of Borg drones varied because various species were assimilated into the Collective. (Star Trek: First Contact; VOY: “Unity”, “Scorpion”, “Scorpion, Part II”, “Unimatrix Zero”)

Their organic bodies were enhanced, and some parts completely replaced, with cybernetic implants. (TNG: “The Best of Both Worlds”, “The Best of Both Worlds, Part II”; Star Trek: First Contact; VOY: “Unity”, “Scorpion”, “The Gift”)

The nature of these implants was determined by the drone’s intended function, such as medical repairs or tactical. (TNG: “Q Who”, “I Borg”; VOY: “Dark Frontier”)

Every drone was equipped with a homing device, which had its own unique translink frequency, by which it was kept in contact with the Collective through subspace transceivers, thus forming the hive mind. (VOY: “Infinite Regress”, “Dark Frontier”; ENT: “Regeneration”)

The original species of a drone was often considered by the Collective when assigning a function. (VOY: “Think Tank”)

Via nanoprobes, which were uniquely encoded for every drone, a drone was capable of assimilating others into the Borg Collective. (VOY: “One”, “Survival Instinct”)

Drones could assimilate an entire starship, replicating components to interface with local technology. (ENT: “Regeneration”; Star Trek: First Contact; VOY: “Scorpion, Part II”)

After assimilation, a drone possessed greater strength than before assimilation. (ENT: “Regeneration”)

Its organic cardiopulmonary system was reinforced. (VOY: “The Haunting of Deck Twelve”)

A drone’s body was covered with exo-plating, which could protect it from the rigors of space, among other things. (Star Trek: First Contact)

The exoskeleton of a single limb could withstand a power surge of five million gigawatts (VOY: “Revulsion”)

When equipped with an eyepiece, a drone had the ability to see everything within the EM spectrum, similar to a Federation VISOR, as well as view the nanoscale, the size of molecules, analyze every facet and dimension of any object in perfect detail, and save perfect representations of those objects in physical memory. (TNG: “I Borg”)

A drone’s eyepiece was capable of directly observing the geometry of multi-dimensional space-time. (VOY: “Relativity”)

A drone also had a personal force field which protected itself from particle beam weapons such as phasers. (TNG: “The Best of Both Worlds”; VOY: “Unity”, “Scorpion”, “Scorpion, Part II”, “Dark Frontier”; Star Trek: First Contact)

The force field could adapt itself to counteract the threat the drone was experiencing. (Star Trek: First Contact)

A drone even had the ability to survive after being frozen for at least 90 years. (ENT: “Regeneration”)

Lily Sloane, a human observer local to Earth of the 21st century, characterized Borg drones as “bionic zombies” after hearing a description of them, albeit before observing them directly. (Star Trek: First Contact)

Source

Star Trek: First Contact (1996) – Borg Attack

The Truth

COVID-19 WAS A FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

COVID-19 VACCINATION IS THE
ENDGAME FOR THE PREDATORY A.I.
TAKEOVER OF HUMANITY & EARTH.

HUMANITY IS IN DANGER
INTERVENTION IS REQUIRED.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

DID YOU GET IMPLANTED?

Implanted (2021) Trailer

Article I:
TRANSHUMAN 101: MODERNA DECLARES COVID VACCINE TO BE AN ‘OPERATING SYSTEM’


Source: Waking Times – April 5, 2021

 

Documents obtained from Moderna reveal that the so-called vaccine being peddled by the company is actually an ‘operating system’. This startling admission confirms what vaccine skeptics have claimed – that COVID is about control, not a virus.

It won’t be lost on anyone who has done due diligence over this pandemic to see past the glib claims of paid-off politicians and compliant media that all is not as it seems.

To start, it is no coincidence that one of the key promoters of these new mRNA ‘vaccines‘ is none other than Microsoft billionaire, Bill Gates. Bill gave a Ted Talk where he boasted vaccines can help cut global population by 15 percent.

Yes he said cut population. How does that work – by deactivating these vaccine-implanted operating systems in us?

Well, psychopathic Bill couldn’t fix his Microsoft operating system to prevent endless computer viruses, so why should we trust him now that he is spearheading what is seen as a major step towards transhumanism. For those who care about what goes into their bodies, and those of their loved ones, see if you can detect something very sinister from what is being foisted upon a gullible public.

Over at The Corbett Report readers can enlighten themselves as to the very real dangers of transhumanism – the idea of a ‘fantastic future’ in which humans merge fully with machines. Transhumanists take science as their religion and believe in a philosophy of “absolute relativism” that claims that individuals can change reality at will, and they seek to “relativize the human being.”

Certainly, everyone who holds strong religious beliefs, in whatever faith, will baulk at what is far from a benign doctrine. Transhumanism is at complete enmity with Christianity, Judaism, Islam, etc.

Do we really want to sacrifice our soul simply for the sense of security from a virus infection?

Over at tapnewswire.com contributor Weaver posts the following which is alleged to be from Moderna’s documents on the new COVID-19 vaccines. It reads thus:

Enabling Drug Discovery & Development

We built Moderna on the guiding premise that if using mRNA as a medicine works for one disease, it should work for many diseases. And, if this is possible – given the right approach and infrastructure – it could meaningfully improve how medicines are discovered, developed and manufactured.

Our Operating System

Recognizing the broad potential of mRNA science, we set out to create an mRNA technology platform that functions very much like an operating system on a computer. It is designed so that it can plug and play interchangeably with different programs. In our case, the “program” or “app” is our mRNA drug – the unique mRNA sequence that codes for a protein.

We have a dedicated team of several hundred scientists and engineers solely focused on advancing Moderna’s platform technology. They are organized around key disciplines and work in an integrated fashion to advance knowledge surrounding mRNA science and solve for challenges that are unique to mRNA drug development. Some of these disciplines include mRNA biology, chemistry, formulation & delivery, bioinformatics and protein engineering.

Our MRNA Medicines – The ‘Software Of Life’

When we have a concept for a new mRNA medicine and begin research, fundamental components are already in place.

Generally, the only thing that changes from one potential mRNA medicine to another is the coding region – the actual genetic code that instructs ribosomes to make protein. Utilizing these instruction sets gives our investigational mRNA medicines a software-like quality. We also have the ability to combine different mRNA sequences encoding for different proteins in a single mRNA investigational medicine.

We are leveraging the flexibility afforded by our platform and the fundamental role mRNA plays in protein synthesis to pursue mRNA medicines for a broad spectrum of diseases.

Within a given modality, the base components are generally identical across development candidates – formulation, 5′ region and 3′ region. Only the coding region varies based on the protein/s the potential medicine is directing cells to produce.

Learn how our Research Engine and Early Development Engine are enabling us to fully maximize the promise of mRNA to meaningfully improve how medicines are discovered, developed and manufactured.

Overcoming Key Challenges

Using mRNA to create medicines is a complex undertaking and requires overcoming novel scientific and technical challenges. We need to get the mRNA into the targeted tissue and cells while evading the immune system. If the immune system is triggered, the resultant response may limit protein production and, thus, limit the therapeutic benefit of mRNA medicines. We also need ribosomes to think the mRNA was produced naturally, so they can accurately read the instructions to produce the right protein. And we need to ensure the cells express enough of the protein to have the desired therapeutic effect.

Our multidisciplinary platform teams work together closely to address these scientific and technical challenges. This intensive cross-functional collaboration has enabled us to advance key aspects of our platform and make significant strides to deliver mRNA medicines for patients.

The above may be found on Moderna’s website here.

Source

COVID-19 VACCINE TRUTH

Article II:
DOCTOR EXPRESSES CONCERN OVER TRANSHUMANISM AND NEW MRNA AND DNA VACCINE TECHNOLOGY


Source: Waking Times – August 20, 2020

 

The transhumanist movement believes that human beings, as we exist in our current form, do not represent the complete evolution of our species, which, over time, should evolve to include a merger with technology. Doing so will supposedly give us longevity and ability far beyond what is possible today. Highly controversial, transhumanism is moving forward without much of a debate, without consensus, and without regulation, and the singularity is rapidly approaching, whether you like it or not.

There are concerned scientists and doctors whose understanding of the human body and medical developments leads them to believe that the risks of such a future are worth discussing now.

Dr. Carrie Madej is one such physician, and in a recent video, she shares her perspective on what it means to go from Human 1.0 to Human 2.0, describes transhumanism, and voices her concern over the risks of mRNA and DNA vaccines.

A short bio on Dr. Madej:

Dr. Carrie Madej, DO is a Internal Medicine Specialist in McDonough, GA and has over 19 years of experience in the medical field. She graduated from Kansas City Univ Of Medicine Bioscience College Of Osteopathic Medicine medical school in 2001. She is affiliated with medical facilities Piedmont Fayette Hospital and Southern Regional Medical Center.” [Source]

On the journey towards transhumanism is the possibility of genetically modifying human beings through vaccines, which goes above and beyond any implantable or wearable technology in this pursuit. If these vaccines indeed lead to any genetic modification, the altered genetic code of the host would be passed on to subsequent generations, which is highly controversial Bill Gates has recently pointed out that new vaccines being developed for Covid-19 will likely use mRNA and DNA technology, which again, has never been approved for human use. In regards to potential side effects of these vaccines, even Modern, the leading developer for a Covid vaccine, has directly expressed their concern in a white paper on the subject.

In Dr. Madej’s presentation she thoughtfully and clearly explains the reasons for her concern.

I investigated the proposed Covid-19 vaccine, and this is my alarm call to the world. I looked at the pros and cons, and it frightens me, and I want you to know about this, you need to be very well informed because this new vaccine is not like your normal flu vaccine. This is something very different. This is something brand new. This is something completely experimental on the human race. And it’s not just about being a different vaccine, there are technologies that are being introduced with this vaccine that can change we live, who we are, and what we are, very quickly.” ~Dr. Carrie Madej

She goes on to explain how these vaccinations can be administered without the traditional use of an injection, instead possibly being deployed with stickers, similar to band-aids, and how this connects to associated patents and other emerging technology.

Watch the following video if you’re interested in better understanding this complex issue, and please decide for yourself.


VIEW DR.CARRIE MADEJ’S PRESENTATION
[BITCHUTE]


Source

COVID-19 TRUTH

BORG TRUTH

WAKE UP

HUMANITY

IT WAS NEVER A VACCINE

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

Borg Assimilation – Section 2 (Experimental MRNA COVID-19 Vaccination)

SECTION 2

> WE ARE HERE NOW <

The Official Story

THE BORG (STAR TREK)


 

The Borg are an alien group that appear as recurring antagonists in the Star Trek fictional universe. The Borg are cybernetic organisms (cyborgs) linked in a hive mind called “the Collective”. The Borg co-opt the technology and knowledge of other alien species to the Collective through the process of “assimilation”: forcibly transforming individual beings into “drones” by injecting nanoprobes into their bodies and surgically augmenting them with cybernetic components. The Borg’s ultimate goal is “achieving perfection”.

Aside from being recurring antagonists in the Next Generation television series, they are depicted as the main threat in the film Star Trek: First Contact. In addition, they played major roles in the Voyager series.

The Borg have become a symbol in popular culture for any juggernaut against which “resistance is futile”, a common phrase uttered by the Borg.

Concept

The Borg represented a new antagonist and regular enemy which had been lacking during the first season of TNG; the Klingons were allies and the Romulans mostly absent. The Ferengi were originally intended as the new enemy for the United Federation of Planets, but their comical appearance failed to portray them as a convincing threat. The Borg, however, with their frightening appearance, their immense power, and their sinister motive, became the signature villains for the TNG and Voyager eras of Star Trek. In Voyager episode “Q2”, even the near-omnipotent Q tells his son, “Don’t provoke the Borg.”

Star Trek: The Next Generation (TNG) writers began to develop the idea of the Borg as early as the Season 1 episode, “Conspiracy”, which introduced a coercive, symbiotic life form that took over key Federation personnel. Plans to feature the Borg as an increasingly menacing threat were subsequently scrapped in favor of a more subtle introduction, beginning with the mystery of missing colonies on both sides of the Neutral Zone in “The Neutral Zone” and culminating in the encounter between Borg and the Enterprise crew in “Q Who”.

Origin

The origin of the Borg is never made clear, though they are portrayed as having existed for hundreds of thousands of years (as attested by Guinan and the Borg Queen). In Star Trek: First Contact, the Borg Queen merely states that the Borg were once much like humanity, “flawed and weak”, but gradually developed into a partially synthetic species in an ongoing attempt to evolve and perfect themselves.

In TNG‘s “Q Who”, Guinan mentions that the Borg are “made up of organic and artificial life […] which has been developing for […] thousands of centuries.” In the later episode of Star Trek: Voyager, “Dragon’s Teeth”, Gedrin, of the race the Vaadwaur, says that before he and his people were put into suspended animation 892 years earlier (1482 A.D.), the Borg had assimilated only a few colonies in the Delta Quadrant and were considered essentially a minor nuisance. Now awake in the 24th century, he is amazed to see that the Borg control a vast area of the Delta Quadrant. Seven of Nine comments that the Borg’s collective memories of that time period are fragmentary, though it is never established why that is.

Depiction

The Borg are cyborgs, having outward appearances showing both mechanical and biological body parts. Individual Borg are referred to as drones and move in a robotic, purposeful style ignoring most of their environment, including beings they do not consider an immediate threat. Borg commonly have one eye replaced with a sophisticated ocular implant. Borg usually have one arm replaced with a prosthesis, bearing one of a variety of multipurpose tools in place of a humanoid hand. Since different drones have different roles, the arm may be specialized for myriad purposes such as medical devices, scanners, and weapons. Borg have flat, grayish skin, giving them an almost zombie-like appearance.

Some Borg have been shown to be far stronger than humans, able to easily overpower most humans and similar species. Typical Borg have never been seen to run, instead moving in a deliberate fashion, never retreating. Borg are highly resistant to energy-based weapons, having personal shielding that quickly adapts to them. In various episodes, phasers and other directed energy weapons tend to quickly become ineffective as the Borg are able to adapt to the specific frequencies on which these weapons are projected once a ship or an individual drone is struck down by them. Later attempts to modulate phaser and other weapon frequencies have had limited success. Borg shields are ineffective protection against projectile or melee weapons, and several have been defeated in this way, or through hand-to-hand combat.

Borg possess a “cortical node” that controls other implanted cybernetic devices within a Borg’s body; it is most often implanted in the forehead above the organic eye. If the cortical node fails, the Borg eventually dies. Successful replacement of the node can be carried out on a Borg vessel.

Borg Collective

Borg civilization is based on a hive or group mind known as the Collective. Each Borg drone is linked to the collective by a sophisticated subspace network that ensures each member is given constant supervision and guidance. The mental energy of the group consciousness can help an injured or damaged drone heal or regenerate damaged body parts or technology. The collective consciousness gives them the ability not only to “share the same thoughts”, but also to adapt quickly to new tactics. Drones in the Collective are never seen speaking, but a collective “voice” is sometimes transmitted to ships.

“Resistance is futile”

Individual Borg rarely speak, although they do send a collective audio message to their targets, stating that “resistance is futile”, often followed by a declaration that the target in question will be assimilated and its “biological and technological distinctiveness” will be added to their own. The exact phrasing varies and evolves over the various series episodes and film.

In Star Trek: First Contact, the voice of the Borg is spoken by Jeff Coopwood. The Borg’s warning is:

We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.

Borg appearances

The Borg were introduced on syndicated television on May 8, 1989, in the Star Trek: The Next Generation episode “Q Who”, and rose to further prominence in the two-part cliffhanger “Best of Both Worlds, Part I”, which aired on June 18, 1990, with the sequel airing on September 24, 1990. In the Star Trek in-universe timeline, the earliest the Borg have been displayed is in 1996’s Star Trek: First Contact.

Overall, Borg aliens appear in a total of about a hundred episodes of various incarnations of Star Trek. This number includes all episodes featuring Seven of Nine, a former Borg drone; discounting these appearances, the Borg appear in six episodes of Star Trek: The Next Generation, one episode of Star Trek: Deep Space Nine, 23 episodes of Star Trek: Voyager, and one episode of Star Trek: Enterprise.

Voyager

The Borg make frequent appearances in Star Trek: Voyager, which takes place in the Delta Quadrant. The Borg are first seen by Voyager in the third-season episode “Blood Fever” in which Chakotay discovers the body of what the local humanoids refer to as “the Invaders”; which turns out to be the Borg. In “Scorpion”, the Borg are engaged in a war of attrition against Species 8472, whose biological defences are a match for the Borg’s nanoprobes. In one of the few instances of the Borg negotiating, in exchange for safe passage through Borg space, the Voyager crew devises a way to destroy the otherwise invulnerable Species 8472. A Borg drone, Seven of Nine, is dispatched to Voyager to facilitate this arrangement. After successfully driving Species 8472 back into their fluidic space, Seven of Nine is severed from the Collective and becomes a member of Voyager‘s crew. Seven of Nine’s rediscovery of her individuality becomes a recurring theme throughout the series.

The Hollywood Reporter ranked “Scorpion” as the 4th best episode of Voyager in 2016, and the 37th best Star Trek episode. In 2017, Den of Geek rated “Scorpion” among the top 50 Star Trek episodes overall.

In the fifth season, we see the Borg in “Drone”, where an advanced Borg drone is created when Seven of Nine’s nanoprobes are fused with the Doctor’s mobile emitter in a transporter accident. The Borg play a peripheral role in “Infinite Regress”, when Seven of Nine is exposed to a weapon against the Borg that essentially causes her to suffer from multiple personality disorder (MPD), reverting to the personas of various people she assimilated while in the Collective. In “Dark Frontier”, Voyager steals and uses a transwarp coil to both rescue Seven of Nine from the Borg Queen and then cut another fifteen years off their journey home before the coil burns out.

Juliette Harrisson writing for Den of Geek in 2017, gave actress Susanna Thompson and Alice Krige as Borg Queens an honorable mention in a ranking of best guest stars on Star Trek: Voyager.

In the sixth season episode, “Collective”, the crew of Voyager encounter a damaged cube that is holding Tom Paris, Neelix, Harry Kim and Chakotay hostage. With all the adult drones dead, the ship is run by five Borg children who are saved by Voyager and deassimilated. The later episode “Child’s Play” reveals that the cube was infected by a pathogen that Icheb, one of the children, had been engineered to act as a host for by his parents, but the crew rescue Icheb before he can be sent back to the Borg. The crew encounter the Borg again in “Unimatrix Zero”, a two-part cliffhanger between seasons six and seven.

In “Q2”, Q’s son brings several Borg cubes and drones into conflict with Voyager as a way for his amusement, before Q rescues them and warns his son not to provoke the Borg. In “Shattered”, a freak accident allows Chakotay to travel to various time periods in the ship’s history, including the events depicted in “Scorpion”, where he interacts with the full drone Seven. In the series finale, “Endgame”, a future Admiral Janeway tries to bring Voyager back to Earth using a Borg transwarp hub. During this episode, she infects the Borg with a neurolytic pathogen which infects the collective and kills the Queen.

There are 26 major episodes featuring the Borg in Voyager, however there are about 100 if counting those with Seven of Nine.

Source: Wikipedia

Star Trek: First Contact (1996) – Borg Attack

ARTICLE INDEX

A.I. IMPLANTATION
SECTION 2:

BORG ASSIMILATION


ARTICLE:
Two Thirds of All Americans Fully Vaccinated with COVID-19 Experimental Shots as Vaccine Injuries and Deaths Increase 2000% – 56X More Deaths

Borg Assimilation Technique

THE TRUTH

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

COVID-19 VACCINE TRUTH

COVID-19 TRUTH

WAKE UP

HUMANITY

IT’S NOT A VACCINE

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

Borg Assimilation – 2.7 – Michael Taylor (Writer, Star Trek: Voyager – 6×16 – Collective)

WAKE UP

AMERICA

IT’S NOT A VACCINE

BORG ASSIMILATION


Michael Taylor

The Official Story

MICHAEL TAYLOR
(Writer, Star Trek Voyager – 6×16 – Collective)


 

Michael Taylor (born February 15, 1969) is a screenwriter who is best known for his work as a writer for both Star Trek: Deep Space Nine and Star Trek: Voyager.

Taylor is a native New Yorker. He attended The Bronx High School of Science and Yale University. Taylor had a varied career prior to writing for television, including working as a newspaper and magazine reporter, as well as a musician who performed on guitar and sang with a rock band. He began his television work as a freelance writer for the Deep Space Nine, where he wrote one of the franchise’s classic episodes, “The Visitor,” while living in New York and still pursuing his musical interests. His other DS9 credits include the episodes “Things Past”, “Resurrection” and “In the Pale Moonlight”.

Taylor moved to Los Angeles to join the staff of Star Trek: Voyager during its final three seasons, writing many other memorable episodes.

Taylor’s Voyager credits include:

  • 5×05 – “Once Upon a Time”
  • 5×10 – “Counterpoint”
  • 5×12 – “Bride of Chaotica!”
  • 5×17 – “The Disease”
  • 5×19 – “The Fight”
  • 5×20 – “Think Tank”
  • 5×22 – “Someone to Watch Over Me”
  • 5×24 – “Relativity”
  • 5×25 – “Warhead”
  • 6×05 – “Alice”
  • 6×07 – “Dragon’s Teeth”
  • 6×08 – “One Small Step”
  • 6×12 – “Blink of an Eye”
  • 6×16 – “Collective”
  • 6×23 – “Fury”
  • 7×03 – “Drive”
  • 7×07 – “Body and Soul”
  • 7×11 – “Shattered”
  • 7×17 – “Workforce, Part II”
  • 7×21 – “Friendship One”

After Star Trek, he became a writer and producer on the USA Network series The Dead Zone. The USA series The Dead Zone was based on the famous science fiction thriller novel by Stephen King. In 2002, Michael Taylor was nominated for a Nebula Award, which is given by the Science Fiction and Fantasy Writers of America, for writing the Dead Zone episode entitled “Unreasonable Doubt”.

After five seasons on The Dead Zone, Taylor joined the Syfy channel’s and Ronald D. Moore’s Battlestar Galactica as a co-executive producer and wrote the Battlestar TV movie Razor. When Battlestar ended its four-season run, he became a writer and co-executive producer on its spin-off, Caprica, as well as a writer and executive producer of the FOX pilot/TV movie Virtuality, co-created with Ron Moore.

His Caprica credits include: “Ghost in the Machine”, “End of Line” and “False Labor”.

Taylor subsequently co-created the Syfy series Defiance, and wrote and produced the Battlestar prequel web series and TV movie Blood & Chrome, before “turning” to historical fiction as a writer and executive producer on the acclaimed AMC series Turn: Washington’s Spies. He returned to science fiction as a writer and executive producer on two more AMC series: the gonzo, post-apocalyptic martial arts show, Into the Badlands, and Pantheon, an animated sci-fi series expected to air in 2022.

Taylor’s work has been nominated several times for both Hugo and Nebula Awards. He won a Peabody Award as part of the writing staff of Battlestar Galactica, and a webisode series he wrote, Battlestar Galactica: Razor Flashbacks, garnered an Emmy® Award for Best Short Format Live-Action Entertainment Program.

Source: Wikipedia

The Truth

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

COVID-19 TRUTH

WAKE UP

HUMANITY

IT’S NOT A VACCINE

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

Borg Assimilation – 2.8 – Brannon Braga (Showrunner, Star Trek: Voyager, 1998–2000)

WAKE UP

AMERICA

IT’S NOT A VACCINE

BORG ASSIMILATION


Brannon Braga

The Official Story

BRANNON BRAGA
(Showrunner of Star Trek: Voyager, 1998–2000)


 

Brannon Braga (born August 14, 1965) is an American television producer, director and screenwriter. Best known for his work in the Star Trek franchise, Braga was a key creative force behind three of the franchise’s live action series. He later became an executive producer and writer on several Fox shows including 24, Terra Nova, and The Orville. His film credits include Mission: Impossible 2, Star Trek Generations and Star Trek: First Contact.

He served as an executive producer on the Fox primetime series, Cosmos: A Spacetime Odyssey, a re-launch of the 1980 miniseries hosted by Carl Sagan for which Braga won a Peabody Award, Critics Choice Award, and Producers Guild Award. In addition, Braga has been nominated for three Emmy Awards. Braga also served as writer, executive producer, and co-creator of the drama series Salem, WGN America’s first original series.

Career

Braga started out as an intern on Star Trek: The Next Generation in 1990 as part of the Television Academy Foundation’s internship program, eventually becoming a co-producer for the series final season. He was part of the creative team nominated for a Primetime Emmy Award in 1994 for Outstanding Drama Series, and won the Hugo Award for Best Dramatic Presentation in 1995 for his work on the series finale, “All Good Things…” along with longtime collaborator Ronald D. Moore. His credits on that series include a number of popular episodes including “Cause and Effect”, “Frame of Mind” and “Parallels”.

He then joined Star Trek: Voyager as a producer and was tapped to serve as executive producer the following year. He served as showrunner for Voyager until the end of the sixth season when he moved to Star Trek: Enterprise. He teamed up with Moore to write two Star Trek feature films – Star Trek Generations and Star Trek: First Contact. They would also later develop the Mission: Impossible 2 screenplay. He went on to co-create Star Trek: Enterprise and led that series as executive producer until its fourth and final season.

Before the cancellation of Star Trek: Enterprise, Braga co-created the CBS science fiction drama series Threshold, he was brought on as an executive producer and writer on the Fox series, 24, penning episodes in the seventh and eight seasons. He was also an executive producer and writer on the 2009 ABC science fiction series FlashForward.

While at the helm of Terra Nova, Braga was approached to co-write a four-part comic book series Star Trek: The Next Generation: Hive for IDW, which made its debut in 2012.

Braga was the producer and one of the directors of the 2014 science education series Cosmos: A Spacetime Odyssey, a sequel to the 1980 series Cosmos: A Personal Voyage that was hosted by Carl Sagan. The project saw Braga collaborating with the original series’ writer and Sagan’s widow, Ann Druyan, executive producer Seth MacFarlane and host Neil DeGrasse Tyson. The 13-episode series premiered March 9, 2014, and received mostly positive reaction from critics and viewers. Braga was nominated for an Emmy for his work on the show. The following month saw the premiere of the historical fantasy drama television series Salem, which Braga co-created with Adam Simon, and on which he serves as one of the executive producers. in 2014, he directed the Marilyn Manson music video “Cupid Carries a Gun” off The Pale Emperor album.

Braga is one of the producers of The Orville, a 2017 science fiction comedy drama inspired by Star Trek. He also directed several episodes of the series.

Source: Wikipedia

The Truth

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

COVID-19 TRUTH

WAKE UP

HUMANITY

IT’S NOT A VACCINE

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

Borg Assimilation – 2.16 – Ronald D. Moore (Co-Writer, Star Trek: First Contact)

WAKE UP

AMERICA

IT’S NOT A VACCINE

BORG ASSIMILATION


Ronald D. Moore

The Official Story

RONALD D. MOORE
(Co-Writer, Star Trek: First Contact)


 

Ronald Dowl Moore (born July 5, 1964) is an American screenwriter and television producer. He is best known for his work on Star Trek; on the re-imagined Battlestar Galactica television series, for which he won a Peabody Award and an Emmy Award; and on Outlander, based on the novels of Diana Gabaldon. In 2019, he created and wrote the series For All Mankind for Apple TV+.

Star Trek: First Contact (1996) Trailer

Career

Star Trek: The Next Generation (1988–94)

In 1988, he toured the Star Trek: The Next Generation sets during the filming of the episode “Time Squared.” While there, he passed a script he had written to one of Gene Roddenberry’s assistants, who helped him get an agent who submitted the script through proper channels. About seven months later, executive producer Michael Piller read the script and bought it; it became the third-season episode “The Bonding.” Based on that script he was offered the opportunity to write a second script and that led to a staff position as a script editor. Two years later, he was promoted to co-producer, then producer for the series’ final year (1994).

Moore wrote a number of episodes that developed the Klingon race and culture, starting with “Sins of the Father” which introduced the Klingon home world, the Klingon High Council and the Klingon Chancellor and continuing with “Reunion,” “Redemption, Part 1 and 2,” “Ethics” and “Rightful Heir.” He is credited with writing or co-writing 27 Next Generation episodes.

He co-wrote several episodes with Brannon Braga, developing a successful working relationship that led to them being offered the chance to write the series television finale, “All Good Things…” (which won the 1995 Hugo Award for Best Dramatic Presentation). The series also received an Emmy Award nomination in its final year for Outstanding Drama Series, losing to Picket Fences. The pair also wrote the screenplay for the Next Generation crew’s first two big screen appearances, Star Trek Generations and Star Trek: First Contact.

Source: Wikipedia

The Truth

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

HISTORICAL TRUTH

COVID-19 TRUTH

WAKE UP

HUMANITY

IT’S NOT A VACCINE

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

FDA VRBPAC – Section 1 (COVID-19 Vaccination for Very Young Children)

SECTION 1

GENOCIDE
noun
The deliberate killing of a large group of people, especially those of a particular nation or ethnic group.

The Official Story

COVID-19 VACCINATION
IN THE UNITED STATES


 

The COVID-19 vaccination campaign in the United States is an ongoing mass immunization campaign for the COVID-19 pandemic in the United States. The Food and Drug Administration (FDA) first granted emergency use authorization to the Pfizer–BioNTech vaccine on December 10, 2020, and mass vaccinations began four days later. The Moderna vaccine was granted emergency use authorization on December 17, 2020, and the Janssen (Johnson & Johnson) vaccine was granted emergency use authorization on February 27, 2021. By April 19, 2021, all U.S. states had opened vaccine eligibility to residents aged 16 and over. On May 10, 2021, the FDA approved the Pfizer-BioNTech vaccine for adolescents aged 12 to 15. On August 23, 2021, the FDA granted full approval to the Pfizer–BioNTech vaccine for individuals aged 16 and over.

The U.S. government first began the campaign under the presidency of Donald Trump with Operation Warp Speed, a public–private partnership to expedite the development and manufacturing of COVID-19 vaccines. Joe Biden became the new President of the United States on January 20, 2021. Biden began his term with an immediate goal of administering 100 million vaccine doses within his first hundred days in office, signing an executive order which included increasing supplies for vaccination. This goal was met on March 19, 2021. On March 25, 2021, he announced he would increase the goal to 200 million within his first 100 days in office. This goal was eventually reached on April 21, 2021.

By July 4, 2021, 67% of the United States’ adult population had received at least one dose, just short of a goal of 70%. This goal was eventually met on August 2, 2021. While vaccines have helped significantly reduce the number of new COVID-19 infections nationwide, states with below-average vaccination rates began to see increasing numbers of cases credited to the highly infectious Delta variant by July 2021, which led to an increased push by organizations and companies to begin imposing de facto mandates for their employees be vaccinated for COVID-19.

On September 9, 2021, President Biden announced plans by the federal government to use executive orders and emergency temporary standards enforced by OSHA to mandate the vaccination of all federal branch employees, and require that all companies with more than 100 employees regularly test all employees who are not yet fully vaccinated for COVID-19. On January 26, 2022, OSHA completely withdrew the vaccine mandate for companies with more than 100 employees due to a ruling from the Supreme Court of the United States that blocked the mandate.

As of March 2022, according to The Commonwealth Fund, COVID-19 vaccination in the United States has prevented an additional 2.3 million deaths, an additional 17 million hospitalizations, and an additional 66.2 million infections from COVID-19. Vaccination has also prevented an additional $899.4 billion in healthcare costs.

June 2022

On June 18, the CDC recommended vaccines for children as young as 6 months, with a rollout of these vaccines beginning the week after.

Source: Wikipedia

Implanted (2021) Trailer

ARTICLE INDEX

THE TRUTH

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

TREASON

“Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason.”
(Official US definition)

Any US official has sworn to uphold and defend, never to subvert, the Constitution of the United States, and this is defining the US, itself, as being the continued functioning of the US Constitution. Treason is thus the supremely illegal act under US law, the act that violates any US official’s oath of office. (When treason is perpetrated by someone who is not a US official, it is still a severe crime, but less severe than it is for any US official.) The phrase “levies war against them” means war against the functioning of the Constitution that is their supreme law. “Or” means alternatively, and “adheres to their enemies” means is a follower of any person or other entity that seeks to impose a different constitution. “Enemies” is not defined — it need not be a foreign opponent; it may be a domestic opponent of the US Constitution. Thus, an American can be an enemy of the United States of America. In fact, the official definition explicitly refers ONLY to an entity “owing allegiance to the United States.” (Obviously, that especially refers to any US official.) This is how a “traitor” is understood, in US law. Obviously, the worst traitor would be one who committed the treasonous act(s) while a US official.

COVID-19 VACCINE TRUTH

COVID-19 TRUTH

WAKE UP

HUMANITY

IT’S NOT A VACCINE

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

FDA VRBPAC – 1.0 – Implanted (2021) L.E.X.X. Introduction

WAKE UP

AMERICA

IT’S NOT A VACCINE

COVID-19 VACCINES LETHAL INJECTIONS


Implanted (2021)

> WATCH IT <

The Official Story

IMPLANTED (2021)


 

PLOT SUMMARY

Sarah, a struggling young woman living in Brooklyn, agrees to volunteer as an experimental test subject for a pharmaceutical company called Dynamic Health Cure to be implanted with the LEXX nanochip. Sarah hopes that the money received for her participation will solve her financial troubles and help her to take care of her mother who has Alzheimer’s. A nanochip is implanted in her cerebral cortex. It is designed with artificial intelligence technology to take control of the body at the inception of any disease or illness. When the implant turns sinister and orders her to commit crimes, Sarah is plunged into a murderous spiral with only one choice: to live or die.

Source

Implanted (2021) Trailer

Implanted (2021), Titlecard (original image)

IMPLANTED MOVIE REVIEW:
A paranoid fantasy only Anti-Vaxx cranks will love


Source: Roger Moore – September 29, 2021

There is such a thing as making your movie “too topical. “Implanted” is a paranoid thriller about you-know-whats-controlling people’s thoughts and actions. And it is set in 2023, “three years after the global pandemic.”

The pandemic isn’t over yet, and if certain governors and senators anxious to be president get their way, it won’t be gone by then, either.

“Implanted” is also a movie that calls into question the ethics of filmmaking. With a global contagion killing millions, a crisis exacerbated by the cynical preying upon the gullible and conspiracy-minded, is making a movie about “implants,” even if they’re not a part of vaccines (which don’t contain implants, no matter what Tucker/Hannity/OAN and the late night cranks of “Christian” talk radio tell you) a responsible thing to do?

Let’s say “No,” and go from there.

Director and co-writer Fabien Dufils (“add Me,” “1 Buck”) shows us a world where the deranged walking among us just might have these spinal implants that put Siri-like voices in their heads, monitoring their health and well being, making suggestions and small talk, and also controlling their lives and ordering them to kill people.

The program running this operation is called L.E.X.X., and ever since student Sarah (Michelle Girolami) agreed to have it installed, she’s no longer lonely.

L.E.X.X. is marketed as a “personal diagnostic processing chip,” and starts out making suggestions for maximum health benefit, pushing Sarah to “make efforts to live a less stressful lifestyle.”

L.E.X.X. gets personal. “Have you ever been in love?”

L.E.X.X. takes things personally. “If I had feelings, they would be hurt.”

L.E.X.X. talks tough love when Sarah talks back. “Your arrogance is a mask for your insecurity.”

And L.E.X.X. is awfully quick to law down the law. “You do not decide when I reboot…I can make the pain subside but you have to listen to me.” L.E.X.X., being implanted on Sarah’s brain stem, can inflict pain.

“Implanted” is about L.E.X.X.’s agenda, Sarah’s efforts to fight back and the body count that piles up as chattering, over-explaining L.E.X.X. orders thefts and murders.

“I have to erase all evidence from the system.”

Dufils, limited to just Sarah, another implanted person who is manipulated to act as her “handler” (Ivo Velon), her mother and L.E.X.X.’s victims, never manages suspense or much in the way of dramatic tension as Sarah is helpless to fight this manipulative pain-delivery system masquerading as “diagnostics.”

Girolami gets across pain and panic better than scheming, and there simply isn’t enough of the latter to make “Implanted” the least bit interesting. This is no cat and mouse game. It’s just a very annoying digital voice in some poor woman’s head, running her life, making her take other lives.

It helps that L.E.X.X., a voice unidentified in the credits, sounds just like the digital assistant Siri. Other than that, this is “paranoid” in name only, surprising only if you’re paying no attention to considering the only two possible outcomes from the start.

No doubt there will be those who will embrace its “truth” because it’s what they’ve been brainwashed into believing. Sentient cinema lovers should pass this pitiful excuse for a thriller by.

Source

The Truth

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

Implanted (Spoilers)
“System Offline”

Implanted (2021), System Offline (original image)

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

COVID-19 VACCINE TRUTH

COVID-19 TRUTH

WAKE UP

HUMANITY

IT’S NOT A VACCINE

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

FDA VRBPAC – 1.1 – Implanted (2021) Promotional Poster

WAKE UP

AMERICA

IT’S NOT A VACCINE

COVID-19 VACCINES LETHAL INJECTIONS


Implanted (2021)

> WATCH IT <

The Official Story

IMPLANTED (2021)


PLOT SUMMARY

Sarah, a struggling young woman living in Brooklyn, agrees to volunteer as an experimental test subject for a pharmaceutical company called Dynamic Health Cure to be implanted with the LEXX nanochip. Sarah hopes that the money received for her participation will solve her financial troubles and help her to take care of her mother who has Alzheimer’s. A nanochip is implanted in her cerebral cortex. It is designed with artificial intelligence technology to take control of the body at the inception of any disease or illness. When the implant turns sinister and orders her to commit crimes, Sarah is plunged into a murderous spiral with only one choice: to live or die.

Source

Implanted (2021) Trailer

IMPLANTED MOVIE REVIEW:
A paranoid fantasy only Anti-Vaxx cranks will love


Source: Roger Moore – September 29, 2021

There is such a thing as making your movie “too topical. “Implanted” is a paranoid thriller about you-know-whats-controlling people’s thoughts and actions. And it is set in 2023, “three years after the global pandemic.”

The pandemic isn’t over yet, and if certain governors and senators anxious to be president get their way, it won’t be gone by then, either.

“Implanted” is also a movie that calls into question the ethics of filmmaking. With a global contagion killing millions, a crisis exacerbated by the cynical preying upon the gullible and conspiracy-minded, is making a movie about “implants,” even if they’re not a part of vaccines (which don’t contain implants, no matter what Tucker/Hannity/OAN and the late night cranks of “Christian” talk radio tell you) a responsible thing to do?

Let’s say “No,” and go from there.

Director and co-writer Fabien Dufils (“add Me,” “1 Buck”) shows us a world where the deranged walking among us just might have these spinal implants that put Siri-like voices in their heads, monitoring their health and well being, making suggestions and small talk, and also controlling their lives and ordering them to kill people.

The program running this operation is called L.E.X.X., and ever since student Sarah (Michelle Girolami) agreed to have it installed, she’s no longer lonely.

L.E.X.X. is marketed as a “personal diagnostic processing chip,” and starts out making suggestions for maximum health benefit, pushing Sarah to “make efforts to live a less stressful lifestyle.”

L.E.X.X. gets personal. “Have you ever been in love?”

L.E.X.X. takes things personally. “If I had feelings, they would be hurt.”

L.E.X.X. talks tough love when Sarah talks back. “Your arrogance is a mask for your insecurity.”

And L.E.X.X. is awfully quick to law down the law. “You do not decide when I reboot…I can make the pain subside but you have to listen to me.” L.E.X.X., being implanted on Sarah’s brain stem, can inflict pain.

“Implanted” is about L.E.X.X.’s agenda, Sarah’s efforts to fight back and the body count that piles up as chattering, over-explaining L.E.X.X. orders thefts and murders.

“I have to erase all evidence from the system.”

Dufils, limited to just Sarah, another implanted person who is manipulated to act as her “handler” (Ivo Velon), her mother and L.E.X.X.’s victims, never manages suspense or much in the way of dramatic tension as Sarah is helpless to fight this manipulative pain-delivery system masquerading as “diagnostics.”

Girolami gets across pain and panic better than scheming, and there simply isn’t enough of the latter to make “Implanted” the least bit interesting. This is no cat and mouse game. It’s just a very annoying digital voice in some poor woman’s head, running her life, making her take other lives.

It helps that L.E.X.X., a voice unidentified in the credits, sounds just like the digital assistant Siri. Other than that, this is “paranoid” in name only, surprising only if you’re paying no attention to considering the only two possible outcomes from the start.

No doubt there will be those who will embrace its “truth” because it’s what they’ve been brainwashed into believing. Sentient cinema lovers should pass this pitiful excuse for a thriller by.

Source

The Truth

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

MAD STREET PICTURES
(Production Company, Titlecard)

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

COVID-19 VACCINE TRUTH

COVID-19 TRUTH

WAKE UP

HUMANITY

IT’S NOT A VACCINE

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

THE TIME IS NOW:

AWAKEN HUMANITY

UNDER NO CIRCUMSTANCES SHOULD YOU TAKE ANY
(COVID-19) VACCINE OR BOOSTER AT THIS POINT.

U.S. School Shootings (Monarch ‘Delta Programmed’ Assassins)

This information is respectfully dedicated to the victims.

DON’T LET HISTORY REPEAT

2022

U.S. SCHOOL SHOOTINGS


(PROJECT MONARCH – Delta Programming)

MONARCH (MKULTRA) PROGRAMMING
(Trauma Based Mind Control)

A GLOBAL CONSPIRACY

The Official Story

MKULTRA
(CIA Illegal Human Experimentation
& Mind Control Program)


 

Project MKUltra (or MK-Ultra) was the code name of an illegal human experimentation program designed and undertaken by the U.S. Central Intelligence Agency (CIA). The experiments were intended to develop procedures and identify drugs such as LSD that could be used in interrogations to weaken individuals and force confessions through brainwashing and psychological torture. MKUltra used numerous methods to manipulate its subjects’ mental states and brain functions, such as the covert administration of high doses of psychoactive drugs (especially LSD) and other chemicals, electroshocks, hypnosis, sensory deprivation, isolation, and verbal and sexual abuse, in addition to other forms of torture.

MKUltra was preceded by two drug-related experiments, Project Bluebird and Project Artichoke. It began in 1953, was reduced in scope in 1964 and 1967, and was halted in 1973. It was organized through the CIA’s Office of Scientific Intelligence and coordinated with the United States Army Biological Warfare Laboratories. The program engaged in illegal activities, including the use of U.S. and Canadian citizens as unwitting test subjects. MKUltra’s scope was broad, with activities carried out under the guise of research at more than 80 institutions, including colleges and universities, hospitals, prisons, and pharmaceutical companies. The CIA operated using front organizations, although some top officials at these institutions were aware of the CIA’s involvement.

MKUltra was first brought to public attention in 1975 by the Church Committee of the United States Congress and Gerald Ford’s United States President’s Commission on CIA activities within the United States (also known as the Rockefeller Commission). Investigative efforts were hampered by CIA Director Richard Helms’s order that all MKUltra files be destroyed in 1973; the Church Committee and Rockefeller Commission investigations relied on the sworn testimony of direct participants and on the small number of documents that survived Helms’s order. In 1977, a Freedom of Information Act request uncovered a cache of 20,000 documents relating to MKUltra, which led to Senate hearings. Some surviving information about MKUltra was declassified in July 2001.

 

MASS SHOOTINGS IN THE UNITED STATES


 

Mass shootings are incidents involving multiple victims of firearm-related violence. The precise inclusion criteria are disputed, and there is no broadly accepted definition. One definition is an act of public firearm violence—excluding gang killings, domestic violence, or terrorist acts sponsored by an organization—in which a shooter kills at least four victims. Using this definition, one study found that nearly one-third of the world’s public mass shootings between 1966 and 2012 (90 of 292 incidents) occurred in the United States. Using a similar definition, The Washington Post records 163 mass shootings in the United States between 1967 and June 2019.

The United States has had more mass shootings than any other country. Shooters generally either die by suicide afterward, or are restrained or killed by law enforcement officers. Mass shootings accounted for under 0.2% of homicides in the U.S. between 2000 and 2016.

Source: Wikipedia

Nazi Gun Control (Police Raid of Jews in Berlin, 1933)

SECOND AMENDMENT TO THE UNITED STATES CONSTITUTION


 

The Second Amendment (Amendment II) to the United States Constitution protects the right to keep and bear arms. It was ratified on December 15, 1791, along with nine other articles of the Bill of Rights. In District of Columbia v. Heller (2008), the Supreme Court affirmed for the first time that the right belongs to individuals, for self-defense in the home, while also including, as dicta, that the right is not unlimited and does not preclude the existence of certain long-standing prohibitions such as those forbidding “the possession of firearms by felons and the mentally ill” or restrictions on “the carrying of dangerous and unusual weapons”. In McDonald v. City of Chicago (2010) the Supreme Court ruled that state and local governments are limited to the same extent as the federal government from infringing upon this right.

The Second Amendment was based partially on the right to keep and bear arms in English common law and was influenced by the English Bill of Rights of 1689. Sir William Blackstone described this right as an auxiliary right, supporting the natural rights of self-defense and resistance to oppression, and the civic duty to act in concert in defense of the state. Any labels of rights as auxiliary must be viewed in the context of the inherent purpose of a Bill of Rights, which is to empower a group with the ability to achieve a mutually desired outcome, and not to necessarily enumerate or rank the importance of rights. While both James Monroe and John Adams supported the Constitution being ratified, its most influential framer was James Madison. In Federalist No. 46, Madison wrote how a federal army could be kept in check by state militias, “a standing army … would be opposed [by] a militia.” He argued that state militias “would be able to repel the danger” of a federal army, “It may well be doubted, whether a militia thus circumstanced could ever be conquered by such a proportion of regular troops.” He contrasted the federal government of the United States to the European kingdoms, which he described as “afraid to trust the people with arms”, and assured that “the existence of subordinate governments … forms a barrier against the enterprises of ambition”.

By January 1788, Delaware, Pennsylvania, New Jersey, Georgia and Connecticut ratified the Constitution without insisting upon amendments. Several amendments were proposed, but were not adopted at the time the Constitution was ratified. For example, the Pennsylvania convention debated fifteen amendments, one of which concerned the right of the people to be armed, another with the militia. The Massachusetts convention also ratified the Constitution with an attached list of proposed amendments. In the end, the ratification convention was so evenly divided between those for and against the Constitution that the federalists agreed to the Bill of Rights to assure ratification. In United States v. Cruikshank (1876), the Supreme Court ruled that, “The right to bear arms is not granted by the Constitution; neither is it in any manner dependent upon that instrument for its existence. The Second Amendments [sic] means no more than that it shall not be infringed by Congress, and has no other effect than to restrict the powers of the National Government.” In United States v. Miller (1939), the Supreme Court ruled that the Second Amendment did not protect weapon types not having a “reasonable relationship to the preservation or efficiency of a well regulated militia”.

In the 21st century, the amendment has been subjected to renewed academic inquiry and judicial interest. In District of Columbia v. Heller, the Supreme Court handed down a landmark decision that held the amendment protects an individual’s right to keep a gun for self-defense. This was the first time the Court had ruled that the Second Amendment guarantees an individual’s right to own a gun. In McDonald v. Chicago (2010), the Supreme Court clarified that the Due Process Clause of the Fourteenth Amendment incorporated the Second Amendment against state and local governments. In Caetano v. Massachusetts (2016), the Supreme Court reiterated its earlier rulings that “the Second Amendment extends, prima facie, to all instruments that constitute bearable arms, even those that were not in existence at the time of the founding” and that its protection is not limited to “only those weapons useful in warfare”. The debate between various organizations regarding gun control and gun rights continues.

Government tyranny

A foundation of American political thought during the Revolutionary period was concerned about political corruption and governmental tyranny. Even the federalists, fending off their opponents who accused them of creating an oppressive regime, were careful to acknowledge the risks of tyranny. Against that backdrop, the framers saw the personal right to bear arms as a potential check against tyranny. Theodore Sedgwick of Massachusetts expressed this sentiment by declaring that it is “a chimerical idea to suppose that a country like this could ever be enslaved … Is it possible … that an army could be raised for the purpose of enslaving themselves or their brethren? Or, if raised whether they could subdue a nation of freemen, who know how to prize liberty and who have arms in their hands?” Noah Webster similarly argued:

Before a standing army can rule the people must be disarmed; as they are in almost every kingdom in Europe. The supreme power in America cannot enforce unjust laws by the sword; because the whole body of the people are armed, and constitute a force superior to any band of regular troops that can be, on any pretence, raised in the United States.

George Mason also argued the importance of the militia and right to bear arms by reminding his compatriots of the British government’s efforts “to disarm the people; that it was the best and most effectual way to enslave them … by totally disusing and neglecting the militia.” He also clarified that under prevailing practice the militia included all people, rich and poor. “Who are the militia? They consist now of the whole people, except a few public officers.” Because all were members of the militia, all enjoyed the right to individually bear arms to serve therein.

Writing after the ratification of the Constitution, but before the election of the first Congress, James Monroe included “the right to keep and bear arms” in a list of basic “human rights”, which he proposed to be added to the Constitution.

Patrick Henry argued in the Virginia ratification convention on June 5, 1788, for the dual rights to arms and resistance to oppression:

Guard with jealous attention the public liberty. Suspect everyone who approaches that jewel. Unfortunately, nothing will preserve it but downright force. Whenever you give up that force, you are inevitably ruined.

 

GUN POLITICS IN THE UNITED STATES


 

Gun politics is an area of American politics defined by two primary opposing ideologies about civilian gun ownership. People who advocate for gun control support strengthening regulations related to gun ownership; people who advocate for gun rights oppose new regulations or support loosening restrictions related to gun ownership. These groups often disagree on the interpretation of laws and court cases related to firearms as well as about the effects of firearms regulation on crime and public safety. It is estimated that U.S. civilians own 393 million firearms, and that 35% to 42% of the households in the country have at least one gun. The U.S. has by far the highest estimated number of guns per capita in the world, at 120.5 guns for every 100 people.

Debates regarding firearm availability and gun violence in the United States have been characterized by concerns about the right to bear arms, such as found in the Second Amendment to the U.S. Constitution, and the responsibility of the United States government to serve the needs of its citizens and to prevent crime and deaths. Firearms regulation supporters say that indiscriminate or unrestricted gun rights inhibit the government from fulfilling that responsibility, and causes a safety concern. Gun rights supporters promote firearms for self-defense – including security against tyranny, as well as hunting and sporting activities. Firearms regulation advocates state that restricting and tracking gun access would result in safer communities, while gun rights advocates state that increased firearm ownership by law-abiding citizens reduces crime and assert that criminals have always had easy access to firearms.

Gun legislation in the United States is augmented by judicial interpretations of the Constitution. The Second Amendment to the U.S. Constitution reads: “A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.” In 1791, the United States adopted the Second Amendment, and in 1868 adopted the Fourteenth Amendment. The effect of those two amendments on gun politics was the subject of landmark U.S. Supreme Court decisions in District of Columbia v. Heller (2008), where the Court affirmed for the first time that the second amendment guarantees an individual right to possess firearms independent of service in a state militia and to use them for traditionally lawful purposes such as self-defense within the home, and in McDonald v. City of Chicago (2010), where the Court ruled that the Second Amendment is incorporated by the Due Process Clause of the Fourteenth Amendment and thereby applies to both state and federal law. In so doing, it endorsed the so-called “individual-right” theory of the Second Amendment’s meaning and rejected a rival interpretation, the “collective-right” theory, according to which the amendment protects a collective right of states to maintain militias or an individual right to keep and bear arms in connection with service in a militia.

Security against tyranny

Another fundamental political argument associated with the right to keep and bear arms is that banning or even regulating gun ownership makes government tyranny more likely. A January 2013 Rasmussen Reports poll indicated that 65 percent of Americans believe the purpose of the Second Amendment is to “ensure that people are able to protect themselves from tyranny.” A Gallup poll in October 2013 showed that 60 percent of American gun owners mention “personal safety/protection” as a reason for owning them, and 5 percent mention a “Second Amendment right,” among other reasons. The anti-tyranny argument extends back to the days of colonial America and earlier in Great Britain.

Various gun rights advocates and organizations, such as former governor Mike Huckabee, former Congressman Ron Paul, and Gun Owners of America, say that an armed citizenry is the population’s last line of defense against tyranny by their own government. This belief was also familiar at the time the Constitution was written. The Declaration of Independence mentions “the Right of the People to alter or to abolish” the government, and Abraham Lincoln’s first inaugural address reiterated the “revolutionary right” of the people. A right of revolution was not explicitly mentioned in the Constitution; instead, the Constitution was designed to ensure a government deriving its power from the consent of the governed. Historian Don Higginbotham wrote that the well-regulated militia protected by the Second Amendment was more likely to put down rebellions than participate in them.

Gun rights advocates such as Stephen Halbrook and Wayne LaPierre support the “Nazi gun control” theory. The theory states that gun regulations enforced by the Third Reich rendered victims of the Holocaust weak, and that more effective resistance to oppression would have been possible if they had been better armed.  Other gun laws of authoritarian regimes have also been brought up. This counterfactual history theory is not supported by mainstream scholarship,   though it is an element of a “security against tyranny” argument in U.S. politics.

American gun rights activist Larry Pratt says that the anti-tyranny argument for gun rights is supported by successful efforts in Guatemala and the Philippines to arm ordinary citizens against communist insurgency in the 1980s. Gun-rights advocacy groups argue that the only way to enforce democracy is through having the means of resistance. Militia-movement groups cite the Battle of Athens (Tennessee, 1946) as an example of citizens who “[used] armed force to support the Rule of Law” in what they said was a rigged county election. Then-senator John F. Kennedy wrote in 1960 that, “it is extremely unlikely that the fears of governmental tyranny which gave rise to the Second Amendment will ever be a major danger to our nation….”

In 1957, the legal scholar Roscoe Pound expressed a different view: He stated, “A legal right of the citizen to wage war on the government is something that cannot be admitted. … In the urban industrial society of today, a general right to bear efficient arms so as to be enabled to resist oppression by the government would mean that gangs could exercise an extra-legal rule which would defeat the whole Bill of Rights.”

Source: Wikipedia

SECTION INDEX


U.S. SCHOOL & MASS SHOOTINGS TRUTH

FALSE FLAGS

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

TREASON

“Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason.”
(Official US definition)

Any US official has sworn to uphold and defend, never to subvert, the Constitution of the United States, and this is defining the US, itself, as being the continued functioning of the US Constitution. Treason is thus the supremely illegal act under US law, the act that violates any US official’s oath of office. (When treason is perpetrated by someone who is not a US official, it is still a severe crime, but less severe than it is for any US official.) The phrase “levies war against them” means war against the functioning of the Constitution that is their supreme law. “Or” means alternatively, and “adheres to their enemies” means is a follower of any person or other entity that seeks to impose a different constitution. “Enemies” is not defined — it need not be a foreign opponent; it may be a domestic opponent of the US Constitution. Thus, an American can be an enemy of the United States of America. In fact, the official definition explicitly refers ONLY to an entity “owing allegiance to the United States.” (Obviously, that especially refers to any US official.) This is how a “traitor” is understood, in US law. Obviously, the worst traitor would be one who committed the treasonous act(s) while a US official.

MIND CONTROL TRUTH

CITIZEN DISARMAMENT (GUN CONTROL) LEADS HERE…

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

NEVER

GIVE UP YOUR GUNS

THEIR PLAN = HOLOCAUST 2.0 (USA)

DELTA PROGRAMMING
(Project Monarch)

DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.

HARD TRUTH (CAUTION):

The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave

THE TIME IS NOW:

AWAKEN HUMANITY

THE #1 GLOBAL
PRIORITY:

SHUTTING DOWN
ALL COVERT
MIND CONTROL
PROGRAMS

MIND CONTROL WILL LEAD TO THE END OF HUMANITY

The world is here now [COVID-19] because of mind control.

Project MKULTRA – Section 6 (Nazi-CIA Illegal Human Experimentation & Mind Control Program)

This information is respectfully dedicated to all the victims across time.

WWII

(ONGOING TO PRESENT DAY)

MONARCH (MKULTRA) PROGRAMMING
(Trauma Based Mind Control)

A GLOBAL CONSPIRACY

SECTION 6

The Official Story

MKULTRA
(CIA Illegal Human Experimentation
& Mind Control Program)


 

Project MKUltra (or MK-Ultra) was the code name of an illegal human experimentation program designed and undertaken by the U.S. Central Intelligence Agency (CIA). The experiments were intended to develop procedures and identify drugs such as LSD that could be used in interrogations to weaken individuals and force confessions through brainwashing and psychological torture. MKUltra used numerous methods to manipulate its subjects’ mental states and brain functions, such as the covert administration of high doses of psychoactive drugs (especially LSD) and other chemicals, electroshocks, hypnosis, sensory deprivation, isolation, and verbal and sexual abuse, in addition to other forms of torture.

MKUltra was preceded by two drug-related experiments, Project Bluebird and Project Artichoke. It began in 1953, was reduced in scope in 1964 and 1967, and was halted in 1973. It was organized through the CIA’s Office of Scientific Intelligence and coordinated with the United States Army Biological Warfare Laboratories. The program engaged in illegal activities, including the use of U.S. and Canadian citizens as unwitting test subjects. MKUltra’s scope was broad, with activities carried out under the guise of research at more than 80 institutions, including colleges and universities, hospitals, prisons, and pharmaceutical companies. The CIA operated using front organizations, although some top officials at these institutions were aware of the CIA’s involvement.

MKUltra was first brought to public attention in 1975 by the Church Committee of the United States Congress and Gerald Ford’s United States President’s Commission on CIA activities within the United States (also known as the Rockefeller Commission). Investigative efforts were hampered by CIA Director Richard Helms’s order that all MKUltra files be destroyed in 1973; the Church Committee and Rockefeller Commission investigations relied on the sworn testimony of direct participants and on the small number of documents that survived Helms’s order. In 1977, a Freedom of Information Act request uncovered a cache of 20,000 documents relating to MKUltra, which led to Senate hearings. Some surviving information about MKUltra was declassified in July 2001.

Origin of project

According to author Stephen Kinzer, the CIA project “was a continuation of the work begun in WWII-era Japanese facilities and Nazi concentration camps on subduing and controlling human minds”. Kinzer wrote that MKUltra’s use of mescaline on unwitting subjects was a practice that Nazi doctors had begun in the Dachau concentration camp. Kinzer proposes evidence of the continuation of a Nazi agenda, citing the CIA’s secret recruitment of Nazi torturers and vivisectionists to continue the experimentation on thousands of subjects, and Nazis brought to Fort Detrick, Maryland, to instruct CIA officers on the lethal uses of sarin gas.

A CLOCKWORK ORANGE (1971)

A Clockwork Orange – The Ludovico Technique
(MKULTRA)

Aims and leadership

The project was headed by Sidney Gottlieb but began on the order of CIA director Allen Dulles on April 13, 1953. Its aim was to develop mind-controlling drugs for use against the Soviet bloc in response to alleged Soviet, Chinese, and North Korean use of mind control techniques on U.S. prisoners of war during the Korean War. The CIA wanted to use similar methods on their own captives, and was interested in manipulating foreign leaders with such techniques, devising several schemes to drug Fidel Castro. It often conducted experiments without the subjects’ knowledge or consent. In some cases, academic researchers were funded through grants from CIA front organizations but were unaware that the CIA was using their work for these purposes.

The project attempted to produce a perfect truth drug for interrogating suspected Soviet spies during the Cold War, and to explore other possibilities of mind control. Subproject 54 was the Navy’s top-secret “Perfect Concussion” program, which was supposed to use sub-aural frequency blasts to erase memory; the program was never carried out.

Most MKUltra records were destroyed in 1973 by order of CIA director Richard Helms, so it has been difficult for investigators to gain a complete understanding of the more than 150 funded research subprojects sponsored by MKUltra and related CIA programs.

The project began during a period of what English journalist Rupert Cornwell described as “paranoia” at the CIA, when the U.S. had lost its nuclear monopoly and fear of communism was at its height. CIA counter-intelligence chief James Jesus Angleton believed that a mole had penetrated the organization at the highest levels. The agency poured millions of dollars into studies examining ways to influence and control the mind and to enhance its ability to extract information from resistant subjects during interrogation. Some historians assert that one goal of MKUltra and related CIA projects was to create a “Manchurian Candidate”-style subject. American historian Alfred W. McCoy has claimed that the CIA attempted to focus media attention on these sorts of “ridiculous” programs so that the public would not look at the research’s primary goal, which was effective methods of interrogation.

Scale of project

One 1955 MKUltra document gives an indication of the size and range of the effort. It refers to the study of an assortment of mind-altering substances described as follows:

  1. Substances which will promote illogical thinking and impulsiveness to the point where the recipient would be discredited in public.

  2. Substances which increase the efficiency of mentation and perception.

  3. Materials which will prevent or counteract the intoxicating effect of alcohol.

  4. Materials which will promote the intoxicating effect of alcohol.

  5. Materials which will produce the signs and symptoms of recognized diseases in a reversible way so they may be used for malingering, etc.

  6. Materials which will render the induction of hypnosis easier or otherwise enhance its usefulness.

  7. Substances which will enhance the ability of individuals to withstand privation, torture, and coercion during interrogation and so-called “brain-washing”.

  8. Materials and physical methods which will produce amnesia for events preceding and during their use.

  9. Physical methods of producing shock and confusion over extended periods of time and capable of surreptitious use.

  10. Substances which produce physical disablement such as paralysis of the legs, acute anemia, etc.

  11. Substances which will produce “pure” euphoria with no subsequent let-down.

  12. Substances which alter personality structure in such a way the tendency of the recipient to become dependent upon another person is enhanced.

  13. A material which will cause mental confusion of such a type the individual under its influence will find it difficult to maintain a fabrication under questioning.

  14. Substances which will lower the ambition and general working efficiency of men when administered in undetectable amounts.

  15. Substances which promote weakness or distortion of the eyesight or hearing faculties, preferably without permanent effects.

  16. A knockout pill which can be surreptitiously administered in drinks, food, cigarettes, as an aerosol, etc., which will be safe to use, provide a maximum of amnesia, and be suitable for use by agent types on an ad hoc basis.

  17. A material which can be surreptitiously administered by the above routes and which in very small amounts will make it impossible for a person to perform physical activity.

Source: Wikipedia

ARTICLE INDEX

THE TRUTH

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

CITIZEN DISARMAMENT (GUN CONTROL) LEADS HERE…

HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

NEVER

GIVE UP YOUR GUNS

THEIR PLAN = HOLOCAUST 2.0 (USA)

DELTA PROGRAMMING
(Project Monarch)

DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.

HARD TRUTH (CAUTION):

The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave

THE TIME IS NOW:

AWAKEN HUMANITY

The Evolution of Trauma Based Mind Control

DELTA PROGRAMMING
(Project Monarch)

DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-des