Borg Assimilation – 2.13 – Borg Assimilation (Star Trek: First Contact)

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BORG ASSIMILATION


Borg Assimilation

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The Official Story

STAR TREK: FIRST CONTACT (1996)


 

Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes (in his motion picture directorial debut) and based on the franchise Star Trek. It is the eighth film in the Star Trek film series, the second to star the cast of Star Trek: The Next Generation. In the film, the crew of the USS Enterprise-E travel back in time from the 24th century to the mid-21st century to stop the cybernetic Borg from conquering Earth by changing their past.

After the release of Star Trek Generations in 1994, Paramount Pictures tasked writers Brannon Braga and Ronald D. Moore with developing the next film in the series. Braga and Moore wanted to feature the Borg in the plot, while producer Rick Berman wanted a story involving time travel. The writers combined the two ideas; they initially set the film during the European Renaissance, but changed the time period that the Borg corrupted to the mid-21st century, after fearing the Renaissance idea would be “too kitsch”. After two better-known directors turned down the job, cast member Jonathan Frakes was chosen to direct to make sure the task fell to someone who understood Star Trek.

The film’s script required the creation of new starship designs, including a new USS Enterprise. Production designer Herman Zimmerman and illustrator John Eaves collaborated to make a sleeker ship than its predecessor. Principal photography began with weeks of location shooting in Arizona and California, before production moved to new sets for the ship-based scenes. The Borg were redesigned to appear as though they were converted into machine beings from the inside-out; the new makeup sessions took four times as long as their appearances on the television series. Effects company Industrial Light & Magic rushed to complete the film’s special effects in less than five months. Traditional optical effects techniques were supplemented with computer-generated imagery. Jerry Goldsmith produced the film’s score.

Star Trek: First Contact was released on November 22, 1996, and was the highest-grossing film on its opening weekend. It eventually made $92 million in the United States and Canada with an additional $54 million in other territories, combining to a worldwide total of $146 million. Critical reception was mostly positive; critics including Roger Ebert considered it to be one of the best Star Trek films, and it was the most positively reviewed film in the franchise (93% of reviews were positive) until being marginally surpassed (94%) by the 2009 reboot film. The Borg and the special effects were lauded, while characterization was less evenly received. Scholarly analysis of the film has focused on Captain Jean-Luc Picard’s parallels to Herman Melville’s Ahab and the nature of the Borg. First Contact was nominated for the Academy Award for Best Makeup and won three Saturn Awards. It was followed by Star Trek: Insurrection in 1998.

Source: Wikipedia

STAR TREK: FIRST CONTACT (1996)
PRODUCTION DETAILS

Directed by:Jonathan Frakes
Screenplay by:Brannon Braga
Ronald D. Moore
Story by:Rick Berman
Brannon Braga
Ronald D. Moore
Based on:Star Trek by Gene Roddenberry
Produced by:Rick Berman
Marty Hornstein
Peter Lauritson
Distributed by:Paramount Pictures
Release date:November 22, 1996

Star Trek: First Contact (1996) – Borg Attack

BORG ASSIMILATION


 

Assimilation is the process by which the Borg integrate beings, cultures, and technology into the Collective. “You will be assimilated” is one of the few on-screen phrases employed by the Borg when communicating with other species. The Borg are portrayed as having found and assimilated thousands of species and billions to trillions of individual life-forms throughout the galaxy. The Borg designate each species with a number assigned to them upon first contact, humanity being “Species 5618”.

When first introduced, the Borg are said to be more interested in assimilating technology than people, roaming the universe as single-minded marauders assimilating starships, planets, and entire societies to collect new technology. They are discriminating in this area, finding certain races, for example the Kazon, to be technologically inferior and unworthy of assimilation. A Borg infant found aboard a Borg Cube in “Q Who” shows that the Borg will assimilate even children. The Borg then place the assimilated children into maturation chambers to quickly and fully grow them into mature drones.

In their second appearance, “The Best of Both Worlds”, they capture and assimilate Captain Jean-Luc Picard into the Collective, creating Locutus of Borg (meaning “he who has spoken”, in Latin).

The method of assimilating individual life-forms into the Collective has been represented differently over time. When we see the Borg in Star Trek: The Next Generation, assimilation is through abduction and then surgical procedure. In Star Trek: First Contact and Star Trek: Voyager, assimilation is through injection of nanoprobes into an individual’s bloodstream via a pair of tubules that spring forth from a drone’s hand. Assimilation by tubules is depicted on-screen as being a fast-acting process, with the victim’s skin pigmentation turning gray and mottled with visible dark tracks forming within moments of contact. After assimilation, a drone’s race and gender become “irrelevant”. After initial assimilation through injection, Borg are surgically fitted with cybernetic devices. In Star Trek: First Contact an assimilated crew member is shown to have a forearm and an eye physically removed and replaced with cybernetic implants.

The Borg also assimilate, interface, and reconfigure technology using these tubules and nanoprobes. However, in Q Who a Borg is depicted apparently trying to assimilate, probe, or reconfigure a control panel in engineering using an energy interface instead of nanoprobes.

Some species, for various stated reasons, are able to resist assimilation by nanoprobes. Species 8472 is the only race shown to be capable of completely rejecting assimilation attempts. Other species, such as the Hirogen, have demonstrated resistance to assimilation as well as Dr Phlox, who was able to partially resist the assimilation process in the Star Trek: Enterprise episode “Regeneration”.

Assimilation Tubule

Assimilation tubules, also known as injection tubules, were a pair of flexible needle-like devices that extended from the wrists (female drones and the Borg Queen) or fingers (male drones) of Borg drones. They were the first step in the assimilation process.

Once they penetrated the skin, they released a series of Borg nanoprobes, the bloodstream being the initial target. They took over the blood cell functions in a manner similar to a virus. Assimilation was almost instantaneous. (VOY: “Scorpion”)

The tubules were capable of penetrating any alloy or energy field known to the Federation. They also allowed drones to interface with technology and possibly reconfigure it using their nanotechnology. (ENT: “Regeneration”; Star Trek: First Contact; VOY: “Scorpion”)

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