Borg Assimilation – 2.12 – Borg Implant Nightmare (Star Trek: First Contact)

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BORG ASSIMILATION


Borg Implant Nightmare

(Original Image)

The Official Story

STAR TREK: FIRST CONTACT (1996)


 

Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes (in his motion picture directorial debut) and based on the franchise Star Trek. It is the eighth film in the Star Trek film series, the second to star the cast of Star Trek: The Next Generation. In the film, the crew of the USS Enterprise-E travel back in time from the 24th century to the mid-21st century to stop the cybernetic Borg from conquering Earth by changing their past.

After the release of Star Trek Generations in 1994, Paramount Pictures tasked writers Brannon Braga and Ronald D. Moore with developing the next film in the series. Braga and Moore wanted to feature the Borg in the plot, while producer Rick Berman wanted a story involving time travel. The writers combined the two ideas; they initially set the film during the European Renaissance, but changed the time period that the Borg corrupted to the mid-21st century, after fearing the Renaissance idea would be “too kitsch”. After two better-known directors turned down the job, cast member Jonathan Frakes was chosen to direct to make sure the task fell to someone who understood Star Trek.

The film’s script required the creation of new starship designs, including a new USS Enterprise. Production designer Herman Zimmerman and illustrator John Eaves collaborated to make a sleeker ship than its predecessor. Principal photography began with weeks of location shooting in Arizona and California, before production moved to new sets for the ship-based scenes. The Borg were redesigned to appear as though they were converted into machine beings from the inside-out; the new makeup sessions took four times as long as their appearances on the television series. Effects company Industrial Light & Magic rushed to complete the film’s special effects in less than five months. Traditional optical effects techniques were supplemented with computer-generated imagery. Jerry Goldsmith produced the film’s score.

Star Trek: First Contact was released on November 22, 1996, and was the highest-grossing film on its opening weekend. It eventually made $92 million in the United States and Canada with an additional $54 million in other territories, combining to a worldwide total of $146 million. Critical reception was mostly positive; critics including Roger Ebert considered it to be one of the best Star Trek films, and it was the most positively reviewed film in the franchise (93% of reviews were positive) until being marginally surpassed (94%) by the 2009 reboot film. The Borg and the special effects were lauded, while characterization was less evenly received. Scholarly analysis of the film has focused on Captain Jean-Luc Picard’s parallels to Herman Melville’s Ahab and the nature of the Borg. First Contact was nominated for the Academy Award for Best Makeup and won three Saturn Awards. It was followed by Star Trek: Insurrection in 1998.

Source: Wikipedia

STAR TREK: FIRST CONTACT (1996)
PRODUCTION DETAILS

Directed by:Jonathan Frakes
Screenplay by:Brannon Braga
Ronald D. Moore
Story by:Rick Berman
Brannon Braga
Ronald D. Moore
Based on:Star Trek by Gene Roddenberry
Produced by:Rick Berman
Marty Hornstein
Peter Lauritson
Distributed by:Paramount Pictures
Release date:November 22, 1996

Star Trek: First Contact (1996) – Picard Borg Intro
(Locutus of Borg)

BORG ASSIMILATION


 

Assimilation was the process by which the Borg added new members and new technology to the Collective.

Borg assimilation was predatory; every species the Borg encountered was assessed to determine whether its biological and/or technological distinctiveness was considered “worthy of being added to the Collective’s perfection”. If found to be so, the species was set upon and forcibly assimilated; the Collective considered the species’ will in the matter “irrelevant”. (TNG: “Q Who”, “The Best of Both Worlds”; VOY: “Mortal Coil”, et al.) When a species was assimilated, their neural pathways were restructured to link them to a single collective mind, the hive, and to augment their bodies with cybernetic technology. The end result was them becoming drones. (VOY: “Drone”)

By the 2370s, the Borg had assimilated thousands of species. As of the 24th century, the only species known to have been considered unworthy of assimilation were the Kazon, as the Borg believed that assimilating them would detract from their goal of becoming perfect. (VOY: “Drone”, “Mortal Coil”)

Technique

During initial stages of assimilation, Borg nanoprobes began attaching themselves to the victim’s red blood cells, allowing them to circulate throughout the body. (VOY: “Scorpion”) Within minutes, the nanoprobes spread visibly through the capillaries of the victim’s skin. The victim, at this point, still retained his or her individuality and had virtually none of the Borg’s standard array of defenses. Left unchecked, the nanoprobes soon begin self-replicating and producing larger constructs that form the necessary Borg implants. The body was also injected with stabilizing metals such as lithium so the body can handle nanoprobes. Seven of Nine could remember the smell and taste of the metals. (PIC: “Mercy”) Among the first major structures assembled was the neural transceiver, allowing the Collective to tap into the victim’s mind and usurp control of his or her body. A vocal subprocessor was also installed. By this time, the new drone’s skin coloration had changed to a pale gray and mottled as some small implants began to emerge inside and outside the body. In some cases, the skin and face became at least slightly deformed due to the implants growing in and on the body. (Star Trek: First Contact; ENT: “Regeneration”; VOY: “Unimatrix Zero, Part II”) The drone was then taken to a Borg facility to have larger implants surgically installed, including tools, weapons and exoplating. (VOY: “Unimatrix Zero”)

Source

The Truth

HOLLYWOOD PREDICTIVE PROGRAMMING

Predictive Programming is the concept whereby conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition.

FALSE FLAG

A false flag is a covert operation designed to deceive; the deception creates the appearance of a particular party, group, or nation being responsible for some activity, disguising the actual source of responsibility.

SUBLIMINAL
adjective

(of a stimulus or mental process) below the threshold of sensation or consciousness; perceived by or affecting someone’s mind without their being aware of it.

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HOLOCAUST TRUTH

THE HOLOCAUST
The mass murder of Jews under the German Nazi regime during the period 1941–5. More than 6 million European Jews, as well as members of other persecuted groups, were murdered at concentration camps such as Auschwitz.

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