Much Ado About Nothing is a 2012 American romantic comedy film adapted for the screen, produced, and directed by Joss Whedon, from William Shakespeare’s play of the same name. The film stars Amy Acker, Alexis Denisof, Nathan Fillion, Clark Gregg, Reed Diamond, Fran Kranz, Sean Maher, and Jillian Morgese.
The first feature film by Bellwether Pictures, Much Ado About Nothing premiered at the 2012 Toronto International Film Festival and had its North American theatrical release on June 21, 2013.
The plot of the film is largely unchanged from that of Shakespeare’s original play (See below). Differences include the modern-day setting, switching Conrade’s gender, eliminating several minor roles and consolidating others into Leonato’s aide, and expanding Ursula’s role by giving her a number of Margaret’s scenes.
At Messina, a messenger brings news that Don Pedro, a Spanish prince from Aragon, and his officers, Benedick and Claudio, have returned from a successful battle. Leonato, the governor of Messina, welcomes the messenger and announces that Don Pedro and his men will stay for a month. Beatrice, Leonato’s niece, asks the messenger about Benedick, and makes sarcastic remarks about his ineptitude as a soldier. Leonato explains that “There is a kind of merry war betwixt Signior Benedick and her.”
Benedick and Beatrice, longtime adversaries, carry on their arguments. Claudio’s feelings for Hero, Leonato’s only daughter, are rekindled upon seeing her, and Claudio soon announces to Benedick his intention to court her. Benedick, who openly despises love and marriage, tries to dissuade his friend but Don Pedro encourages the marriage. Benedick swears that he will never get married. Don Pedro laughs at him and tells him that when he has found the right person he shall get married.
A masquerade ball is planned in celebration, giving a disguised Don Pedro the opportunity to woo Hero on Claudio’s behalf. Don John, “The Bastard” (Don Pedro’s illegitimate brother), is a malcontent who uses this situation to get revenge on his brother Don Pedro by telling young Claudio that Don Pedro is wooing Hero for himself. A furious Claudio confronts Don Pedro, but the misunderstanding is quickly resolved and Claudio wins Hero’s hand in marriage.
Meanwhile, Benedick disguises himself and dances with Beatrice. Beatrice, recognizing him anyway, proceeds to refer to this “mystery man” that Benedick is “the prince’s jester, a very dull fool.” Benedick, enraged by her words, swears he will have revenge. Don Pedro and his men, bored at the prospect of waiting a week for the wedding, harbour a plan to matchmake between Benedick and Beatrice. They arrange for Benedick to overhear a conversation in which they declare that Beatrice is madly in love with him but afraid to tell him; that their pride is the main impediment to their courtship. Meanwhile, Hero and her maid Ursula ensure Beatrice overhears them discuss Benedick’s undying love for her. The tricks have the desired effect: both Benedick and Beatrice are delighted to think they are the object of unrequited love, and both accordingly resolve to mend their faults and reconcile.
Meanwhile Don John plots mischief, hoping to prevent the wedding, embarrass his brother the Prince, and wreak misery on Don Pedro’s friends Leonato and Claudio. He informs Don Pedro and Claudio that Hero is unfaithful, and arranges for them to see Borachio enter her bedchamber where he has an amorous liaison (actually with Margaret, Hero’s chambermaid). Claudio and Don Pedro are taken in, and Claudio vows to publicly humiliate Hero.
At the wedding the next day, Claudio denounces Hero before the stunned guests and storms off with Don Pedro. Hero faints. Her humiliated father Leonato expresses the wish that she would die. The presiding friar intervenes, believing Hero to be innocent. He suggests the family fake Hero’s death in order to extract the truth and Claudio’s remorse. Prompted by the day’s harrowing events, Benedick and Beatrice confess their love for each other. Beatrice then asks Benedick to slay Claudio as proof of his devotion, since he has slandered her kinswoman. Benedick is horrified and at first denies her request. Leonato and his brother Antonio blame Claudio for Hero’s apparent death and challenge him to a duel. Benedick then does the same.
Luckily, on the night of Don John’s treachery, the local Watch apprehended Borachio and his ally Conrade. Despite the Watch’s comic ineptness (headed by constable Dogberry, a master of malapropisms), they have overheard the duo discussing their evil plans. The Watch arrest the villains and eventually obtain a confession, informing Leonato of Hero’s innocence. Though Don John has fled the city, a force is sent to capture him. Claudio, stricken with remorse at Hero’s supposed death, agrees to her father’s demand that he marry Antonio’s daughter, “almost the copy of my child that’s dead” and carry on the family name.
At the wedding, the bride is revealed to be Hero, still living. Claudio is overjoyed. Beatrice and Benedick, prompted by their friends’ interference, finally and publicly confess their love for each other. As the play draws to a close, a messenger arrives with news of Don John’s capture – but Benedick proposes to postpone his punishment to another day so that the couples can enjoy their new-found happiness.
Learn more about the concepts, principles and symbolism behind the subliminals found in this film:
SHAME ON YOU JOSS,
ROMANTICIZING PROJECT MONARCH.
First Published: Mar 8, 2013 – Last Updated: Mar 31, 2014