Eye of Horus

CONTEMPORARY USAGE

The Eye of Providence (or the “All-seeing Eye” of God) is a symbol showing an eye often surrounded by rays of light or a glory and usually enclosed by a triangle. It is sometimes interpreted as representing the eye of God (the Sun or RA / HORUS, the Ancient Egyptian Sun Gods) watching over humankind (or divine providence).

In the modern era, the most notable depiction of the eye is the reverse of the Great Seal of the United States, which appears on the United States one-dollar bill.

In Hinduism, the divine providence is associated with Lord Shiva, a major Hindu deity, who is one with great powers, yet lives a life of a sage and is known to keep himself intoxicated and meditating with bhang so that the world remains safe from his anger. He has an all seeing eye, the third eye on his forehead, that notices of everything that happens in the world, has an authority over death, rebirth and immortality.

Imagery of an all-seeing eye can be traced back to Egyptian mythology and the Eye of Horus. It also appears in Buddhism, where Buddha is also regularly referred to as the “Eye of the World” throughout Buddhist scriptures (e.g. Mahaparinibbana Sutta) and is represented as a trinity in the shape of a triangle known as the Tiratna, or Triple Gem.In Hinduism the gods have a third eye which is described as being “all powerful and all seeing eye”.

In Medieval and Renaissance European iconography, the Eye (often with the addition of an enclosing triangle) was an explicit image of the Christian Trinity. Seventeenth-century depictions of the Eye of Providence sometimes show it surrounded by clouds or sunbursts.

United States

In 1782, the Eye of Providence was adopted as part of the symbolism on the reverse side of the Great Seal of the United States. It was first suggested as an element of the Great Seal by the first of three design committees in 1776 and is thought to be the suggestion of the artistic consultant, Pierre Eugene du Simitiere.

On the seal, the Eye is surrounded by the words Annuit Cœptis, meaning “He approves (or has approved) [our] undertakings”, and Novus Ordo Seclorum, meaning “New Order of the Ages”. The Eye is positioned above an unfinished pyramid with thirteen steps, representing the original thirteen states and the future growth of the country. The lowest level of the pyramid shows the year 1776 in Roman numerals. The combined implication is that the Eye, or God, favors the prosperity of the United States.

Perhaps due to its use in the design of the Great Seal, the Eye has made its way into other American seals and logos, notably the Seal of Colorado and DARPA’s Information Awareness Office. It is also part of the City Seal of Kenosha, Wisconsin.


Freemasonry & The ‘All-Seeing Eye’

Inverted Pentagram and “MASON” subliminal, encoded into the ‘Eye of Horus’ Symbol

Today, the Eye of Providence is usually associated with Freemasonry. The Eye first appeared as part of the standard iconography of the Freemasons in 1797, with the publication of Thomas Smith Webb’s Freemasons Monitor. Here, it represents the all-seeing eye of God and is a reminder that a Mason’s thoughts and deeds are always observed by God (who is referred to in Masonry as the Great Architect of the Universe). Typically, the Masonic Eye of Providence has a semi-circular glory below the eye. Sometimes the Eye is enclosed by a triangle.

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FURTHER READING

         

THE INVISIBLE SYMBOL

The Invisible Symbol

The Invisible Symbol’s (Eye of Horus) basic breakdown can be found on the above illustration (right hand side). The composition contains the triangle and the horizontal divider, making up the base of the capstone. The eye is highlighted with a yellow circle, as the eye quite often is symbolized by a variety of different objects. Remember, the eye simply represents ‘the sun’ (illumination).



X-Men (2000) - Eye of Horus - Subliminal

An overt (yet hidden) example of the ‘Invisible Symbol’ encoded into this scene
- X-Men (2000)

The following list of films contains the ‘Eye of Horus’ symbol embedded subliminally into a multitude of scenes throughout each film. Generally each individual film page contains multiple pages with screencaps of the various subliminals and poster/promotional material on the last page(s).

A solid deconstruction of modern film subliminals is best explored with the Marvel Cinematic Universe, with a particular focus on the ‘Eye of Horus’ in The Avengers (2012). For those with the eyes to see… an excellent example of where this symbol is hidden in plain sight can be found in the following screencap.

The Avengers (2012) - Eye of Horus - Subliminal

An occulted example of where the Invisible Symbol can be found encoded into this scene
-  The Avengers (2012)


DECONSTRUCTING SUBLIMINALS (The Avengers: Post Credits Scene)

An excellent example of where the Invisible Symbol (Eye of Horus) is encoded subliminally into a scene can be found in the final end credit scene from The Avengers (2012). This useless scene, albeit humorous and normalizing after the events that transpire during the film has no intrinsic value. It contains zero narrative importance, nor setup for further films as seen in all previous Marvel Cinematic Universe films; so what is the point of this scene? This scene, filmed at the 11th hour and only days before the premiere of the film is placed into the film as an occulted signature, a definitive fullstop, “We made this, we are telling you, but you are blind”. Well, sorry Joss Whedon & Hollywood but not everyone is blind. This author might stand alone in the land of the blind, but the one-eyed man who is king can most definitely be seen.

One who looks at the above decoded symbol from The Avengers might initially dismiss this as simply brightly colored lines drawn over the top of the image, but careful observation reveals that the brightly colored lines are the actual starting point for the set decoration of this scene. The action in the foreground is simply the filler to distract the viewer away from the symbol encoded across the entire frame. So let’s analyze the lines and see where they touch with various objects in the background. This is the means by which the subliminal is encoded, the symbol is overlaid, set pieces are positioned to touch where the lines are located and then the overlaid symbol is removed and the symbol is hidden into the scene and can only be seen by illustrating the lines.

The following are the points at which the invisible lines intersect/overlay various background elements to make the Invisible Symbol:

  1. The triangle is fixed into position at the bottom and to the far right of the frame
  2. Overlays the sticker on the gumball machine
  3. Touches the feet of the tipped over chair next to Bruce Banner/Hulk
  4. Overlays woman’s foot, touches her apron (cleaning up in the background)
  5. Aligns exactly to the top of the first lamp shade (which also makes the capstone, with the light substituted for the eye in the capstone)
  6. Touches various background elements on the rear kitchen wall
  7. Touches the right shoulder of the white t-shirt next to Tony Stark/Iron Man
  8. Overlays/intersects Black Widow’s and Hawkeye’s hands
  9. The horizontal (bottom of the capstone) is made with the two pictures/illustrated images on the back wall directly below the light

This method of encoding the symbol is quite common in most films, the viewers eyes are always focused on the foreground action, but the important elements are always hidden in the background of scenes. If you notice a light source prominently (or not so, in this case) located in the background, there is a very good chance that the symbol can be found in the frame. Another common method is when the character is positioned in the very center of the frame (as seen in the X-Men screenshot), it is important to take note of where characters are positioned, especially if a single character is standing at the very center of the frame. The Invisible Symbol is encoded into as many shots as possible in a film, The Avengers (2012) has practically every scene encoded with the symbol. The findings presented on this site confirm that Hollywood is controlled and absolutely 100% occult (hidden) on every level, and it is hoped the information on this page/site with assist so you too may see the hidden treasures (and horrors) encoded into the multitude of Hollywood films.





Eye of Horus - Films

2010′s



2013

Oblivion (2013)    

2012

         

    

2011

         

         

2010

After.Life (2010)         

         

2000′s



2009

         

         

2008

    

2007

        

2006

         

2005

     Doom (2005)    

2004

    

2003

         

2002

2001

    

2000

    

1990′s



1999

         

1998

1997

The Fifth Element (1997)    

1994

1992



1980′s



1988

1987

    

1986

1985

1982

    

1980



1970′s



1976

1971



1960′s



1968



1940′s



1941



1930′s



1939



1920′s



1927



[ More films will be added to this list when time permits to analyze each film ]




Eye of Horus: Ancient Origins

The Eye of Horus is an ancient Egyptian symbol of protection, royal power and good health. The eye is personified in the goddess Wadjet (also written as Wedjat, Uadjet, Wedjoyet, Edjo or Uto and as The Eye of Ra or “Udjat“). The name Wadjet is derived from “wadj” meaning “green” hence “the green one” and was known to the Greeks and Romans as “uraeus” from the Egyptian “iaret” meaning “risen one” from the image of a cobra rising up in protection.

Wadjet was one of the earliest of Egyptian deities who later became associated with other goddesses such as Bast, Sekhmet, Mut, and Hathor. She was the tutelary deity of Lower Egypt and the major Delta shrine the “per-nu” was under her protection. Hathor is also depicted with this eye. Funerary amulets were often made in the shape of the Eye of Horus. The Wedjat or Eye of Horus is “the central element” of seven “gold, faience, carnelian and lapis lazuli” bracelets found on the mummy of Shoshenq II. The Wedjat “was intended to protect the king [here] in the afterlife” and to ward off evil. Ancient Egyptian and Near Eastern sailors would frequently paint the symbol on the bow of their vessel to ensure safe sea travel.

The eye as hieroglyph and symbol

The ‘Eye of Horus’ symbol encased within a solar disk
- Stargate (1994)

There are seven different hieroglyphs used to represent the eye, most commonly “ir.t” in Egyptian, which also has the meaning “to make or do” or “one who does.” In Egyptian myth the eye was not the passive organ of sight but more an agent of action, protection or wrath.

HORUS (Ancient Egyptian Sun God)

Tony Stark/Iron Man represents HORUS, the Ancient Egyptian God of the Sun, Light, Sky, Protection & War
- Iron Man (2008)

Horus was the ancient Egyptian sky god who was usually depicted as a falcon, most likely a lanner or peregrine falcon. His right eye was associated with the sun Ra.

The eye symbol represents the marking around the eye of the falcon, including the “teardrop” marking sometimes found below the eye. The mirror image, or left eye, sometimes represented the moon and the god Djehuti (Thoth).

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THE EYE OF HORUS (RA)



The Left Eye (the Eye of Horus) & the Right Eye, The Eye of Thoth (the lunar eye)

From very early times in Egypt the sun and the moon were regarded as the eyes of the great falcon god Horus, though the two eyes eventually became differentiated, with the left eye (the “Eye of Horus”) often being regarded as the symbol of the moon and the right eye (the “Eye of Re”) being that of the sun.

One of the most prominent myths concerning the moon relates its cycle to the battle between Horus and Seth. During this famous battle over the inheritance of Osiris, Seth steals the (left) eye of Horus, damages it, and divides it into six parts. Thoth (with the help of other gods) later restores it “with his fingers,” or by spitting on it. In the temple at Kom Ombo, a series of medical instruments is depicted being used in the healing of the eye by the god Haroeris (actually, Haroeris is one of the oldest forms of Horus, known as Horus the Elder). The restored eye is called Wadjet, from the New Kingdom onward, but the myth in question is much older and was found in the Coffin Texts as Spell 335.Thoth may also be said to catch the lunar eye in a net, acting together with the god Shu.

Restoring the damaged eye is said to have happened on the sixth lunar day. The eye is said to be filled with specific minerals and plants. Thoth, together with a specific group of fourteen gods, principally performed this act. In Greco-Roman temple reliefs from the region between Dendera and  Esna, this group is the Ennead of Hermopolis. Together with Thoth, these gods represented the fifteen days leading up to the full moon, and again the days of the waning moon. As representing the latter, they are said to exit from the eye.

An iconographic variant of this theme occurs in the temples at Edfu and Dendera in the form of a staircase with fourteen steps that support the fourteen gods of the waxing moon. Reliefs in Edfu, Dendera and Ismant el-Kharab (Dakhla Oasis) list a different group of thirty, mostly male, deities associated with the days of the lunar month. In the legends inscribed with these gods at Ismant el-Kharab, the first fifteen are said to fill the Wadjet eye with a fraction each day, after which the moon’s reduction is recorded up to the twenty-fourth day, when the intensity of the moonlight has all but disappeared.

The healed eye, known as the Wedjat eye, or the sound eye, became the symbol for the reestablishment of ordered conditions after disturbances. In a somewhat different myth, Horus is said to have brought his eye to his dead father Osiris who devoured it as an offering meal and by means of it was recalled to life. It thus became the guarantee of life and of the regeneration of life. The fact that offerings are called ‘the Eye of Horus” indicates that they are considered participants in the preservation of life. This designation also characterizes the offering as divine substance and even allows for discussions about the transubstantiation of the material of the offerings. The Eye of Horus is the greatest gift of all, and it constitutes the quintessence of gifts.

Hence, the sacred eye could also function as a symbol of offerings. Frequently in the art of the later New Kingdom,  a personified eye presents incense or other offerings as the deceased as he kneels before the throne of Osiris. As sacred solar animals, baboons are also frequently shown presenting Wadjet eyes to the rising sun.

The (left) Eye of Horus was considered the most powerful of protective amulets. Abundant examples with many variant forms and materials have survived from all subsequent dynasty periods. Despite the uncertainties surrounding the origin and significance of the sacred eye symbol, its use in Egyptian iconography is widespread and relatively clear. Above all, the eye was a protective device, and this is seen in the countless representations of the Wadjet which are found in amulets and jewelry and on the protective plaques which were placed over the embalming incision on mummies. This protective aspect is probably at least part of the significance of the two eyes which were commonly painted on the left side of the coffins during the First Intermediate Period and the Middle Kingdom. Although the mummy was often placed on its left side in these coffins, suggesting that the eyes may have served as a “window” onto the word for the deceased, a protective function also seems likely. In the same way, the Horus eyes painted on the bows of boats both protected the vessels and “saw” the way ahead. More directly, in the New Kingdom, representations of the sacred eye is often depicted with wings, hovering behind kings and gods as an emblem of overshadowing protective forces.

The composition of the of the symbol itself is not completely understood though it seems to represent a human or falcon eye (depending on the individual representation) above the distinctive cheek marking of the falcon. The stylized, spiral “tear line” below the eye is somewhat like that found on the face of the cheetah, which was also associated with the heavens in early Egyptian mythology for various reasons. The left (Horus) and right eye (which could be the Eye of Re) were usually depicted very similarly, with little difference other than one was a left and the other was a right eye. Of course, representations of the eyes frequently included other representations specific to each one. However, it should be noted that their orientation was not always reliable as an indicator of the lunar or solar eye.

EYE OF RA (The Right Eye of Horus, the Solar Eye)

At some point, the right eye of Horus, with its solar symbolism, was naturally associated with Re, and became the Eye of Re (Ra). Re was said to be the “father of the gods,” for he was their head and king, as well as the father of humanity, and, according to some ancient myths, all living creatures that were believed to grow from his sweat or tears. The tears were produced from the Eye of Re, which was separable from him with a mind of its own. Once when it did not return, Re sent  Shu and Tefnut to get it, the Eye stubbornly resisted, and in the struggle shed tears; from the tears, men grew. Perhaps this myth emerged because the Egyptian words for “tears” and “men” share a similar sound.

There were variants of the story concerning the Eye of Re. One legend was that the Eye was sent by Atum to search for Shu and Tefnut who were lost in the waters of Nun; being placed on Atum’s forehead rewarded the Eye. Another story is that The Eye one wandered on its own accord, and Re sent Thoth, the moon, to fetch it back; upon returning the Eye discovered that it had been replaced by another Eye, perhaps the moon. Thoth, however, mollified the original Eye, and Re pacified it by placing it, in the shape of the uraeus serpent, on his brow “where it could rule the whole world.” The Eye, as uraeus, would become the effective ruler of the world, and as such would be worn by pharaohs as a symbol of their majesty and their descent from the sun god.

It came to exist as a separate entity, independent of the god himself. The symbolism of the eye of Re, associated with a number of goddesses, was complex and diverse.

Sekhmet, another version of the eye, took the form of a savage goddess who reveled in the slaughter of humans as the instrument of the sun-god’s wrath. There are a number of versions of it found in various royal tombs in the Valley of the Kings at Thebes.  In this story, Her Father Re dispatches Hathor in the form of the lioness goddess Sekhmet in order to punish the transgressions of mankind, who had become willful and rebellious. She slays men, leaving them in pools of blood in the deserts where they had fled. In the process, She becomes overzealous and nearly wipes out humanity. In order to stop her, Re sends for His High Priest at Iunu to obtain red ochre from Elephantine, which is ground and mixed with beer. Seven thousand jars of this mixture are spread over the land of Egypt, turning it into what looks like a sea of blood. When Sekhmet (Hathor) awakens in the morning and sees it, she begins drinking voraciously.  In the process, she becomes quite intoxicated and is unable to continue slaughtering. She is coaxed to return to Her benign aspect of Hathor, and mankind is saved. However, from such stories, the Eye of Re lives on in the form of the original “Evil Eye”.

On the other hand, the Eye of Re could also be a protective force, particularly for the king, evidenced by its identification with the Wadjet, the divine personification of the uraeus. These two versions of the eye were essentially the two sides of the personality of the goddess.

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THE MYSTERIOUS CONNECTION BETWEEN SIRIUS AND HUMAN HISTORY
Since ancient times and across multiple civilizations, Sirius, the dog star, has been surrounded with a mysterious lore. Esoteric teachings of all ages have invariably attributed to Sirius a special status and the star’s importance in occult symbolism is an attestation of that fact. What makes Sirius so special? Is it simply due to the fact that it is the brightest star in the sky? Or is it also because humanity has an ancient, mysterious connection with it? This article looks at the importance of Sirius throughout History and secret societies and will describe the symbolism surrounding it.

Sirius is located in the constellation Canis Major – also known as the Big Dog – and is therefore known as the “dog star”. It is over twenty times brighter than our sun and is twice as massive. At night time, Sirius is the brightest star in the sky and its blue-white glare never failed to amaze star gazers since the dawn of time. No wonder Sirius has been revered by practically all civilizations. But is there more to Sirius than meets the eye?

Artifacts of ancient civilizations have revealed that Sirius was of a great importance in astronomy, mythology and occultism. Mystery schools consider it to be “sun behind the sun” and, therefore, the true source of our sun’s potency. If our sun’s warmth keeps the physical world alive, Sirius is considered to keep the spiritual world alive. It is the “real light” shining in the East, the spiritual light, where as the sun illuminates the physical world, which is considered to be a grand illusion.

Associating Sirius with the divine and even considering it as the home of humanity’s “great teachers” is not only embedded in the mythology of a few primitive civilizations: It is a widespread belief that has survived (and even intensified) to this day. We will look at the importance of Sirius in ancient times, analyze its prominence in secret societies and we will examine these esoteric concepts as they are translated in popular culture.

In Ancient Civilizations

In Ancient Egypt, Sirius was regarded as the most important star in the sky. In fact, it was astronomically the foundation of the Egyptians’ entire religious system. It was revered as Sothis and was associated with Isis, the mother goddess of Egyptian mythology. Isis is the female aspect of the trinity formed by herself, Osiris and their son Horus. Ancient Egyptians held Sirius in such a high regard that most of their deities were associated, in some way or another, with the star. Anubis, the dog-headed god of death, had an obvious connection with the dog star and Toth-Hermes, the great teacher of humanity, was also esoterically connected with the star.

The Egyptian calendar system was based on the heliacal rising of Sirius that occurred just before the annual flooding of the Nile during summer. The star’s celestial movement was also observed and revered by ancient Greeks, Sumerians, Babylonians and countless other civilizations. The star was therefore considered sacred and its apparition in the sky was accompanied with feasts and celebrations. The dog star heralded the coming of the hot and dry days of July and August, hence the popular term “the dog days of summer”.

Several occult researchers have claimed that the Great Pyramid of Giza was built in perfect alignment with the stars, especially Sirius. The light from these stars were said to be used in ceremonies of Egyptian Mysteries.

“This ancient people (Egyptians) knew that once every year the Parent Sun is in line with the Dog Star. Therefore, the Great Pyramid was so constructed that, at this sacred moment, the light of the Dog Star fell upon the square “Stone of God” at the upper end of the Great Gallery, descending upon the head of the high priest, who received the Super Solar Force and sought through his own perfected Solar Body to transmit to other Initiates this added stimulation for the evolution of their Godhood. This then was the purpose of the “`Stone of God,’ whereon in the Ritual, Osiris sits to bestow upon him (the illuminate) the Atf crown or celestial light.” “North and South of that crown is love,” proclaims an Egyptian hymn. “And thus throughout the teaching of Egypt the visible light was but the shadow of the invisible Light; and in the wisdom of the ancient country the measures of Truth were the years of the Most High.

Recent scientific discoveries relating to the Great Pyramid and its mysterious “air shafts” have lead researchers to further confirm the importance of Sirius within the pyramid.

Star alignment with the Great Pyramid of Giza. Orion (associated with the god Osiris) is aligned with the King’s Chamber while Sirius (associated with the goddess Isis) is aligned with the Queen’s Chamber.

A fascinating aspect of Sirius is the consistency of the symbolism and meanings attached to it. Several great civilizations have indeed associated Sirius with a dog-like figure and viewed the star as either the source or the destination of a mysterious force. In Chinese and Japanese astronomy, Sirius is known as the “star of the celestial wolf”. Several aboriginal tribes of North America referred to the star in canine terms: the Seri and Tohono O’odham tribes of the southwest describe the Sirius as a “dog that follows mountain sheep”, while the Blackfoot call it “Dog-face”. The Cherokee paired Sirius with Antares as a dog-star guardian of the “Path of Souls”. The Wolf (Skidi) tribe of Nebraska knew it as the “Wolf Star”, while other branches of knew it as the “Coyote Star”. Further north, the Alaskan Inuit of the Bering Strait called it “Moon Dog”.

The Dogon Tribe and Atlantis

In 1971, the American author Robert Temple published a controversial book entitled The Sirius Mystery where he claimed that the Dogons (an ancient African tribe from Mali) knew details about Sirius that would be impossible to be know without the use of telescopes. According to him, the Dogon understood the binary nature of Sirius, which is, in fact, composed of two stars named Sirius A and Sirius B. This lead Robert Temple to believe that the Dogons had “direct” connections with beings from Sirius. While some might say “you can’t be Sirius” (sorry), a great number of secret societies (who have historically held within their ranks some of the world’s most influential people) and belief systems teach about a mystic connection between Sirius and humanity.

In Dogon mythology, humanity is said to be born from the Nommo, a race of amphibians who were inhabitants of a planet circling Sirius. They are said to have “descended from the sky in a vessel accompanied by fire and thunder” and imparted to humans profound knowledge. This lead Robert Temple to theorize that the Nommos were extraterrestrial inhabitants of Sirius who travelled to earth at some point in the distant past to teach ancient civilizations (such as the Egyptians and Dogons) about the Sirius star system as well as our own solar system. These civilizations would then record the Nommos’ teachings in their religions and make them a central focus of their Mysteries.

The Dogon’s mythology system is strikingly similar to the ones of other civilizations such as the Sumerians, Egyptians, Israelites and Babylonians as it includes the archetypal myth of a “great teacher from above”. Depending on the civilization, this great teacher is known as eith Enoch, Thoth or Hermes Trismegistus and is said to have taught humanity theurgic sciences. In occult traditions, it is believed that Thoth-Hermes had taught the people of Atlantis, which, according to legend, became the world’s most advanced civilization before the entire continent  was submerged by the Great Deluge (accounts of a flood can be found in the mythologies of countless civilizations). Survivors from Atlantis travelled by boat to several countries, including Egypt, where they imparted their advanced knowledge. Occultists believe that the inexplicable resemblances between distant civilizations (such as the Mayas and the Egyptians) can be explained by their common contact with Atlanteans.

“Was the religious, philosophic, and scientific knowledge possessed by the priestcrafts of antiquity secured from Atlantis, whose submergence obliterated every vestige of its part in the drama of world progress? Atlantean sun worship has been perpetuated in the ritualism and ceremonialism of both Christianity and pagandom. Both the cross and the serpent were Atlantean emblems of divine wisdom. The divine (Atlantean) progenitors of the Mayas and Quichés of Central America coexisted within the green and azure radiance of Gucumatz, the “plumed” serpent. The six sky-born sages came into manifestation as centers of light bound together or synthesized by the seventh – and chief – of their order, the “feathered” snake. The title of “winged” or “plumed” snake was applied to Quetzalcoatl, or Kukulcan, the Central American initiate. The center of the Atlantean Wisdom-Religion was presumably a great pyramidal temple standing on the brow of a plateau rising in the midst of the City of the Golden Gates. From here the Initiate-Priests of the Sacred Feather went forth, carrying the keys of Universal Wisdom to the uttermost parts of the earth.

(…)

From the Atlanteans the world has received not only the heritage of arts and crafts, philosophies and sciences, ethics and religions, but also the heritage of hate, strife, and perversion. The Atlanteans instigated the first war; and it has been said that all subsequent wars were fought in a fruitless effort to justify the first one and right the wrong which it caused. Before Atlantis sank, its spiritually illumined Initiates, who realized that their land was doomed because it had departed from the Path of Light, withdrew from the ill-fated continent. Carrying with them the sacred and secret doctrine, these Atlanteans established themselves in Egypt, where they became its first “divine” rulers. Nearly all the great cosmologic myths forming the foundation of the various sacred books of the world are based upon the Atlantean Mystery rituals.”

Is Thoth-Hermes-Trismegistus the equivalent of the Dogon’s Nommos, who are believed to originate from Sirius? Ancient texts concerning Hermes describe him as a teacher of mysteries who “came from the stars”. Furthermore, Thoth-Hermes was directly connected with Sirius in Egyptian mythology.

“The dog-star: the star worshipped in Egypt and reverenced by the Occultists; by the former because its heliacal rising with the Sun was a sign of the beneficient inundation of the Nile, and by the latter because it is mysteriously associated with Toth-Hermes, god of wisdom, and Mercury, in another form. Thus Sothis-Sirius had, and still has, a mystic and direct influence over the whole living heaven, and is connected with almost every god and goddess. It was “Isis in the heaven” and called Isis-Sothis, for Isis was “in the constellation of the dog”, as is declared on her monuments. Being connected with the Pyramid, Sirius was, therefore, connected with the initiations which took place in it.”

“The Trismegistic treatise ‘The Virgin of the World’ from Egypt refers to ‘the Black Rite’, connected with the ‘black’ Osiris, as the highest degree of secret initiation possible in the ancient Egyptian religion – it is the ultimate secret of the mysteries of Isis. This treatise says Hermes came to earth to teach men civilization and then again ‘mounted to the stars’, going back to his home and leaving behind the mystery religion of Egypt with its celestial secrets which were some day to be decoded.”

Interpreting the mythology of ancient cultures is not an exact science and connections are inherently difficult to prove. However, the symbolic link between Sirius and occult knowledge has constantly appeared throughout History and has seamlessly traveled through the ages. In fact, it is as revered today as it was millenniums ago. Modern secret societies such as the Freemasons, the Rosicrucians and the Golden Dawn (which are considered to be Hermetic Orders due to the fact their teachings are based on those of Hermes Trismegistus) all attribute to Sirius the utmost importance. An educated look at their symbolism provides a glimpse at the profound connection between Sirius and occult philosophy.

Sirius in Occult Symbolism and Secret Societies

To claim that Sirius is “important” to Hermetic Orders would be a gross understatement. The dog star is nothing less than the central focus of the teachings and symbolism of secret societies. The ultimate proof of this fact: many secret societies are actually named after the star.

In the Tarot


The seventeenth numbered major trump is called Les Étoiles, (French for The Star), and portrays a young girl kneeling with one foot in water and the other on and, her body somewhat suggesting the swastika. She has two urns, the contents of which she pours upon the land and sea. Above the girl’s head are eight stars, one of which is exceptionally large and bright. Count de Gébelin considers the great star to be Sothis or Sirius; the other seven are the sacred planets of the ancients. He believes the female figure to be Isis in the act of causing the inundations of the Nile which accompanied the rising of the Dog Star. The unclothed figure of Isis may well signify that Nature does not receive her garment of verdure until the rising of the Nile waters releases the germinal life of plants and flowers.

In Freemasonry

In Masonic lodges, Sirius is known as the “Blazing Star” and a simple look at its prominence in Masonic symbolism reveals its utmost importance. The Masonic author William Hutchinson wrote about Sirius: “It is the first and most exalted object that demands our attention in the Lodge.” The same way the light of Sirius made its way into the Great Pyramid during initiations, it is symbolically present in Masonic lodges.

“The Ancient Astronomers saw all the great Symbols of Masonry in the Stars. Sirius glitters in our lodges as the Blazing Star.”

Sirius, the Blazing Star, at the center of the Masonic mosaic pavement.

The Blazing Star shining upon members of a Masonic lodge

“(The Blazing Star) originally represented SIRIUS, or the Dog-star, the forerunner of the inundation of the Nile; the God ANUBIS, companion of ISIS in her search for the body of OSIRIS, her brother and husband. Then it became the image of HORUS, the son of OSIRIS, himself symbolized also by the Sun, the author of the Seasons, and the God of Time; Son of ISIS, who was the universal nature, himself the primitive matter, inexhaustible source of Life, spark of uncreated fire, universal seed of all beings. It was HERMES, also, the Master of Learning, whose name in Greek is that of the God Mercury.”

In Freemasonry, it is taught that the Blazing Star is a symbol of deity, of omnipresence (the Creator is present everywhere) and of omniscience (the Creator sees and knows all). Sirius is therefore the “sacred place” all Masons must ascend to: It is the source of divine power and the destination of divine individuals. This concept is often represented in Masonic art.

Masonic art portraying Sirius, the Blazing Star, as the destination of the Mason’s journey.

To achieve perfection, the initiate must successfully understand and internalize the dual nature of the world (good and evil; masculine and feminine; black and white, etc.) through alchemical metamorphosis. This concept is symbolically represented by the union of Osiris and Isis (the male and female principles) to give birth to Horus, the star-child, the Christ-like figure, the perfected man of Freemasonry – who is equated with the Blazing Star.

“The sun and moon … represent the two grand principles … the male and the female … both shed their light upon their offspring, the blazing star, or Horus.”

The Egyptian hieroglyph representing Sirius has been esoterically interpreted to be a representation of this cosmic trinity.

The hieroglyph representing Sirius contains three elements: a “phallic” obelisk (representing Osiris), a “womb-like” dome (representing Isis) and a star (representing Horus).

This concept is so crucial for Freemasons, that it was embedded in some of the most important structures in the world.

The Washington Monument, an Egyptian obelisk representing the male principle, is directly connected with the dome of the Capitol, representing the female principle. Together they produce Horus an unseen energy represented by Sirius. (For more information, read the article Mystical Sites – The U.S. Capitol on The Vigilant Citizen).

As stated by Albert Pike above, the Egyptian god Horus and the star Sirius are often associated. In Masonic symbolism, the eye of Horus (or the All-Seeing Eye) is often depicted surrounded by the glittering of light of Sirius.


A Masonic tracing board depicting the sun above the left pillar (representing the masculine), the moon above the right pillar (representing feminine) and Sirius above the middle pillar, representing the “perfected man” or Horus, the son of Isis and Osiris. Notice the “Eye of Horus” on Sirius.


The Eye of Horus inside a triangle (symbolizing deity) surrounded by the glow of Sirius, the Blazing Star

The All-Seeing Eye inside the Blazing Star in Masonic art.

Given the symbolic correlation between the All-Seeing Eye and Sirius, the next image becomes self-explanatory.

The light behind the All-Seeing Eye on the American dollar bill is not from the sun, but from Sirius. The Great Pyramid of Giza was built in alignment with Sirius and is therefore shown shining right above the Pyramid. A radiant tribute to Sirius is therefore in the pockets of millions of citizens.

Order of the Eastern Star


The symbol of the OES is an inverted star, similar to the Blazing Star of Freemasonry.

Considered to be the “female version” of Freemasonry (although men can join), the Order of the Eastern Star (OES) is directly named after Sirius, the “Star rising from the East”. A “general public” explanation of the origins of the Order’s name claims it originated from the “Star of the East” that lead the Three Magis to Jesus Christ. A look into the occult meaning of the Order’s symbolism however makes it clear that the OES is a reference to Sirius, the most important star of Freemasonry, its parent organization.

OES art depicting Sirius above the Great Pyramid.

Madame Blavatsky, Alice Bailey  and Theosophy

Helena Blavatsky and Alice Bailey, the two main figures associated with Theosophy, have both considered Sirius to be a source esoteric power. Blavatsky stated that the star Sirius exerts a mystic and direct influence over the entire living heaven and is linked with every great religion of antiquity.

Alice Bailey sees the Dog Star as the true “Great White Lodge” and believes it to be the home of the “Spiritual Hierarchy”. For this reason she considers Sirius as the “star of initiation”.

“This is the great star of initiation because our Hierarchy (an expression of the second aspect of divinity) is under the supervision or spiritual magnetic control of the Hierarchy of Sirius. These are the major controlling influences whereby the cosmic Christ works upon the Christ principle in the solar system, in the planet, in man and in the lower forms of life expression. It is esoterically called the “brilliant star of sensitivity.”

Not unlike most many esoteric writers, Bailey considers Sirius to have a great impact on human life.

“All that can be done here in dealing with this profound subject is to enumerate briefly some of the cosmic influences which definitely affect our earth, and produce results in the consciousness of men everywhere, and which, during the process of initiation, bring about certain specific phenomena.

First and foremost is the energy or force emanating from the sun Sirius. If it might be so expressed, the energy of thought, or mind force, in its totality, reaches the solar system from a distant cosmic centre via Sirius. Sirius acts as the transmitter, or the focalising centre, whence emanate those influences which produce self-consciousness in man.”


Aleister Crowley, the A.A. and Kenneth Grant

In 1907, Crowley started his own occult order called the A.A. – short for Argentium Astrum, which can be translated to ‘The Order of the Silver Star’. The ‘Silver Star’ was, of course, a reference to Sirius. Even if Crowley almost always referred to the dog star in veiled terms, the whole of his magickal philosophy, from his development as a young Freemason through to his final years as the Head of the O.T.O, is wholly in accordance with the Sirian influence, which was identified and expressed by other writers of his era. His alleged contact with his Holy Guardian Angel that later led to the channelling of ‘Liber AL: The Book of the Law’ is believed to have originated from Sirius.

If Crowley used code words to describe Sirius, his protégé Kenneth Grant has explicitly and extensively written about the dog star. Throughout his numerous books, he often described Sirius as being a powerful center of magickal magnetic power. His belief that the star holds the central key to unlocking the mysteries of the Egyptian and Typhonian traditions has strengthened over time and became a central focus of his research. One of Grant’s most important and controversial thesis was his discovery of the “Sirius/Set current”, which is an extra-terrestrial dimension connecting Sirius, the Earth and Set, the Eyptian god of Chaos – who was later associated with Satan.

“Set is the initiator, the Opener of mans’ consciousness to the rays of the Undying God typified by Sirius – the Sun in the South.”

“Sirius, or Set, was the original “headless one” – the light of the lower region (the south) who was known (in Egypt) as An (the dog), hence Set-An (Satan), Lord of the infernal regions, the place of heat, later interpreted in a moral sense as “hell”.”

Although each occult philosophy describes Sirius in a slightly different matter, it is still consistently regarded as the “sun behind the sun”, the true source of occult power. It is perceived as the cradle of human knowledge and the belief of the existence of a strong connection between the star and planet Earth never seems to become outdated. Is there a true link between Sirius and Earth? Is the dog star an esoteric symbol representing something happening in the spiritual realm? It is both? One thing is for sure, the cult of Sirius is not a “thing of the past” and is very alive today. An in-depth look at our popular culture, which is heavily influenced by occult symbolism, reveals numerous references to Sirius.

Sirius in Popular Culture

Direct references to Sirius in popular culture are too many to enumerate (e.g. see the name and the logo of the most important satellite radio in the world). A more interesting aspect of popular culture to analyze are the coded references to Sirius. Important movies have indeed made veiled yet profound references to the dog star (apparently intended to those “in the know”), where the star plays the role it was always given by the Mysteries: as an initiator and a divine teacher. Here are some examples.

In Disney’s Pinocchio, based on a story written by Freemason Carlo Collodi, Gepetto prays to the brightest star in the sky to have a “real boy”. The Blue Fairy (her color is a reference to Sirius’ light-blue glow) then descends from the heavens to give life to Pinocchio. Throughout the marionette’s quest to become a boy (an allegory for esoteric initiation), the Blue Fairy guides Pinocchio towards the “right path”. Sirius is therefore represented as a source of life, a guide and a teacher. (For more information see the article entitled The Esoteric Interpretation of Pinocchio on The Vigilant Citizen).

The theme song of the movie Pinocchio is also an ode to Sirius.

When you wish upon a star, makes no difference who you are
Anything your heart desires will come to you

If your heart is in your dreams, no request is too extreme
When you wish upon a star as dreamers do

(Fate is kind, she brings to those who love
The sweet fulfillment of their secret longing)

Like a bolt out of the blue, fate steps in and sees you thru
When you wish upon a star, your dreams come true

In Harry Potter, the character named Sirius Black is most likely a reference to Sirius B. (the “darker” star of Sirius’ binary system). He is Harry Potter’s godfather, which makes Sirius, once again, a teacher and a guide. The wizard can turn into a big black dog, another link with the “dog star”.

In the Truman Show, a spotlight – used to imitate the light of a star in Truman’s fake world – falls from the sky and nearly hits him. The label on the spotlight identifies it as Sirius. Truman’s encounter with Sirius gives him a glimpse of “true knowledge” and prompts his quest for truth. Sirius is therefore the “star of initiation”. It caused Truman to realize the limitations of the his studio world (our material world) and lead him to freedom (spiritual emancipation).


In Conclusion

From the dawn of civilization to modern times, from remote tribes of Africa to the great capitals of the modern world, Sirius was – and still is – seen as a life-giver. Despite the disparity between cultures and epochs, the same mysterious attributes are given to the dog star, which can lead us to ask: how can all theses definitions synchronize so perfectly? Is there a common source to these myths about Sirius? The dog star is invariably associated with divinity and is regarded as a source of knowledge and power. These connections are particularly evident when one examines the teachings and the symbolism of secret societies, who have always taught about a mystical link with this particular celestial body. Is there a secret link between human evolution and Sirius? Unlocking this secret would mean unlocking one of humanity’s greatest mysteries.

Images & Source

FURTHER READING

              


Ancient Aliens




READING BETWEEN THE LINES

For those who have made it to the very end of this page, the revelations from this iconic 1979 poster really says it all…

Ultimately this symbol represents one thing, dominance.



Space Invaders (1978) - Atari 2600 Box Art - Eye of Horus - Subliminal
Disclosure provided to us back in 1980 (at least they were honest). It only took 33 years to be decoded.

 





Alien Invasions of Earth-Films-Hdr

Wake Up - They Live

When stepping back and looking at the big picture, is an occult message being communicated to the planet… ?


2010′s



2013

Host, The (2013)     Man of Steel (2013)     Oblivion (2013)

Pacific Rim (2013)     THOR: The Dark World (2013)    

2012

Avengers, The (2012)     Battleship (2012)     Men In Black III (2012)

2011

Attack the Block (2011)     Battle: Los Angeles (2011)     Cowboys & Aliens (2011)

    Transformers: Dark Of The Moon (2011)

2010

Skyline (2010)

2000′s



2009

Monsters Vs Aliens (2009)

2007

Aliens vs Predator - Requiem (2007)     Fantastic Four: Rise Of The Silver Surfer (2007)

2005

War of the Worlds (2005)

2002

Signs (2002)

1990′s



1998

The Faculty (1998)     The X-Files: Fight The Future (1998)

1996

Mars Attacks! (1996)     Star Trek: First Contact (1996)

1980′s



1988

They Live (1988)

1987

Bad Taste (1987)

1982



For more listings of films depicting alien invasions of earth, please review the complete list here.





Archons-The Machines-Footer




Alien Invasions of Earth-TV-Hdr

2010′s



2013

Defiance (2013)

2011

Falling Skies (2011)

2000′s



2009

V (2009)

2005

Doctor Who - Series 1 (2005)     Invasion (2005)     Threshold (2005)

1990′s



1996

Dark Skies (1996)

1993

The X-Files (1993)

1980′s



1984

The Tripods (1984)

1983

V (1983)

Is a pattern starting to emerge… perhaps the truth is being communicated through fiction?


First Published: Dec 9, 2011  -  Last Updated: Apr 17, 2014

Awakening - Footer Promo

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